A stage work that digs into memory and the body under occupation from a contemporary perspective.

A stage work that digs into memory and the body under occupation from a contemporary perspective.

Nao Cola Yamazaki's Mirai no Genji Monogatari. I confirmed it as a standalone book from Tankosha with ISBN13 9784473045485.

A book that rereads The Tale of Genji from a contemporary perspective.

A novel in which two people burdened by memories of harm meet in a place that fears the first infected person and begin a quiet life on the run. It traces the weight of past wrongdoing and a relationship built on sensing one another's presence.

A lonely and fragile life on the run for two people burdened by guilt.

An illustrated book that portrays a girl's release from tension through the memory of a summer spent in a seaside atelier.

Seaside light gently wraps an unforgettable week.

A nonfiction work that traces Gérard Philipe's final winter while drawing the radiance of an actor and the memory of an era.

One actor's final season becomes a portrait of an entire era.

古本屋散策 is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.

古本屋散策 considers the relationship between individual lives and the society around them through the shape of an award-winning work.

Kamisama no Jusho, Sasara Kura's first book, combines tanka with self-commentary, moving among everyday sensation, dreams, the cosmos, the body, and wordplay. Using short poems as entry points, the book opens the pathways of the author's imagination and conveys the pleasure of reading tanka through prose as well.

A debut book rich in sensation and wordplay, offering tanka as vessels for flowers the self has breathed out.

In wartime Shanghai, Japanese policeman Serizawa is driven out after arranging contact between the army and the Green Gang. Abandoned by homeland and profession, he tries to survive in the city’s chaos.

A man without a homeland searches for honor and ecstasy in Shanghai’s shadows.

私の消滅 is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.

私の消滅 considers the relationship between individual lives and the society around them through the shape of an award-winning work.

紋切型社会：言葉で固まる現代を解きほぐす is an award-winning work that examines memory, social pressure, and the ways people try to understand themselves and others through its central situation.

紋切型社会：言葉で固まる現代を解きほぐす considers the relationship between individual lives and the society around them through the shape of an award-winning work.

ナツェラットの男 is a work by 山浦玄嗣 known for its careful treatment of the themes described in the Japanese bibliographic record.

ナツェラットの男 is a work by 山浦玄嗣 that continues to draw attention through its award history.

余白の祭 is a work by 恩田侑布子. It can be introduced as a story whose appeal lies in its premise, character relationships, and the emotional movement suggested by the award record and bibliographic sources.

余白の祭 is a work whose outline can be traced through award records and bibliographic sources.

マザーズ is an award-winning work by kanehara-hitomi. This entry summarizes the work from award records and public bibliographic sources.

A work whose profile and availability can be traced through its award history.

赤の他人の瓜二つ is a 小説 by 磯崎憲一郎. A novel that uses coincidence and resemblance to others to unsettle the boundary between self and world. It depicts the feeling that the outline of reality is gradually slipping.

赤の他人の瓜二つ builds its world around coincidence.

A novel in which voices, memory, and the feel of place flow together, unsettling the outline of narration itself. It foregrounds the movement of language over plot and explores how traces of life remain.

A novel in which voices, memory, and the feel of place flow together, unsettling the outline of narration itself.

ドーン presents its central unease through concise scenes and carefully withheld explanation. The story draws the reader toward a quiet disturbance rather than a simple shock.

ドーン is a story in which the presence of the uncanny slips into everyday life.

A volume collecting Masaya Nakahara’s diary from 2004 to 2007, layering fragments of daily life, work, friendships, and irritation as a writer and musician.

Fragments from three and a half years bring a writer’s life and the atmosphere of the time into view.

A critical study of the energy Taro Okamoto found in Japanese folk culture and forms. Through the artist’s travels and discoveries, it traces wildness and festivity at the roots of Japanese culture.

A critical study of the energy Taro Okamoto found in Japanese folk culture and forms.

Kaenai Aji is an essay collection that draws flavor from daily life: persimmons, cold rice, earthenware teapots, chopstick rests, vessels, and the feel of the table. It writes about sensations and memories that cannot simply be bought, in clear and attentive prose.

The book looks closely at the priceless taste found in ordinary days.

傷口にはウオッカ is a work by daido-tamaki. It was recognized by the bunkamura deux magots literary award in 2005 and centers on the people, places, or events suggested by its title.

傷口にはウオッカ can be read through the themes and narrative qualities that drew attention at the time of the award.

Mellow 1983, retitled Mellow in book form, is a novel by Kenji Taguchi. Fragmentary narration, memories of pop culture, and unfulfilled love mingle to create a tone that is both sweet and cruel.

A chain of fragments resonates like a sweet and cruel love song.

"オリガ・モリソヴナの反語法" is an award-winning work by 米原万里. It draws readers into its world through shifting emotions, relationships, and the atmosphere surrounding its characters.

オリガ・モリソヴナの反語法 became more widely known through its award recognition.

球形時間 is a work by 多和田葉子. Recognized as an award-winning work in 2002, it opens its world through the people, places, and events suggested by its title and through the texture of its language.

球形時間 can be read through the themes and verbal force that drew attention at the time of the award.

A biography of Akira Kurosawa written by Hiromichi Horikawa, who worked beside him as an assistant director. It follows Kurosawa from his youth to his emergence as a world-renowned filmmaker, combining memories of film production with the atmosphere of the times.

A filmmaker who knew the set traces the life, work, and private face of Kurosawa.

A short-story collection by Banana Yoshimoto. Against the backdrop of travel in South America and the pain of love, it portrays recovery of feeling and the aftertaste of loss in a gentle style.

不倫と南米

"神様" is a work by 川上 弘美. It is recognized in the context of its award field, including literature, criticism, children's writing, mystery, or related genres.

"神様" is an award-winning work that reflects 川上 弘美's distinctive approach.

くっすん大黒 is an award-recognized work by 町田 康. It follows the tensions suggested by its title and presents them through character, setting, and narrative movement.

くっすん大黒 brings together the concerns of its moment with the author's chosen subject.

暗殺百美人 is a work by 飯島耕一. It is known as a recipient of bunkamura-deux-magots-literary-award and presents the author's concerns and style.

暗殺百美人 presents the literary world of 飯島耕一.

"黄落" is an award-winning work by 佐江衆一, recognized by the Bunkamuraドゥマゴ文学賞. It can be read as a representative work that concentrates the author style and concerns.

An award-winning work in which 佐江衆一 brings the force of the title "黄落" into focus.

ファザーファッカー、私たちは繁殖している is a work by 内田春菊. It was recognized in the 1994 cycle of bunkamura-deux-magots-literary-award; the entry summarizes the work based on confirmed publication traces.

ファザーファッカー、私たちは繁殖している reflects the qualities in 内田春菊's writing that drew award attention.

蝶とヒットラー is an award-winning work by 久世光彦. It represents the author’s concerns and style within the context of the prize category.

蝶とヒットラー presents the literary world of 久世光彦.

This biography follows the life and art of the unorthodox painter Masao Tsuruoka, approaching both his freewheeling personality and the core of his work. Through avant-garde energy, satire, and unruly vitality, it brings one corner of postwar art to life.

Film critic Koichi Yamada portrays François Truffaut's life and work through personal memory and film history. The biography conveys the spirit of the Nouvelle Vague and the joy and pain of living through cinema.

Through Truffaut, loving cinema and telling a life become one act.