Akutagawa Prize
あくたがわりゅうのすけしょう
The Akutagawa Prize is Japan's pure literature new talent award. Awarded twice a year to outstanding short and medium-length works.
- Established
- 1935
- Organizer
- Japan Literature Promotion Foundation (Public Interest Incorporated Foundation) (De facto related to Bungeishunjū Co.)
- Category
- Pure Literature
- Selection Method
- Non-open
- Target
- Newcomer
- Frequency
- 2 per year
- Announcement Period
- around July, around January
- Status
- Active
Description
Established in 1935 by Kan Kikuchi, Japan's pure literature new talent award. Organized by the Japan Literature Promotion Foundation (a public interest incorporated foundation within Bungeishunjū), targeting short and medium-length works by unknown/emerging writers published in newspapers, magazines, etc. Selection involves pre-screening (under-reading) by Bungeishunjū selection staff (group meetings → plenary meetings) to narrow candidates, with final decision by the selection committee. Principal award: pocket watch, prize money: 1 million yen. Winning works published in Bungeishunjū, etc. Announcements: first half mid-July, second half mid-January. Selection meetings held at ryotei 'Shin-Kiraku'; award ceremonies formerly at Tokyo Kaikan, now at Imperial Hotel.
Prize
- Main Prize
- Principal award: Pocket watch, Prize money: 1 million yen and publication of winning work in Bungeishunjū, etc.
- Cash Prize
- 1,000,000 JPY
- Pocket watch (principal award)
- Publication of winning work in Bungeishunjū
- Award ceremony and press conference (formerly: Tokyo Kaikan, currently: Imperial Hotel)
Selection
Selection Process
| Stage | Judges | Pass Rate | Announcement |
|---|---|---|---|
| Pre-selection (under-reading) | Bungeishunjū selection staff (approx. 20 members, 4 groups of 5 each for under-reading) | — | Each group selects recommended works, narrows further in plenary meeting. Repeats group → plenary meetings approx. 12-14 times to determine final 5-6 candidates. |
| Final candidate confirmation (candidate intent confirmation) | Bungeishunjū selection staff and Japan Literature Promotion Foundation | — | Upon final candidate determination, confirm candidate's award acceptance intent and announce nominated works. |
| Final selection (selection committee) | Selection committee appointed by Japan Literature Promotion Foundation (generally around 9 members, varies by year) | — | Judges pre-score nominees (○△×), disclose evaluations at selection meeting (Shin-Kiraku), deliberate and vote to select winner. |
| Announcement and award ceremony | Selection committee and organizer | — | First half: mid-July, second half: mid-January—announce winner at press conference. Award ceremony next month (currently Imperial Hotel). |
Criteria
- Emphasis on pure literariness and artistry
- Being unknown/new writer (newness sometimes debated in selection)
- Already published short/medium-length work in newspapers/magazines etc.
- Work length approx. 100-200 manuscript sheets guideline (under 300 sheets typical)
- Evaluates literary completion, uniqueness, novelty of expression
Application Tips
Dos
- Aim for publication in newspapers/magazines (published works eligible)
- Enhance pure literature artistry and expressive perfection
- Adjust length to 100-200 manuscript sheets (guideline)
- Refine unique perspective/style, emphasize character depiction and human relations depth
Don''ts
- Misunderstand as direct submission eligible (Akutagawa is non-open)
- Lean toward superficial topical expressions
- Forcefully combine linked shorts for nomination (may be ineligible)
- Prioritize commerciality only
From Judges
- Even asserting novelty in novel form, depict characters/human relations carefully (common evaluation point)
- Avoid trends/superficial ideas; demonstrate literary completion
- Newness debated among committee, so emphasize work's persuasiveness
Related Awards
- Naoki Prize
- Noma Prize for New Writers
- Mishima Yukio Prize
- H Prize (modern poetry's Akutagawa equivalent)
- Kadokawa Tanka Prize (tanka world's Akutagawa)
- Kadokawa Haiku Prize (haiku world's Akutagawa)
- Kishida Kunio Drama Award (theater world's Akutagawa)
- Kido Prize (film world's Akutagawa)
- Kimura Ihei Photo Award (photography world's Akutagawa)
Official Resources
https://bungakushinko.or.jp/award/akutagawa/Past Winners
A three-story collection in which a woman working in a mourning-clothes department quietly traces unspoken feeling and family memory after meeting a girl at a food court. It includes the title story and two other pieces.
It quietly brings unspoken feeling back to life through the texture of everyday scenes.
Set in Miyagi more than ten years after the Great East Japan Earthquake, this novel follows Yuji Sakai, a landscape gardener, as he moves through loss and the uneasy possibility of renewal. It portrays a man trying to live again beyond the ordinary life that was taken away.
More than ten years after the disaster, a man keeps wandering the land.
An Akutagawa Prize-winning novel that depicts how differing feelings about food unsettle workplace relationships.
A difference in feeling toward eating creates unease among three people.
The novel portrays a young man trapped in the city, carrying anger and an uneasy sense of his own body. His alienation from society accumulates with a cold, compressed texture.
The novel portrays a young man trapped in the city, carrying anger and an uneasy sense of his own body.
Living in Germany, the narrator receives signs of a friend who was thought to have been lost in the earthquake, and the circle of memory and loss slowly widens. It is a quiet novel that links a distant place with the time after disaster.
Living in Germany, the narrator receives signs of a friend who was thought to have been lost in the earthquake, and the circle of memory and loss slowly widens.
