Nihon SF Grand Prize
1 appearances
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Edition 45 (2024) award
いちかわ はるこ
Ichikawa Haruko
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Hokkaido University of Education | Art | Art | — | — | Japan |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 2010 | Tezuka Osamu Cultural Prize — New Creator Prize | Mushi to Uta (Moths and Songs) | — | Tezuka Osamu Cultural Prize Committee | Winner |
| 2025 | Japan SF Award | Land of the Lustrous | — | Japan SF Award Committee | Winner |
| 2025 | Seiun Award — Comic Category | Land of the Lustrous | コミック部門 | Seiun Award Committee | Winner |
A debut piece collected with other short works; includes self-designed bindings and one-shot stories.
A long-form series about gem-like beings called the 'Lustrous', exploring identity, ontology, combat and aesthetics. Adapted as a TV anime in 2017.
A two-part one-shot published as short fiction, representative of the author's short-story focus.
Praised for a distinct aesthetic and self-handled book design, Ichikawa rose from a short-story mangaka to wide recognition with the long-form 'Land of the Lustrous'. Anime adaptation and major awards have cemented her influence on contemporary Japanese comics.
It's interesting when imagination takes shape. I value a sense of sensuality in my work.