Haijin Kyokai Hyoron Prize
1 appearances
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Edition 6 (1989) encouragement award
はせがわ かい
Hasegawa Kai
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| University of Tokyo | Faculty of Law | Department of Law | 学士 | — | Japan |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1990 | Suntory Academic Award | The Universe of Haiku | — | Suntory Academic Award | 受賞 |
| 2003 | Yomiuri Literature Prize | Kokū (Void) | — | Yomiuri Shimbun | 受賞 |
First haiku collection. Gained attention for a traditional haiku style that emphasizes classical techniques.
A critical work on haiku form and expression, including discussions on caesura and the use of space in verse.
A haiku collection that received the Yomiuri Literature Prize in 2003; one of his representative works.
An analytical essay on Bashō's 'old pond' haiku, discussing caesura and the notion of 'ma' (pause) in haiku.
Kai Hasegawa, while valuing traditional haiku expression, broadened public understanding of contemporary haiku through primers and criticism. His studies of Bashō and Issa and his works addressing the Great East Japan Earthquake have earned him scholarly and social recognition.
Haiku reveals its true value through caesura and the space between words.
Bashō's 'old pond' haiku contains layers of time within a single verse.