A girl who has lost her memory arrives on an island with a different language and order, and begins searching for her place there. The novel has a strong imaginative focus on language, community, and bodily perception.
A girl who has lost her memory arrives on an island with a different language and order, and begins searching for her place there.
From the perspective of a girl who places idol fandom at the center of her life, the novel explores dependency, salvation, and the shifting outline of the self. In the gap between social media and reality, the weight of supporting someone comes into focus.
From the perspective of a girl who places idol fandom at the center of her life, the novel explores dependency, salvation, and the shifting outline of the self.
Set in Okinawa, the novel follows Minko as small events link records, memory, and lonely people. Its quiet voice traces the time layered into a place and the movement of people through it.
Set in Okinawa, the novel follows Minko as small events link records, memory, and lonely people.
Through the gaze of a young man living by strict routines, the novel captures urban suffocation and rage rising from within. It is a sharp long-form story about the clash between overcontrolled reason and emptiness.
Through the gaze of a young man living by strict routines, the novel captures urban suffocation and rage rising from within.
背高泡立草 is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.
背高泡立草 considers the relationship between individual lives and the society around them through the shape of an award-winning work.
むらさきのスカートの女 is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.
むらさきのスカートの女 considers the relationship between individual lives and the society around them through the shape of an award-winning work.
Satoshi Nakamoto works for a cryptocurrency mining company and, through his ties with his colleague Nimuro Jin, who has given up becoming a novelist, and his lover Noriko Takubo, examines what it means to remain an individual in an informational world. It is a philosophical novel about Bitcoin, life, language, and the absence of God.
In an age when everything turns into information, the outline of individuality quietly begins to waver.
After a brilliant debut win, a young professional boxer referred to as “I” keeps losing and begins to lose sight of why he boxes at all. Abandoned by his longtime trainer, he starts to change his relation to weakness, body, and the world through training with an eccentric new coach.
The body and mind of a boxer who cannot win are gradually rearranged as his next match approaches.
Ayumu, a ninth-grade boy who moves from Tokyo to a mountain town in Tohoku, seems to fit into his small class but soon witnesses the domination and violence hidden among the boys. Behind the beauty of nature and local rites, this novella follows a group's feverish momentum toward an irreversible point.
In the silence of abundant nature, the boys' games turn into violence.
Yuka Ishii's Hyakunen Doro is a fantastical novel in which a narrator caught in a flood in Chennai sees a century of memories and lives rise from the mud. Real cross-cultural experience merges with wild invention to illuminate lives that might have been.
From flood mud emerge a century of memories and lives that might have been.
Chisako Wakatake's Ora Ora de Hitori Igumo follows an elderly widow who listens to inner voices shaped by Tohoku speech as she faces loneliness and freedom. It depicts grief while also finding richness in living alone.
In age and solitude, inner voices open a new freedom.
Mayu Numata's Eiri follows a narrator who moves to Iwate and remembers days spent with a coworker named Hiasa. After the Great East Japan Earthquake, he encounters hidden aspects of that man, and the novella explores the shadows within people through nature writing and restrained relationships.
The absence of a once-close man reveals shadows the narrator had not seen.
しんせかい is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.
しんせかい considers the relationship between individual lives and the society around them through the shape of an award-winning work.
コンビニ人間 is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.
コンビニ人間 considers the relationship between individual lives and the society around them through the shape of an award-winning work.
死んでいない者 is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.
死んでいない者 considers the relationship between individual lives and the society around them through the shape of an award-winning work.
異類婚姻譚 is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.
異類婚姻譚 considers the relationship between individual lives and the society around them through the shape of an award-winning work.
スクラップ・アンド・ビルド is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.
スクラップ・アンド・ビルド considers the relationship between individual lives and the society around them through the shape of an award-winning work.
火花 is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.
火花 considers the relationship between individual lives and the society around them through the shape of an award-winning work.
九年前の祈り is an award-recognized work by 小野正嗣. It can be read as a literary work shaped by its characters' choices and their relationship with society and time.
九年前の祈り is a work by 小野正嗣 that continues to draw attention through its award history.
春の庭 is a work by 柴崎友香 known for its careful treatment of the themes described in the Japanese bibliographic record.
春の庭 is a work by 柴崎友香 that continues to draw attention through its award history.
穴 is an award-recognized 小説 by 小山田浩子. Public bibliographic records and award information frame it as a work concerned with personal choice, memory, and the pressure of its social or historical setting.
穴 looks at the relationship between individual lives and their times through the shape of an award-winning work.
爪と目 is an award-recognized 小説 by 藤野可織. Public bibliographic records and award information frame it as a work concerned with personal choice, memory, and the pressure of its social or historical setting.
爪と目 looks at the relationship between individual lives and their times through the shape of an award-winning work.
abさんご is an award-winning work by kuroda-natsuko. This entry summarizes the work from award records and public bibliographic sources.
A work whose profile and availability can be traced through its award history.
冥土めぐり is an award-winning work by kashimada-maki. This entry summarizes the work from award records and public bibliographic sources.
A work whose profile and availability can be traced through its award history.
道化師の蝶 is a 小説 by 円城塔. An experimental novel in which language, translation, travel, and memory nest inside one another. It unsettles the boundary between reading and writing and treats the process by which narrative is generated.
道化師の蝶 builds its world around experimental fiction.
共喰い is a 小説 by 田中慎弥. A novel set in a riverside town, densely portraying father and son, sex and violence, and the inescapability of blood ties. Together with its companion story, it looks at dark cycles of life.
