Noma Literary Newcomer Award
のまぶんげいしんじんしょう
A literary award targeting new novelists in pure literature.
- Established
- 1979
- Organizer
- Noma Literary Foundation / Kodansha
- Category
- Pure Literature
- Selection Method
- Open call
- Target
- Newcomer
- Frequency
- 1 per year
- Announcement Period
- around November
- Status
- Active
Description
Established in 1979 to commemorate the 70th anniversary of Kodansha's founding, this is a literary award hosted by the Noma Cultural Foundation targeting new novelists in pure literature. Winners receive an award plaque as the main prize and 1 million yen starting from the 12th award (500,000 yen for the 1st to 11th awards) as the cash prize; the winning work and judges' comments are published in the January issue of "Gunzō".
Prize
- Main Prize
- Award plaque
- Cash Prize
- 1,000,000 JPY
- 500000 yen for the 1st to 11th awards
Selection
Selection Process
| Stage | Judges | Pass Rate | Announcement |
|---|---|---|---|
| Final selection | Deliberation by the selection committee | — | Published in the January issue of "Gunzō" |
Application Tips
Dos
- Consider submitting single-volume books, not only works published in literary magazines.
From Judges
- This award is evaluated as being on par with the Akutagawa Prize.
Related Awards
- Noma Literary Prize
- Noma Children's Literary Prize
- Noma Literary Translation Prize
- Akutagawa Prize
- Mishima Yukio Prize
Official Resources
https://www.kodansha.co.jp/award/noma_n.htmlPast Winners
A novel that reexamines borders and bodily boundaries through the rejection reaction of a transplanted left hand.
The boundary of the body overlaps with the boundary of the world.
A novel that traces the history of human-horse relations while following a race caller who tries to draw closer to the mare Shi wo kaku uma.
The history around horses is gathered into one narrator's gaze.
A commercial writer tries to turn former classmate Abe-kun's life into a novel while confronting memories of violence and the body, blurring the boundary between writing and reproduction. An ambitious novel that questions the relation between autobiography and fiction.
Fiction keeps wavering between autobiography and another person's face.
A short story collection that depicts the days of Shu, a fifth-grader in a child welfare facility, and his younger friend Hijiri with delicate language. Poet Iko Idogawa's first fiction collection includes the title story and 'Boshou'.
The children's gaze picks up the scenery of the Yodogawa as it is.
Set in a near-future Japan ruled by xenophobia, third-generation Zainichi Korean youths gather for a counterattack plan. A dystopian novel that turns the reality of discrimination and hate crime into a youth ensemble.
Stop this history before they kill you.
Shinzen Suikyoen follows catering staff working at a shrine wedding hall and entangles weddings, money, love, nation, and gods. From the labor of performing festive rituals, the history of a shrine dedicated to a Meiji military deity emerges.
Behind the glitter of wedding banquets, labor, faith, and national history collide noisily.
Deadline follows a graduate student rushing toward his thesis deadline as scholarship, desire, friendship, and bodily sensation intersect. Philosophical thinking and urban everyday life overlap under mounting time pressure.
Thought under deadline pressure unsettles the borders of friendship and desire.
The Twins Ride a Donkey is introduced here as a work whose Japanese description centers on 不条理, 双子. The book or work is presented through its subject matter and reception without relying on unsupported identifiers.
The Twins Ride a Donkey draws readers into its world through 不条理.
This work is introduced as: 本を読む行為そのものへの畏れと憧れを軸にした中編集。表題作と「未熟な同感者」を通じ、読書が人の記憶や自意識を揺さぶる瞬間を描く。
A work centered on 読むことが、人物の現在と過去を照らし返す。
星の子 is an award-recognized work by Natsuko Imamura. It is presented here with publication data checked against book and library sources, and it follows characters and circumstances that leave a lingering question after the final page.
星の子 is a work whose shape becomes clearer when its award history is read alongside its publication record.
日曜日の人々(サンデー・ピープル) is an award-recognized work by Hiroki Takahashi. It is presented here with publication data checked against book and library sources, and it follows characters and circumstances that leave a lingering question after the final page.
日曜日の人々(サンデー・ピープル) is a work whose shape becomes clearer when its award history is read alongside its publication record.
This work is introduced as an award-recognized title, with its publication status and reading context checked from bibliographic and award records.
