-
Edition 4 (1942) award
Mantaro Kubota
くぼた まんたろう
Kubota Mantaro
Profile
- Gender
- Male
- Born
- 1889-11-07 (Asakusa (Tawaramachi), Tokyo, Japan (now Taito-ku, Tokyo))
- Died
- 1963-05-06 (Ichigaya Kagacho, Shinjuku, Tokyo, Japan (at the residence of Ryūzaburō Umehara)) age 73
- Nationality
- Japan
- Languages
- Japanese
- Religion
- Buddhism (Soto Zen)
- Residence History
- Asakusa (birthplace, childhood) → Komagata (Komagata area, Tokyo) → Tabata (Takinogawa area, Tokyo)
Career
- Occupations
- Novelist, Playwright, Haiku poet
- Active Years
- 1912-1963
- Affiliations
- Japan Art Academy, Japan Theatre Association (served as president), NHK (Japan Broadcasting Corporation) (advisor/board member)
- Memberships
- Member, Japan Art Academy, President, Japan Theatre Association, Honorary member, Japan Writers' Association
- Influenced By
- Mori Ōgai, Nagai Kafū, Izumi Kyōka, Ryūnosuke Akutagawa
- Influenced
- Matsutarō Kawaguchi (protégé), Postwar theatre practitioners, directors in Shinpa and Shingeki
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Keio University, Faculty of Letters | Faculty of Letters | Department of Literature | 学士 (Bachelor of Arts) | 1911-1914 | Japan |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1942 | Kikuchi Kan Prize | — | — | Japan Literary Promotion Society | 受賞 |
| 1951 | NHK Broadcasting Culture Award | — | — | NHK (Japan Broadcasting Corporation) | 受章 |
| 1957 | Yomiuri Literary Prize | San no Tori | — | Yomiuri Shimbun | 受賞 |
| 1957 | Order of Culture | — | — | Government of Japan | 受章 |
| 1963 | Junior Third Rank (posthumous) | — | — | Government of Japan | 叙位 |
| 1963 | Order of the Sacred Treasure, First Class | — | — | Government of Japan | 受章 |
Awards & Nominations
-
Edition 8 (1956) award
Works
Major Works
Asakusa
1912 Short fiction / NovelDebut work. A short piece set in Asakusa portraying downtown Tokyo life.
Suegare (Suegare)
1924 Fiction / Short story collectionCollection of short stories depicting people and scenes around Asakusa. Later reprinted.
Michi Shiba (haiku collection)
1927 HaikuFirst haiku collection; includes a preface by Ryūnosuke Akutagawa.
Hanabie
1938 Novel / FictionA prewar work exploring human relationships and moods; a collection of mid-length pieces and short stories.
Shiseijin
1950 NovelA postwar long-form work depicting the lives of ordinary citizens.
San no Tori
1956 NovelOne of his notable late works; its publication led to the Yomiuri Literary Prize.
Bibliography
- Asagao
- Asakusa
- Yuki
- Wakaruru Toki
- Shitamachi Johwa
- Asakusa Monogatari
- From Komagata
- Tokyo Yawa
- Days of Love: New Tokyo Yawa
- Mantaro Plays Collection
- Fukuro and Children
- Aosagi
- Amazora
- From Mitsugimachi
- Roshiba
- Suegare
- Saishi
- The Toy Shop Trial
- Kuregata / Tsukiyo
- If Lonely
- Modern Plays Collection: Winter
- Kokorogokoro
- Haiku Collection: Michi Shiba
- Yogara
- Ugo
- Shundoro
- Umisuzume
- Kataru
- Kadode (play collection)
- Tsukiakari / Machinaka
- Haiku Collection: Momochidori
- Mozuya Shunkin (play)
- Yakochū
- Wakarejimo
- Poor Girl / About Moving / Hagi
- Haiku Collection: Yukigegawa
- Sanutei Yawa
- At the Fish Pond
- Kokikushō
- Yae Hitoe (essays)
- Kubota Mantaro Haiku Collection
- Water's Scent
- Hagi Susuki
- Theatrical Training
- Sounds of Town
- Under the Moon
- This Is It
- Once Upon a Time (essays)
- Aburaderi
- Without Saying to Anyone
- Akikusa Banashi
- September (Kaya)
- Tablecloth Given by the North Wind
- Shiseijin / Ushirokage
- Shadow of Trees
- Oslo
- Zankiku Cho
- Sound of Snow
- San no Tori
- Kaji Musuko
- Asakusa Fudoki
- Record of Regrets
- Haiku Collection: Rūgushō
- Yoshiya Wazakure: Kubota Mantaro Short Pieces
- Old Companions
- After 'Rūgushō' Haiku Collection
Adaptations
- Mozuya Shunkin (stage play adaptation of Tanizaki Jun'ichirō's Shunkinshō by Kubota)
- Stage performances of various plays (performed by Shinpa, Shingeki, Bungakuza, etc.)
Style & Themes
- Literary Style
- Plain, everyday diction rooted in common lifeSentimental narratives incorporating Edo-era atmosphereConcise haiku style with lingering implication
- Recurring Motifs
- Downtown lifeEdo atmosphereSeasonal imagery (haiku)Everyday lives of common people
Health
-
Aspiration choking (accidental death)1963-05-06Sudden death ended ongoing literary and public activities
Legacy
Through works focusing on Asakusa and downtown culture, and long activity in plays and haiku, he left a significant imprint on modern Japanese literature and theatre. He donated his copyrights to Keio University; memorial lectures and haiku stones remain around Japan.
Academic Societies
- Japan Art Academy
- Japan Theatre Association
Archives
- Keio University Library (donation of works and collections)
In Popular Culture
- Haiku monuments in various locations (Kuwana, Asakusa Shrine, Keio University, etc.)
- Featured in stage productions and literary studies focused on Asakusa
Quotes
-
Takeuma ya iroha ni hohe to chirijiri ni
Source: Representative haiku (inscribed on haiku monuments) -
Yudōfu ya inochi no hate no usuakari
Source: Late-period haiku (collected in haiku collections)
Trivia
- Used the pen name Chino Kikujirō; haiku pen-names included '暮雨' and '傘雨'.
- Donated copyrights to Keio University (which holds a memorial lecture series).
- Awarded the Order of Culture in 1957 and won the Yomiuri Literary Prize in 1957 (for 'San no Tori').
- Died suddenly in 1963 after accidentally choking on shellfish at a banquet.
- Founded and edited the haiku magazine 'Shuntō' (Shuntō/Harutō).