共喰い builds its world around family.
The story follows Takako and Towako, once close in childhood, as they meet again after many years. Dreams, memory, and the atmosphere of a house blend together in prose that traces layered time with delicacy.
きことわ is an award-winning work by 朝吹真理子 that can be confirmed in book form.
Written in the idiom of the I-novel, it portrays a young day laborer's loneliness, resentment, and destructive self-consciousness. Its rough texture carries the urgency of someone pushed to the margins.
苦役列車 is an award-winning work by 西村賢太 that can be confirmed in book form.
Through a class on Anne Frank and the relationships among women students, the novel examines language, memory, and the weight of betrayal. Its intellectual structure sharply reveals group pressure and individual isolation.
乙女の密告 is an award-winning work by 赤染晶子 that can be confirmed in book form.
A novella about a long marriage, distance between spouses, houses, and the transformations of memory, asking quietly where a life finally comes to rest.
終の住処 is an award-winning work by 磯崎憲一郎, attentive to memory and relationships beneath its subject matter.
A novel about a factory worker who learns that a round-the-world cruise costs about the same as her annual income, prompting a quiet reassessment of work and life.
A voyage priced like a year’s wages lets a small light into working life.
A novel about the ideals and disillusionment of young Chinese people whose student years and later lives are shaken by social change.
Time seeping into the morning of youth reflects the distance between ideals and reality.
A novella set over three days with a sister seeking breast augmentation and her silent daughter. A torrent of bodily sensation and Osaka dialect gives shape to female bodies, mother-daughter tension, and inarticulate anxiety.
A novella set over three days with a sister seeking breast augmentation and her silent daughter.
A novel tracing a vanished uncle’s strange words and way of life, portraying a drift away from ordinary language and daily life. Stuttering, solitude, and a yearning for deviation emerge through fragmentary records.
A novel tracing a vanished uncle’s strange words and way of life, portraying a drift away from ordinary language and daily life.
A novel about a young woman living with an older relative and feeling the tension between loneliness and freedom. Rather than relying on dramatic events, it finds independence in conversation and daily texture.
Time spent alone gradually reveals the shape of the self.
A short novel about a delivery worker who reconsiders his life amid a failing marriage and long hours on the road. Dry conversations and summer heat reveal the pain of what is discarded and what remains.
On a summer road, what does a man discard, and what does he take up again?
沖で待つ is a work by 絲山秋子. It was selected for the 芥川龍之介賞 in 2005.
A work by 絲山秋子 recognized by the 芥川龍之介賞.
土の中の子供 is a work by 中村文則. It was selected for the 芥川龍之介賞 in 2005.
A work by 中村文則 recognized by the 芥川龍之介賞.
Set in Jimmachi, the novel depicts relationships in which endings and beginnings overlap. Broken things, performed selves, and local entanglements are viewed through Abe Kazushige’s hard-edged prose.
In Jimmachi, one finale turns into the beginning of another story.
A young man caring for his bedridden grandmother speaks in a voluble, rhythmically charged voice. The novel treats care, family, and a closed-in life with rough humor and urgency.
The daily work of care turns into literature through the heat of excessive language.
"蛇にピアス" is an award-winning work by 金原ひとみ. It draws readers into its world through shifting emotions, relationships, and the atmosphere surrounding its characters.
蛇にピアス became more widely known through its award recognition.
"蹴りたい背中" is an award-winning work by 綿矢りさ. It draws readers into its world through shifting emotions, relationships, and the atmosphere surrounding its characters.
蹴りたい背中 became more widely known through its award recognition.
"ハリガネムシ" is an award-winning work by 吉村萬壱. It draws readers into its world through shifting emotions, relationships, and the atmosphere surrounding its characters.
ハリガネムシ became more widely known through its award recognition.
Told from the perspective of a woman who goes driving with an older man, this novel depicts a relationship where desire, loneliness, and bodily sensation mingle. Beneath its nimble narration lies a sense of entrapment and a casually desperate urgency.
As scenery passes beyond the car window, a relationship marked more by bitterness than sweetness begins to sway.
This novella follows a man and a woman who meet in Hibiya Park, using their conversations and uncertain distance to portray urban loneliness and ambiguous intimacy among young working adults. A faint romantic texture overlaps with the shifting landscape of central Tokyo.
From conversations on a park bench, the loneliness and closeness of city life come into view.
猛スピードで母は by 長嶋有 is a work that captures a child’s view of adults, family disruption, and speed through sharply observed everyday scenes.
A mother’s sudden acceleration makes family life visible from a child’s startled seat.
中陰の花 by 玄侑宗久 is a work that sets Buddhist imagination and daily life side by side, following the fragile boundary between the living and the dead.
Between mourning and release, the living encounter death as an intimate presence.
Under a title that evokes body and faith, this literary work explores inner life through sensations of purification and defilement. Quiet language lets fractures in ordinary life appear.
聖水 is an award-winning work that distills the voice of 青木亜里一.
Through memories of France and a reunion with a friend, this novel quietly traces movement, translation, and layered pasts. Its supple prose contains the feeling of living abroad and the weight of loss.
熊の敷石 is an award-winning work that distills the voice of 堀江敏幸.
This novel uses fragmented narration and a distinctive rhythm to portray modern self-consciousness and absurdity. Its runaway language reveals loneliness and unease toward society.
きれぎれ is an award-winning work that distills the voice of 町田康.
In a rain-soaked urban atmosphere, cinema, memory, and desire intertwine in this novella. Its decadent beauty carries the pain of people left behind by the past.