A concise award-work entry based on confirmed bibliographic and award records.
愛と人生 is an award-recognized work by 滝口悠生. Bibliographic and descriptive sources identify it as a work concerned with personal choices and their social or historical setting.
愛と人生, read through its award history and bibliographic record.
女たち三百人の裏切りの書 is an award-recognized work by 古川日出男. Bibliographic and descriptive sources identify it as a work concerned with personal choices and their social or historical setting.
女たち三百人の裏切りの書, read through its award history and bibliographic record.
LIFE by 松波太郎 is recorded as the work attached to this award entry. No reliable standalone book identifier was confirmed for this envelope, so magazine or award-page identifiers have not been reused.
A concise profile of LIFE by 松波太郎, including award and bibliographic context.
想像ラジオ is recorded as a 2013 award-winning work. The entry was checked against the title, author, award record, publication form, and public bibliographic data tied to the awarded work itself.
Bibliographic and work information for 想像ラジオ is organized without substituting magazine identifiers.
A fantastical novel in which the time of gods, humans, and small living things crosses the horizon of the present. Centered on the search around an old text, it lets the borders between this world and the other side, the self and the beyond, waver through Satoko Hiwa's poetic language.
Beyond an old manuscript, the times of gods, humans, and small creatures overlap.
After being betrayed by his girlfriend and a friend, the part-time worker narrator heads to the sea and encounters strange events. Sumito Yamashita's first book deliberately unsettles narrative conventions as reality, memory, and bodily sensation merge.
At the sea reached after betrayal, the narration begins to come apart in unexpected ways.
ぬるい毒 is a 長編小説 by 本谷有希子. The work is recorded as an award-recognized title and presents its subject through the images suggested by the title, the author's concerns, and the movement of memory or feeling.
ぬるい毒 presents 本谷有希子's work in the form of 長編小説.
Uuushitan is an experimental novel by Toh EnJoe. Narration, annotation, and digression intertwine to create an intellectual maze around a story that may not exist, unsettling the act of reading itself.
At the border of whether a story exists at all, the act of reading is put to the test.
Netemo Sametemo is a novel in which memories of love and present life waver around two men with the same face. Feelings for someone who cannot be forgotten overlap with a relationship in the present, creating a quiet tension.
Between two men with the same face, memory and the present continue to waver.
ギンイロノウタ is a work by 村田沙耶香 recorded as a 2009 award-winning title. The title and author were checked against the National Diet Library Search, and print identifiers were used only when a matching standalone book was found.
ギンイロノウタ by 村田沙耶香 is a work read through the lens of its award history and publication form.
ミュージック・ブレス・ユー!! is an award-winning work by Kikuko Tsumura. Published as a standalone book, it follows its characters' choices and the atmosphere surrounding them through the subject and voice recognized by the prize.
ミュージック・ブレス・ユー!! is a work by Kikuko Tsumura recognized by the 野間文芸新人賞.
ピカルディーの三度 is an award-winning work by 鹿島田真希. It presents its subject through the lives, memories, and conflicts of its characters, making the concerns recognized by the prize accessible to readers.
ピカルディーの三度 is an award-winning work in which 鹿島田真希 depicts human choices and the weight of time.
暗渠の宿 is an award-winning work by 西村賢太. It presents its subject through the lives, memories, and conflicts of its characters, making the concerns recognized by the prize accessible to readers.
暗渠の宿 is an award-winning work in which 西村賢太 depicts human choices and the weight of time.
A short-story collection by Masaya Nakahara. Through doubt toward storytelling, emptiness, violent humor, and noise-like narration, it destabilizes the form of contemporary fiction. It also includes the Akutagawa Prize finalist “Tenmetsu……”.
Like lights blinking without reaching anyone, it illuminates both fiction’s possibilities and its voids.
四十日と四十夜のメルヘン is an award-recognized work by 青木淳悟. The bibliographic record identifies it as a standalone book and confirms its publication details.
四十日と四十夜のメルヘン, read through its award history and bibliographic record.
二人乗り is an award-recognized work by 平田俊子. The bibliographic record identifies it as a standalone book and confirms its publication details.
二人乗り, read through its award history and bibliographic record.
