日本の文学賞

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Kamitsukasa Shoken

かみつかさ しょうけん

Kamitsukasa Shoken

別名: 上司 延貴 / 子介
ペンネーム: Kamitsukasa Shoken（Pen name used in his literary works）

プロフィール

性別
男性
生誕
1874-12-15 （Nara City, Nara Prefecture, Japan）
死没
1947-09-02 （Tokyo, Japan (buried at Tama Cemetery)） 72歳
国籍
Japan
言語
Japanese
居住地歴
Nara City (birthplace) → Tada Village, Hyogo Prefecture (now Kawanishi City) — childhood → Osaka (raised at his mother's family home) → Tokyo (moved to Tokyo and worked as an editor and writer)

経歴

職業
Novelist, Essayist, Editor
活動期間
1897年〜1947年
所属
Imperial Academy of Arts, New Japan Literary Society (supporting member)
所属団体
Member of the Imperial Academy of Arts, New Japan Literary Society (supporting member)
影響を受けた人物
Tayama Katai

受賞歴

Member of the Imperial Academy of Arts
1937
主催: Imperial Academy of Arts
結果: Appointed

受賞・候補エディション

作品

代表作

The Skin of the Conger Eel

1914年 Autobiographical short novel / short story

An autobiographical short novel drawing on the author's life, weaving fragments of daily life and memory to depict inner states and nostalgia.

AutobiographyMemoryNostalgiaFamily

The Wooden Statue

1911年 Short story

A short story that delicately portrays human relationships and psychology, focusing on contrasts between city and countryside and the theme of loneliness.

UrbanizationLonelinessHuman psychology

Tokyo (Vols. 1–2)

1921年 Novel

A novel set in Tokyo that attempts to depict people's lives and social changes in the city.

CitySocial changeLife history

全著作

  • Sumo Shinsho (ed. Kamitsukasa Nobutaka [Shosuke]) – Hakubunkan, 1899
  • Sore Hi Sore Hi: Shoken Essays – Yomiuri Shimbun, 1905
  • Kaijin – Shunyodo, 1908
  • The Wooden Statue – Imakodo, 1911
  • Scales of the Goldfish: Short Pieces – Bunyudo Shoten, 1913
  • The Skin of the Conger Eel – Shunyodo, 1914
  • Okou Sogetsu – Uetake Shoin, 1915
  • Father's Wedding – Shinchosha, 1915
  • From the Small Window – Daidokan Shoten, 1915
  • The Miko Murder – Suhara Keikosha, 1916
  • Those Who Refuse to Live – Jueikaku, 1920
  • The Flower Way – Genbunsha, 1921
  • The Vase – Hakubunkan, 1922
  • Tokyo Vols. 1–2 – Otabunkan (ed.), 1921–22
  • Notes of the Early Marrier (Part I) – Kaneko Shoten, 1923
  • Saigyo Hoshi – Jiritsu-sha, 1924
  • Island of Women's Protection (5th ed.) – Genbunsha, 1924
  • Humoresque – Chuo-do, 1924
  • Modern Long Novels: Kamitsukasa Shoken Volume – Shinchosha, 1928
  • U Newspaper Chronicle – Chuo Koronsha, 1934
  • Phonograph Reader – Bungakkai-sha, 1936
  • Living in Frugal Poverty – Chikura Shobo, 1940
  • Seiseisho – Daito Publishing, 1941
  • Leeway – Toyo Shokan, 1941
  • Sugawara Michizane – Seikatsu-sha, 1946
  • Selected Works of Kamitsukasa Shoken Vol.1–3 – Ikuei Publishing, 1947–48

作風・主題

文体
Naturalistic styleAutobiographical elementsEssayistic narration
頻出モチーフ
NostalgiaFamily relationsCity vs. countrysideMemory

評価・遺産

Kamitsukasa Shoken is known for his realistic, semi-autobiographical writing, with The Skin of the Conger Eel regarded as his representative work. He was appointed to the Imperial Academy of Arts, has been the subject of academic studies, and collected editions of his works have been published.

関連学会

  • Imperial Academy of Arts

資料所蔵先

  • Aozora Bunko (author works list)
  • National Diet Library (collection)
  • Authority data such as VIAF / ISNI

大衆文化への影響

  • Works are available on Aozora Bunko
  • Studied in literary research

豆知識

  • Born in Nara City and raised in Tada Village, Hyogo Prefecture (now Kawanishi City).
  • Worked at Yomiuri Shimbun and served as an editor-in-chief.
  • 'The Skin of the Conger Eel' was praised by Tayama Katai and became his representative work.
  • Appointed as a member of the Imperial Academy of Arts in 1937.
  • Buried at Tama Cemetery (Tama Reien).