花腐し is an award-winning work that distills the voice of 松浦寿輝.
蔭の棲みか is a literary work recognized in 1999. Centered on the image suggested by its title, it reflects the author’s concerns and the expressive climate of its time.
蔭の棲みか draws readers into its world through the resonance of its title.
夏の約束 is a literary work recognized in 1999. Centered on the image suggested by its title, it reflects the author’s concerns and the expressive climate of its time.
夏の約束 draws readers into its world through the resonance of its title.
水滴 is an award-recognized work by 目取真 俊. It follows the tensions suggested by its title and presents them through character, setting, and narrative movement.
水滴 brings together the concerns of its moment with the author's chosen subject.
海峡の光 by Jinsei Tsuji is a work associated with the Akutagawa Prize. It builds its world around the impression suggested by the title, following human choices and the atmosphere of its time with a lingering aftertaste.
海峡の光 quietly conveys the core appeal that has kept it read as an award-recognized work.
家族シネマ by Miri Yanagi is a work associated with the Akutagawa Prize. It builds its world around the impression suggested by the title, following human choices and the atmosphere of its time with a lingering aftertaste.
家族シネマ quietly conveys the core appeal that has kept it read as an award-recognized work.
蛇を踏む by Hiromi Kawakami is a work associated with the Akutagawa Prize. It builds its world around the impression suggested by the title, following human choices and the atmosphere of its time with a lingering aftertaste.
蛇を踏む quietly conveys the core appeal that has kept it read as an award-recognized work.
"豚の報い" is an award-winning work by 又吉栄喜, recognized by the 芥川龍之介賞. It can be read as a representative work that concentrates the author style and concerns.
An award-winning work in which 又吉栄喜 brings the force of the title "豚の報い" into focus.
"この人の閾" is an award-winning work by 保坂和志, recognized by the 芥川龍之介賞. It can be read as a representative work that concentrates the author style and concerns.
An award-winning work in which 保坂和志 brings the force of the title "この人の閾" into focus.
おどるでく is a work by 室井光広. A book publication by 室井光広 is confirmed for 1994, presenting the author's concerns and narrative style from the period in which it was honored.
おどるでく is the work by 室井光広 recognized by the award.
タイムスリップ・コンビナート is a work by 笙野頼子. A book publication by 笙野, 頼子, 1956- is confirmed for 1994.9, presenting the author's concerns and narrative style from the period in which it was honored.
タイムスリップ・コンビナート is the work by 笙野頼子 recognized by the award.
石の来歴 is a work by 奥泉光 and a recipient of the 芥川龍之介賞. It centers on personal experience, social atmosphere, memory, and changes in everyday life.
An award-recognized work by 奥泉光.
寂寥郊野 is a work by 吉目木晴彦 and a recipient of the 芥川龍之介賞. It centers on personal experience, social atmosphere, memory, and changes in everyday life.
An award-recognized work by 吉目木晴彦.
A novel that relocates the folktale motif of a dog bridegroom into a modern urban setting, shaping it into an unsettling and humorous tale of transformation. Its light narrative voice leads ordinary life into the uncanny.
A folktale shadow enters everyday urban life, and a strange marriage tale begins.
A novel that depicts the solitude and desire of modern urban life through the bodily sensations of a subway driver and the underground city. Tunnels and station lights reveal a city suspended between discipline and sensuality.
The speed of a train beneath the city illuminates the inner lives of urban dwellers.
Eiko Matsumura's Abaton is a campus novel about Satsuki, newly enrolled in an experimental university, and her roommate Maho. With lucid prose, it follows one dry solitude trying to draw near another.
A mineral-like solitude quietly approaches another solitude.
Yo Henmi's Automatic Wake-Up Device, an Akutagawa Prize-winning work, portrays sleep and civilizational exhaustion through a man whose job is to wake others in a news agency nap room.
Through a man who wakes others, the deep fatigue of civilization becomes visible.
Anna Ogino's Seoi Mizu, an Akutagawa Prize-winning work, lets lies, fantasy, love, and bodily feeling tumble with lightness. As the title work of a collection, it creates a distinctive rhythm of wit and dark humor.
The wish to tell a rose-colored lie turns into witty laughter.
妊娠カレンダー is a work by 小川洋子. This entry summarizes the work itself, focusing on its subject, form, and the qualities for which it was recognized.
The work is introduced through its central motif and the reading experience it offers.
村の名前 is a work by 辻原登. This entry summarizes the work itself, focusing on its subject, form, and the qualities for which it was recognized.
The work is introduced through its central motif and the reading experience it offers.
表層生活 is a fiction work by 大岡玲. It is recorded as a 受賞 work, and its title and genre show one facet of the author's literary concerns.
表層生活 by 大岡玲 is a fiction work remembered through its award history.
ネコババのいる町で is a fiction work by 瀧澤美恵子. It is recorded as a 受賞 work, and its title and genre show one facet of the author's literary concerns.
ネコババのいる町で by 瀧澤美恵子 is a fiction work remembered through its award history.
Diamond Dust is an award-winning work by 南木佳士. It can be read as a concentrated expression of the author's concerns, shaped through its themes, narrative tone, and handling of character and scene.
Diamond Dust invites readers to approach it through the expressive force that drew attention at the time of the award.
Yuhui is an award-winning work by 李良枝. It can be read as a concentrated expression of the author's concerns, shaped through its themes, narrative tone, and handling of character and scene.
