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Cyberabad Days

英国SF協会賞

Cyberabad Days

イアン・マクドナルド

「The Djinn's Wife」は、近未来インドを舞台に、ダンサーのイーシャとナノボット群として身体化したAIの結婚を描くSF中篇である。恋愛譚のかたちを借りながら、人間と人工知性、身体、権力、親密さの境界を問い直す。

人工知能近未来インド結婚身体権力

作品情報

人と人工知性の結婚は、恋愛の幸福と支配の不安を同時に呼び込む。

イアン・マクドナルドの短篇集『Cyberabad Days』に収録された中篇。初出はSF誌で、のちに近未来インドをめぐる連作世界の一部として読まれるようになった。Gollancz 版短篇集の ISBN を採用した。

レビュー要約

  • 豊かなイメージと異種間の恋愛設定を評価する読みがある一方、物語の手応えを物足りなく感じる反応もある。華やかな表面の下に、関係の非対称性が残る点が議論を呼ぶ。

書籍情報

出版社
Gollancz
発売日
2009-04-02
ページ数
320ページ
言語
英語
サイズ
15.8 x 3 x 24.1 cm
ISBN-13
9780575084070
ISBN-10
0575084073
価格
4286 JPY
カテゴリ
洋書/Science Fiction & Fantasy/Science Fiction

The world: 'Cyberabad' is the India of 2047, a new, muscular superpower of one and a half billion people in an age of artificial intelligences, climate-change induced drought, water-wars, strange new genders, genetically improved children that age at half the rate of baseline humanity and a population where males out-number females four to one. India herself has fractured into a dozen states from Kerala to the headwaters of the Ganges in the Himalayas. Cyberabad is a collection of 7 stories: The Little Goddess. Hugo nominee Best Novella 2006. In near future Nepal, a child-goddess discovers what lies on the other side of godhood. The Djinn's Wife. Hugo nominee and BSFA short fiction winner 2007 A minor Delhi celebrity falls in love with an artificial intelligence but is it a marriage of heaven and hell? The Dust Assassin. Feuding Rajasthan water-rajas find that revenge is a slow, subtle process. Jasbir and Sujay go Shaadi. Love and marriage should be plain-sailing when your matchmaker is a soap-star artificial intelligence Sanjeev and Robotwallah. What happens to the boy-soldier roboteers when the war of Separation is over? Kyle meets the River. A young American in Varanas learns the true meaning of 'nation building' in the early days of a new country. Vishnu at the Cat Circus. A genetically improved 'Brahmin' child finds himself left behind as he grows through the final generation of humanity.

Ian McDonald was born in Manchester in 1960. His family moved to Northern Ireland in 1965. He now lives in Belfast and works in TV production. The author of many previous novels, including the groundbreaking Chaga books set in Africa, Ian McDonald has long been at the cutting edge of SF. RIVER OF GODS won the BSFA award in 2005, BRASYL won in it in 2007 and THE DERVISH HOUSE in 2010.

レビュー

  • Mirabilie Dictu!

    The stories within these pages dazzle, sadden, uplift, and fascinate me. McDonald writes about 21st century India is a way that presages all thaty is possibly good, horrific, or intriguing to fans of science fiction and history.

  • Brilliant from beginning to end.

    Top quality cyberpunk that superbly captures the sights, sounds and smells of India and Nepal. I've been to some of the places where these stories are set and this book creates a stunningly believable future for these places. Like all good future science fiction, it's actually about now; this very week I've read news reports about nanobots and about the gender imbalance in India because of selective abortion of girls. The writer clearly has a finger on the pulse of developments in Sub Continental culture and technology. His characters are believable and very human. The book I'd read just before this one, The Devish House, was also from this author and I thought it was the best science fiction I'd encountered in years. This one is arguably better!

  • Four Stars

    Excellent contents, just slightly disappointed that this second hand book was ex-library and not stated as such

  • More Insight into River of Gods

    This was a great collection of stories set in the same future India as McDonald's River of Gods, which I also really liked. My personal favorite was "The Little Goddess" which was about a schizophrenic Nepalese girl that is exiled to India after injuring herself and thereby disqualifying herself from being a goddess. To survive in India, she has to become a very unique smuggler. I don't want to say anymore for fear of spoiling a creative, well-told story. I think McDonald's strong point is creating a believable, living and breathing world and then analyzing all sorts of cool technologies and ideas within that world. He's a little weaker on actual story telling. Most of the stories in this book don't have much of a plot. In fact, the final story is basically a retelling of the entire future "history" of India through the eyes of "Brahmin," and definitely should NOT be read before you read River of Gods. Some of the phrases McDonald uses (like Brahmin, for example) are borrowed from Indian and/or middle-eastern culture and applied to the new technologies and genetic mutations he's invented for his future. This occasionally was a problem for me as I read the stories, trying to remember what different terms meant. For example, was a Djinn a ghost or was it the physical manifestation of an advanced AI personality? River of Gods had a glossary at the end to help you keep those terms straight. Cyberabad Days definitely could have also benefited from a glossary, especially for readers like me, who read River of Gods a couple years ago.

  • Just wonderful

    I am puzzled that some SF-loving folk just don't seem to get Ian McDonald. That's their loss. River of Gods was an out-and-out masterpiece. As an adjunct to that, this series of splintered visions of future India is an essential purchase. I have lived for many years in Asia, and McDonalds' research and depth of undestanding of this culture constantly amazes.

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