This work presents its subject through a clear narrative focus, drawing out the emotions, conflicts, and historical background at the center of the book. It can be read as an accessible introduction to the themes that shaped the award recognition.
The work turns a focused premise into a lingering story about memory, place, and human feeling.
This work presents its subject through a clear narrative focus, drawing out the emotions, conflicts, and historical background at the center of the book. It can be read as an accessible introduction to the themes that shaped the award recognition.
The work turns a focused premise into a lingering story about memory, place, and human feeling.
This coming-of-age novel follows Fumi, a high school student who gradually finds her footing while wavering in her relationships with family and a lover. Rather than relying on major incidents, it carefully traces subtle shifts in feeling and distance.
In days that can move only little by little, a girl searches for her own place.
Centered on soccer, Tomoyuki Hoshino's novel layers the body, the nation, collective fervor, and individual life. Through the motion of sport, it sharply illuminates violence and desire in contemporary society.
The fervor of soccer exposes the violence hidden in bodies and society.
縮んだ愛 is a work by 佐川光晴. It is associated with the 野間文芸新人賞.
縮んだ愛 by 佐川光晴.
海馬の助走 is a work by 若合春侑. It is associated with the 野間文芸新人賞.
海馬の助走 by 若合春侑.
ベラクルス is a work by 堂垣園江. It was selected for the 野間文芸新人賞 in 2001 and was recognized within the literary culture of its time.
A work by 堂垣園江 recognized by the 野間文芸新人賞.
処方箋 is a work by 清水博子. It was selected for the 野間文芸新人賞 in 2001 and was recognized within the literary culture of its time.
A work by 清水博子 recognized by the 野間文芸新人賞.
2000 is an award-recognized work by the author, centered on the concerns suggested by its title and the texture of its people and time.
2000 is a work remembered through its award recognition.
2000 is an award-recognized work by the author, centered on the concerns suggested by its title and the texture of its people and time.
2000 is a work remembered through its award recognition.
無情の世界 is a work by 阿部和重. It presents its subject through a focused literary frame, drawing out the emotional and social tensions suggested by the Japanese description.
無情の世界 uses 現代社会 as an entry point into human feeling and the atmosphere of its time.
ラニーニャ is a work by 伊藤比呂美. It presents its subject through a focused literary frame, drawing out the emotional and social tensions suggested by the Japanese description.
ラニーニャ uses 身体 as an entry point into human feeling and the atmosphere of its time.
おしゃべり怪談 is a work by 藤野千夜. Recognized by the 野間文芸新人賞, it reflects the author's concerns and the literary context around the work.
A work recognized by the 野間文芸新人賞, showing 藤野千夜's distinctive voice.
くっすん大黒 is a work by 町田康 that was recognized by the 野間文芸新人賞 in 1997. It is read as a published literary work.
くっすん大黒, a work recognized by the 野間文芸新人賞.
まどろむ夜のUFO is a work by 角田光代 associated with the 野間文芸新人賞. It can be read as a work that follows its subject through people, time, place, and memory.
Under the title まどろむ夜のUFO, the work foregrounds 角田光代's engagement with its subject.
フルハウス is a work by 柳美里 associated with the 野間文芸新人賞. It can be read as a work that follows its subject through people, time, place, and memory.
Under the title フルハウス, the work foregrounds 柳美里's engagement with its subject.
私の自叙伝前篇 is a work by Masato Takeno recognized by the Noma Literary Newcomer Award. It can be read as a work shaped by the award's literary field, with attention to narrative, character, society, and history.
A work by Masato Takeno recognized through the Noma Literary Newcomer Award.
ノヴァーリスの引用 is an award-winning work by 奥泉光, recognized by the 野間文芸新人賞. It presents its subject through the form suggested by the title and stands as part of the author's published career.
ノヴァーリスの引用 is a work by 奥泉光 honored by the 野間文芸新人賞.
草の上の朝食 is an award-winning work by 保坂和志, recognized by the 野間文芸新人賞. It presents its subject through the form suggested by the title and stands as part of the author's published career.
草の上の朝食 is a work by 保坂和志 honored by the 野間文芸新人賞.
A Room Where the Stars and Stripes Cannot Be Heard follows a narrator who chooses to write in Japanese while searching for his own language between the United States and Japan. Cultural distance, the bodily sense of language, and unstable memory create the tension of transnational literature.