Yuhui invites readers to approach it through the expressive force that drew attention at the time of the award.
Time for a Missing Person is an award-winning work by 新井満. It can be read as a concentrated expression of the author's concerns, shaped through its themes, narrative tone, and handling of character and scene.
Time for a Missing Person invites readers to approach it through the expressive force that drew attention at the time of the award.
A novella in which science, the cosmos, solitude, and friendship are joined through the gaze of a young man working in the city. Like a still-life painting, close attention to things nearby opens toward a much wider world.
スティル・ライフ conveys a central aspect of 池澤夏樹’s work.
A novel about an eldest son’s decision to enter Buddhist life and the responses it stirs within his family. A private choice ripples through the household and reveals the values held by parents and children alike.
長男の出家 conveys a central aspect of 三浦清宏’s work.
A novella that follows children gathered at their grandmother’s house, quietly bringing out family memory and the atmosphere of place. Beneath ordinary talk and the feel of the table, intimacy and unease within kinship coexist.
鍋の中 conveys a central aspect of 村田喜代子’s work.
A story about a woman married to a Jewish American writer who faces her husband's family reunion and a ritual of kinship, confronting cross-cultural family bonds and her own solitude. Immigration, marriage, and caring for a disabled child intersect.
Before a cross-cultural family ritual, the solitude and conflict of a woman who sought freedom come into focus.
A novel that uses memories and time around a Chinese parasol tree to depict human pain and renewal. Within its restrained prose, feelings toward family and home quietly rise.
青桐 illuminates human memory and feeling through the symbolic force carried by its title.
杢二の世界 is a prize-winning work shaped by its subject matter and the author's point of view. Through the people, places, events, or memories suggested by the title, it conveys the atmosphere of its time and the tensions of human relationships.
杢二の世界 draws out human lives and the shape of its time through the implications carried by its title.
光抱く友よ is a prize-winning work shaped by its subject matter and the author's point of view. Through the people, places, events, or memories suggested by the title, it conveys the atmosphere of its time and the tensions of human relationships.
光抱く友よ draws out human lives and the shape of its time through the implications carried by its title.
The Little Lady is Rie Yoshiyuki’s linked collection of stories, written in poetic prose around cats, reverie, and solitude. The five pieces, including the title story, evoke the communion of vulnerable beings and the tremors of a delicate mind exposed to a hostile outside world.
The presence of cats and a dreamlike atmosphere quietly illuminate the loneliness of a fragile heart.
A short story in which memories of the father slip into the scenery and stray thoughts of a narrator who goes to look at a cemetery for his father's ashes.
During an ordinary trip toward a cemetery, the father's absence and memory seep into everyday details.
This short story portrays Japanese wives living in a small town in the American Midwest, asking about Japanese sensibility through marriage abroad, homesickness, love, and isolation. Centered on Keiko, who lives with her veteran husband, it layers the loneliness of women betrayed by those they love.
In an American small town, the homesickness and solitude of Japanese women emerge within daily life touched by the call of mockingbirds.
This short story centers on a man who works at a crematorium, portraying the loneliness and devotion of someone who faces death as everyday labor. Through his relationship with a woman working at a hospital for the elderly, it quietly brings out the weight of sending off the dead, affection, and hesitation about one's work.
The work of a man who cremates the dead and hands bones to bereaved families reconsiders human dignity within love and daily life.
An Akutagawa Prize-winning work by So Aono. Centered on a man returning to Japan with his foreign wife, it depicts exhaustion with freedom, fractures in married life, and the unease of trying to return to a homeland and ordinary living. The work places the distortions of a subject shaped by life abroad and re-exposed to Japanese society within an autobiographical mode of narration and the atmosphere of its time.
A man searching for a place to return to is drawn once again into ordinary life and Japan after reaching the end of freedom.
伸予 is a work by 高橋揆一郎 that uses the form of 小説 to portray human feeling and the atmosphere of its time. Its award recognition suggests a lasting impression created by its subject matter and controlled style.
伸予 brings 人間関係 and 時代の空気 into focus through the form of 小説.
September Sky is a coming-of-age novel about a boy devoted to kendo and the unsettled emotions of first love. It links youthful vulnerability with the changing season, conveying the ache of growth in clear, fresh prose.
九月の空 brings 人間関係 and 時代の空気 into focus through the form of 小説.
螢川 is an award-winning work by 宮本輝. It follows personal memory, place, and the pressure of everyday life through a voice shaped by its period.
A compact work in which 宮本輝 traces how memory and daily life shape a person's sense of belonging.
榧の木祭り is an award-winning work by 高城修三. It follows personal memory, place, and the pressure of everyday life through a voice shaped by its period.
A compact work in which 高城修三 traces how memory and daily life shape a person's sense of belonging.
僕って何 is an award-winning work by 三田誠広. It follows personal memory, place, and the pressure of everyday life through a voice shaped by its period.
A compact work in which 三田誠広 traces how memory and daily life shape a person's sense of belonging.
エーゲ海に捧ぐ is an award-winning work by 池田満寿夫. It follows personal memory, place, and the pressure of everyday life through a voice shaped by its period.
A compact work in which 池田満寿夫 traces how memory and daily life shape a person's sense of belonging.
Ryu Murakami's debut novel depicts the decadence, music, drugs, sex, and emptiness of young people living near a U.S. military base. Its cool gaze and excessive imagery reveal the underside of postwar affluence.
Beneath dazzling decadence lies a transparent emptiness.
