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Ryuichiro Fujiwara

ふじわら りゅういちろう

Fujiwara Ryuichiro

ペンネーム: Fujiwara Tsukihiko（Pen name used for haiku）, Bian（Haiku pseudonym）

プロフィール

性別
男性
生誕
1952-01-18 （Fukuoka Prefecture, Japan）
国籍
Japanese
言語
Japanese

経歴

職業
tanka poet, haiku poet, radio director, lyricist, editor
活動期間
1970年〜
所属
Tankajin (tanka magazine), Dakudaku-kai (haiku group), Nippon Broadcasting System (former employer), Fuji Television (former employer), Fusosha (former employer)
所属団体
Japan Tanka Poets Club (Honorary Chair)
影響を受けた人物
Hideo Nakai, Kunio Tsukamoto, Tate Kasugai, Shuji Terayama

学歴

Osaka Prefectural Ikeda High School
国: Japan
Waseda University, Faculty of Letters, Department of Literature
Faculty of Letters / Department of Literature
国: Japan
Entered Keio University initially, then re-examined and enrolled at Waseda University

受賞歴

Tanka Kenkyu Newcomer Award
1990
対象作品: Radio Days
主催: Tanka Kenkyu Society
結果: 受賞

受賞・候補エディション

作品

代表作

Divine Right of Kings

1975年 haiku collection

An early haiku collection exhibiting nascent aesthetic and avant-garde tendencies.

decadencepower

Even After the Dreaming Days

1989年 tanka collection

A collection of tanka from his early to middle periods, notable for weaving contemporary proper nouns into the poems.

surface of the eraproper nouns

Garden of Lament

1997年 tanka collection

A tanka collection with a strong aesthetic sensibility; often employs pop-culture and celebrity proper names.

decadencepop culture

Severance

1998年 tanka collection

A late-1990s collection that foregrounds fragmentation and images of severance.

fragmentationisolation

Jada

2009年 tanka collection

One of his notable 2000s collections; characterized by the use of proper nouns and capturing temporal surfaces.

temporalitymemory

Tanka Collection 202X

2020年 tanka collection

A recent collection consciously aiming to preserve moments of the era.

moments of the eraproper nouns

全著作

  • Divine Right of Kings (haiku collection), Shinya Sosho, 1975
  • Kifu (haiku collection), Shinya Sosho, 1981
  • Even After the Dreaming Days (tanka collection), Yūshorin, 1989
  • Garden of Lament (tanka collection), Jatec Publishing, 1997
  • Severance (tanka collection), Foucault, 1998
  • The Pull of Tanka: Ryuichiro Fujiwara's Statements on Tanka, Hiiragi Shobo, 2000
  • Tokyo Style 99-00 (tanka collection), Hokutosha, 2001
  • Hit with a Bouquet (tanka collection), Hiiragi Shobo, 2002
  • Ryuichiro Fujiwara Collected Tanka, Sunagoya Shobo, 2004
  • Paradise (tanka collection), Kadokawa, 2006
  • Ryuichiro Fujiwara Collection, Yūshorin, 2008
  • Jada (tanka collection), Tanka Kenkyu-sha, 2009
  • Ryuichiro Fujiwara Collected Tanka, Continued, Sunagoya Shobo, 2012
  • Complete Haiku of Fujiwara Tsukihiko, Rokkashorin, 2019
  • Tanka Collection 202X, Rokkashorin, 2020

翻案

  • Theme song for the Crusher Joe theatrical film (lyrics)
  • Appearances on NHK programs (Kadan, Haiku-related programs)

作風・主題

文体
Avant-garde/modernist tanka that actively incorporates proper nounsDecadent/aesthetic expression
頻出モチーフ
proper nounssurface of the eradecadence/aesthetic motifs

評価・遺産

Known for boldly incorporating pop-culture and celebrity proper names into tanka to capture the surface of the era. Also worked as an editor and radio director, contributing to the administration and dissemination of tanka poetry.

関連学会

  • Japan Tanka Poets Club

大衆文化への影響

  • His style of embedding pop-culture and celebrity proper names attracted attention; he has connections to music (writing lyrics for a film theme song) and magazine serials (JUNE).

引用

  • We should preserve the surface of the era — the 'now' of this moment. Even proper nouns can be used if they are the heaviest or brightest names at that moment.
    出典: Tokyo Shimbun article (quotation of Fujiwara) (2020年)

豆知識

  • Haiku pseudonym is '媚庵' (Bian).
  • Has published haiku under the name Fujiwara Tsukihiko.
  • Worked in broadcasting and publishing at Nippon Broadcasting, Fuji TV, and Fusosha.
  • Wrote lyrics for the Crusher Joe theatrical film theme song 'Hishou (NEVER END)'.