Beyond an unheard anthem, the narrator begins searching for his own language.
Yoriko Shono’s first fiction collection searches for the reality of being alive through monologues moving between the real and the fantastic.
Inside seemingly idle time, the texture of existence begins to tremble.
ショート・サーキット is a literary work by 佐伯一麦. It presents character, atmosphere, and social context through fiction or criticism.
ショート・サーキット is an important work for reading 佐伯一麦's expression in the context of 野間文芸新人賞.
さして重要でない一日 is an award-winning work by 伊井直行. Using the people, places, or events suggested by its title as a point of entry, it presents human choices and the atmosphere of its time through narrative, criticism, or documentary inquiry.
さして重要でない一日 brings together the concerns of its period and the author's particular way of seeing.
ルイジアナ杭打ち by 吉目木晴彦 is a literary work that follows memory, relationships, and the shadows cast by time. As an award-winning work, it is framed around the concerns suggested by its title and leaves a quiet afterimage for the reader.
ルイジアナ杭打ち layers people, time, and place behind the force of its compact title.
ヴェクサシオン is a literary work by Arai Man and a winner of 野間文芸新人賞.
ヴェクサシオン is an essential work in the award history of Arai Man.
A novel that sets women’s everyday sensibilities and inner shifts against the vivid image of a mimosa grove. Through ordinary details, it reveals loneliness and the shape of human relationships.
A novel that sets women’s everyday sensibilities and inner shifts against the vivid image of a mimosa grove.
A novel with a quiet voice and a faintly fantastic atmosphere shaped by youthful sensibility. As its poetic title suggests, it builds a delicate world around gift, memory, and intimacy.
A novel with a quiet voice and a faintly fantastic atmosphere shaped by youthful sensibility.
水平線上にて is an award-winning work by 中沢けい. It presents its subject through careful attention to setting, character choices, and historical or emotional context.
An award-winning work that invites readers into the world of 水平線上にて.
自由時間 is an award-winning work by 増田みず子. It presents its subject through careful attention to setting, character choices, and historical or emotional context.
An award-winning work that invites readers into the world of 自由時間.
女からの声 is a 長編小説 by 青野聰. It follows the pressures, memories, and relationships suggested by its subject, presenting the work in a compact literary form.
女からの声 quietly brings out the texture of memory and its time.
夢遊王国のための音楽 is a 小説集 by 島田雅彦. It follows the pressures, memories, and relationships suggested by its subject, presenting the work in a compact literary form.
夢遊王国のための音楽 quietly brings out the texture of memory and its time.
“雪野” is an award-winning work by 尾辻克彦. Recognized through the prize, it presents the author’s concerns and distinctive mode of storytelling.
An entry point into the author’s literary world through the award-winning work “雪野.”
羊をめぐる冒険 is a work by 村上春樹 recognized in the literary-award context around 1982. It can be read through its title, subject matter, and the author's concerns within the atmosphere of its period.
羊をめぐる冒険 by 村上春樹 remains associated with its award recognition.
A novel about Kiku and Hashi, two boys abandoned in coin lockers, and the destructive forces that shape their lives. Moving from an island to Tokyo, the stage, and the deep sea, it fuses longing for the mother, violence, music, and the desire to break the city apart into a dense visionary narrative.
A life that begins in a coin locker swells into a story of destruction and liberation that shakes the city itself.
A young man who has wandered the world returns to Japan and meets a girl who has run away from home, restless in her own youth, amid the bustle of the city. Through their life together and the birth of a child, the novel vividly blends love, sexuality, death, and a sense of nature as young bodies try to take in the world.
The meeting of two young people moves through the noise of the city toward the radiance of life.
This novel follows Mitsuo, a young man who keeps growing tomatoes in greenhouses on a small remaining patch of land surrounded by housing estates on the outskirts of Utsunomiya. Urbanization after rapid economic growth, the transformation of farmland and family, and raw desires around sex and money press into daily life like thunder rumbling in the distance.
Beside the housing estates, a young man tends tomatoes in greenhouses as if resisting the changing land.
光の領分 is a 文学作品 work by 津島佑子, recorded as an award-winning work around 1979. It follows people and society while conveying the atmosphere and shifting values of its time.
An award-winning work that quietly illuminates its era and its people through 津島佑子's perspective.