The Cape is a novella in which Kenji Nakagami densely portrays the land of Kishu and questions of blood relations. Alleyways, family, desire, and violence overlap, making it a starting point for the later Kumano saga.
An Akutagawa Prize work that inscribes the weight of Kishu land and blood, opening a new horizon in postwar literature.
Shikanoshima is a novella set on the island of Shika in Fukuoka, layering local memory with human solitude. Against a background of history and daily life, it quietly examines the relation between place and the individual in postwar Japanese fiction.
志賀島 presents 岡松和夫's work as an award-recognized title.
The Site of the Festival is Kyoko Hayashi's representative work, depicting the experience of the Nagasaki atomic bombing in a restrained style. Rather than shouting, it inscribes the time of the bomb into literature through bodily memory and silence.
An Akutagawa Prize work that turns the Nagasaki bombing experience into deep shock through restrained language.
Keizo Hino’s short story illuminates a dark emotional gulf between a man and a woman under the evening sun. Urban unease and postwar sensibility overlap, making it a turning point in his career as an Akutagawa Prize winner.
The evening sun exposes the dark bottom of a relationship.
Hiroo Sakata’s novel concerns faith, family, and memory. Known also for children’s literature and poetry, the author quietly depicts inner life and the weight of belief in this Akutagawa Prize winner.
Like a vessel formed from earth, human fragility and faith are shaped in the story.
草のつるぎ is an award-recognized work by 野呂邦暢. Centered on the people, places, or events suggested by its title, it stands as a work valued within the literary and artistic context of its time.
草のつるぎ, an award-recognized work by 野呂邦暢.
月山 is an award-recognized work by 森敦. Centered on the people, places, or events suggested by its title, it stands as a work valued within the literary and artistic context of its time.
月山, an award-recognized work by 森敦.
鶸 is an award-recognized work by 三木卓. Centered on the people, places, or events suggested by its title, it stands as a work valued within the literary and artistic context of its time.
鶸, an award-recognized work by 三木卓.
ベティさんの庭 is an award-recognized work by 山本道子. Centered on the people, places, or events suggested by its title, it stands as a work valued within the literary and artistic context of its time.
ベティさんの庭, an award-recognized work by 山本道子.
れくいえむ is an award-recognized work by 郷静子. Centered on the people, places, or events suggested by its title, it stands as a work valued within the literary and artistic context of its time.
れくいえむ, an award-recognized work by 郷静子.
いつか汽笛を鳴らして is an award-recognized work by 畑山博. Centered on the people, places, or events suggested by its title, it stands as a work valued within the literary and artistic context of its time.
いつか汽笛を鳴らして, an award-recognized work by 畑山博.
誰かが触った is an award-recognized work by 宮原昭夫. Centered on the people, places, or events suggested by its title, it stands as a work valued within the literary and artistic context of its time.
誰かが触った, an award-recognized work by 宮原昭夫.
砧をうつ女 is a 作品 by 李恢成. It reflects the literary and publishing climate around its award year, with the person, place, or incident suggested by the title forming the center of the work.
砧をうつ女 conveys the force of its subject and the author's perspective as an award-winning work.
オキナワの少年 is a 作品 by 東峰夫. It reflects the literary and publishing climate around its award year, with the person, place, or incident suggested by the title forming the center of the work.
オキナワの少年 conveys the force of its subject and the author's perspective as an award-winning work.
杳子 is a work by 古井由吉 recognized in the context of 芥川賞. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
杳子 links 古井由吉’s mode of expression with the recognition it received at the time.
無明長夜 is a work by 吉田知子 recognized in the context of 芥川賞. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
無明長夜 links 吉田知子’s mode of expression with the recognition it received at the time.
プレオー8の夜明け is a work by 古山高麗雄 recognized in the context of 芥川賞. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
プレオー8の夜明け links 古山高麗雄’s mode of expression with the recognition it received at the time.
アカシヤの大連 is a work by 清岡卓行 recognized in the context of 芥川賞. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
アカシヤの大連 links 清岡卓行’s mode of expression with the recognition it received at the time.
赤頭巾ちゃん気をつけて is a work by 庄司薫 recognized in the context of 芥川賞. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
赤頭巾ちゃん気をつけて links 庄司薫’s mode of expression with the recognition it received at the time.
深い河 is a work by 田久保英夫 recognized in the context of 芥川賞. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
深い河 links 田久保英夫’s mode of expression with the recognition it received at the time.
年の残り is a work by 丸谷才一 recognized in the context of 芥川賞. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
年の残り links 丸谷才一’s mode of expression with the recognition it received at the time.
三匹の蟹 is a work by 大庭みな子 recognized in the context of 芥川賞. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
三匹の蟹 links 大庭みな子’s mode of expression with the recognition it received at the time.
Through a man returning home, the novel examines postwar time, family, and attachment to place, quietly showing the uncertainty of the place one returns to.
徳山道助の帰郷 is an award-winning work in which 柏原兵三's vision is concentrated around homecoming.
A dramatic novel set in occupied Okinawa, depicting encounters between U.S. military figures and local residents while exposing colonial power and family wounds.
カクテル・パーティー is an award-winning work in which 大城立裕's vision is concentrated around Okinawa.
A novella set around a condemned prisoner in summer, written in a dry, restrained style that examines life, death, institutions, and the individual.
夏の流れ is an award-winning work in which 丸山健二's vision is concentrated around capital punishment.
Immediately after Japan's defeat, a mother and child who have lost husband, home, and security take refuge in a cold village in the northeast. The story portrays the mother's isolation and despair in restrained prose, with cold and silence pressing heavily on the page.
Before the mother and child who have lost a place to return to, northern winter and loneliness stand silently in the way.
This short story depicts the relationship between an unsuccessful little-magazine writer and the wife who reacts intensely to every movement of his heart. Through the wife's gaze, it carefully follows the strange balance held by a couple on the edge of collapse.
Unreturned affection turns into a toy-like balance that keeps the marriage in place.
Set in the sense of emptiness after the Japanese Communist Party's Sixth National Conference, this novel follows young men and women through encounters, separations, struggle, and betrayal. It portrays the collapse of postwar ideals and the pain of youth in an intellectual, lyrical style.
In an age that has lost sight of what can be believed, young people try to choose their own lives while being wounded.
This romantic short story follows Yuiko, wounded by an unfulfilled love, as she travels with her friend Hiroshi. Light conversation and the movement of travel are layered with heartbreak, self-deflection, and Kansai-inflected humor.
Even on the road, heartbreak does not disappear; behind the humor, Yuiko's sentiment trembles faintly.
Set against a postwar rural landscape and the sensitivities of boyhood, this title story brings together memories of people and place. Its plain scenery quietly reveals the pain of growing up and the shadows of everyday life.
Through a boy's eyes, the bridge becomes a boundary joining village life to a distant world.
This short story follows a middle-aged woman searching for crabs with her young nephew on the Sotobo coast. Beneath the calm seaside setting, it opens onto a complex inner world of attachment to children, shame, and loneliness.
A seaside game illuminates the bent desire and loneliness lying deep within the woman.
Bidan no Shuppatsu is Akira Kawamura's Akutagawa Prize-winning work. It looks at the dislocations behind events told as heartwarming stories and can be read as questioning the very starting point of such narration.
Where a heartwarming story begins, human dislocation and ambiguity lie hidden.
A short story centered on fishermen confronting a gigantic whale, portraying human obsession, the rough force of community, and awe before nature. Its depictions of sea and body carry a heat worthy of the mythic title.
Through a struggle with a giant whale, human vengeance and vitality are laid bare.
A lyrical love story in which a university student burdened by dark family memories meets Shino, who works at a small restaurant, and the two are drawn together while tending to each other's wounds. Beneath its clear lyricism runs an urgent desire to keep living.
Two people carrying painful pasts move toward renewal through a love as quiet as a river's flow.
The title story portrays psychiatrists struggling to resist the Nazi policy of killing mentally ill patients in the final phase of World War II. In an extreme situation, it sharply questions human anxiety, ethics, and the limits of medicine.
Facing another form of Auschwitz, the doctors move toward desperate choices in an effort to save their patients.
Shiro Shiba's Akutagawa Prize-winning novel presents human loneliness and mental disturbance against a mountain setting. Within postwar literature, it is read as a work that connects the severity of nature with the human interior.
In the silence of the mountain, human loneliness and inner shadows deepen.
飼育 is a literary work by 大江健三郎. Recognized in its award year, it reflects the author's concerns and the atmosphere of its period.
飼育 remains associated with 大江健三郎's award-winning career.
裸の王様 is a work by 開高健. It is presented here as a prize-winning work, with attention to its subject, tone, and place in the author's career.
A prize-winning work by 開高健.
硫黄島 is a work by 菊村到. It is presented here as a prize-winning work, with attention to its subject, tone, and place in the author's career.
A prize-winning work by 菊村到.
海人舟 is a fiction by 近藤啓太郎 that was recognized by the 芥川龍之介賞. Available public sources mainly make it possible to trace its publication form and later inclusion in collections.
近藤啓太郎's 海人舟 remains traceable today through its award history.
Season of the Sun is Shintaro Ishihara's debut work, portraying postwar youth who rebel against established values and morals through a sensibility shaped by the body, sexuality, and nihilism. Its direct treatment of young people's unruliness caused a strong reaction on publication, and its Akutagawa Prize win made it a major social event.
A vivid debut that portrayed the bodies and defiance of postwar youth and sent ripples far beyond literature.
White Man is an early work by Shusaku Endo set in Lyon under German occupation during the Second World War, sharply exploring original sin, good and evil, and questions of faith within Western thought. Through Nazi violence and the ordeal of a seminarian, it anticipates Endo's later concerns with Christianity and human weakness.
Endo's Akutagawa Prize-winning work confronts faith and evil against the wartime background of Lyon.
A short story set in occupied Japan, depicting Japanese English teachers visiting an American school and exposing their awkwardness, inferiority, and comic unease. Against the background of postwar U.S.-Japan relations, it treats language, education, and post-defeat consciousness with sharp satire and unstable humor.
A visit to an American school reveals the anxieties and absurdities of Japanese teachers after defeat.
"Poolside Scene" is a short story that quietly observes, through the wife's eyes, a husband who has suddenly lost his job as he plays with his children at a pool. In restrained prose, it shows how modest domestic happiness can be shaken by social anxiety and changes in daily life.
In this Akutagawa Prize-winning story, the fragility of family happiness quietly enters a bright poolside scene.
"Shuu" is Junnosuke Yoshiyuki's Akutagawa Prize-winning story and an early representative work that observes desire, jealousy, and weariness between men and women with cool precision. Through sexuality, it examines the certainty of the body, the uncertainty of the mind, and the loneliness hidden within relationships, marking a new sensibility in postwar Japanese literature.
Desire and fatigue arrive like a sudden rain, revealing the loneliness beneath a relationship between a man and a woman.
"Warui Nakama" and "Inki na Tanoshimi" are early short stories by Shotaro Yasuoka that jointly won the 29th Akutagawa Prize. Through prose marked by lightness and self-mockery, they depict isolation from childhood, a sense of guilt, illness, and unease toward family, marking the starting point of a writer associated with the Third Generation of postwar authors.
Two prize-winning stories that capture guilt and isolation in a supple style and bring a new inner voice to postwar literature.
Kosuke Gomi's "Mogami" is a short story that overlays the tense world of swordsmanship fiction with the presence of aging and death. In hard-edged prose, it depicts the inner life of a figure at the height of martial skill and the end of life that cannot be measured by victory or defeat alone.
This Akutagawa Prize-winning story looks beyond the outcome of swordplay toward aging and death.
Aru Kokura Nikki Den is Matsumoto Seicho's Akutagawa Prize-winning story about a young man and his mother pursuing Mori Ogai's years in Kokura. Through the obsession of an unknown person gathering materials and the harsh reality that such effort is rarely rewarded, it shows the social gaze at the starting point of Seicho's fiction.
In the obsession of an unknown young man tracing Ogai's footsteps lies the origin of Seicho's literature.
広場の孤独, 漢奸 is a work by 堀田善衛 recognized in the 1951-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
広場の孤独, 漢奸 is recorded as an award-recognized work by 堀田善衛.
壁 S・カルマ氏の犯罪, 春の草 is a work by 安部公房 recognized in the 1951-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
壁 S・カルマ氏の犯罪, 春の草 is recorded as an award-recognized work by 安部公房.
春の草 is a work by 石川利光 recognized in the 1951-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
春の草 is recorded as an award-recognized work by 石川利光.
異邦人 is a work by 辻亮一 recognized in the 1950-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
異邦人 is recorded as an award-recognized work by 辻亮一.
闘牛 is a work by 井上靖 recognized in the 1949-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
闘牛 is recorded as an award-recognized work by 井上靖.
本の話 is a work by 由起しげ子 recognized in the 1949-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
本の話 is recorded as an award-recognized work by 由起しげ子.
確証 is a work by 小谷剛 recognized in the 1949-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
確証 is recorded as an award-recognized work by 小谷剛.
雁立 is a work by 清水基吉 recognized in the 1944-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
雁立 is recorded as an award-recognized work by 清水基吉.
劉廣福 is a work by 八木義徳 recognized in the 1944-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
劉廣福 is recorded as an award-recognized work by 八木義徳.
登攀 is a work by 小尾十三 recognized in the 1944-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
登攀 is recorded as an award-recognized work by 小尾十三.
和紙 is a work by 東野邊薫 recognized in the 1943-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
和紙 is recorded as an award-recognized work by 東野邊薫.
纏足の頃 is a work by 石塚喜久三 recognized in the 1943-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
纏足の頃 is recorded as an award-recognized work by 石塚喜久三.
連絡員 is a work by 倉光俊夫 recognized in the 1942-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
連絡員 is recorded as an award-recognized work by 倉光俊夫.
青果の市 is a work by 芝木好子 recognized in the 1941-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
青果の市 is recorded as an award-recognized work by 芝木好子.
長江デルタ is a work by 多田裕計 recognized in the 1941-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
長江デルタ is recorded as an award-recognized work by 多田裕計.
平賀源内 is a work by 櫻田常久 recognized in the 1940-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
平賀源内 is recorded as an award-recognized work by 櫻田常久.
歌と門の盾 is a work by 高木卓 recognized in the 1940-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
歌と門の盾 is recorded as an award-recognized work by 高木卓.
密獵者 is a work by 寒川光太郎 recognized in the 1939-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
密獵者 is recorded as an award-recognized work by 寒川光太郎.
鶏騒動 is a work by 半田義之 recognized in the 1939-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
鶏騒動 is recorded as an award-recognized work by 半田義之.
あさくさの子供 is a work by 長谷健 recognized in the 1939-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
あさくさの子供 is recorded as an award-recognized work by 長谷健.
乗合馬車 is a work by 中里恒子 recognized in the 1938-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
乗合馬車 is recorded as an award-recognized work by 中里恒子.
厚物咲 is a work by 中山義秀 recognized in the 1938-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
厚物咲 is recorded as an award-recognized work by 中山義秀.
糞尿譚 is a work by 火野葦平 recognized in the 1937-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
糞尿譚 is recorded as an award-recognized work by 火野葦平.
暢気眼鏡 is a work by 尾崎一雄 recognized in the 1937-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
暢気眼鏡 is recorded as an award-recognized work by 尾崎一雄.
普賢 is a work by 石川淳 recognized in the 1936-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
普賢 is recorded as an award-recognized work by 石川淳.
地中海 is a work by 冨澤有爲男 recognized in the 1936-2 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
地中海 is recorded as an award-recognized work by 冨澤有爲男.
城外 is a work by 小田嶽夫 recognized in the 1936-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
城外 is recorded as an award-recognized work by 小田嶽夫.
コシャマイン記 is a work by 鶴田知也 recognized in the 1936-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
コシャマイン記 is recorded as an award-recognized work by 鶴田知也.
蒼氓 is a work by 石川達三 recognized in the 1935-1 cycle of akutagawa-ryunosuke-award. The entry records the award-linked work and avoids assigning book identifiers unless a separately published book can be confirmed.
蒼氓 is recorded as an award-recognized work by 石川達三.