Chōkū Prize
1 appearances
-
Edition 6 (1972) award
まえかわ さみお
Maekawa Samio
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Shimobuchi Agricultural and Forestry School | — | — | — | 〜1921 | Japan |
| Toyo University (Specialized Department) | Department of Ethics and Oriental Literature (Specialized Department) | — | — | 1922-1925 | Japan |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1972 | Choko Prize (6th) | Shiraki Kuroki (White Wood, Black Wood) | — | Choko Prize Selection Committee | 受賞 |
| 1975 | Order of the Rising Sun, Gold Rays with Rosette (4th Class) | — | — | Government of Japan | 受章 |
| 1989 | Member of the Japan Art Academy | — | — | Japan Art Academy | 就任 |
| 1990 | Order of the Sacred Treasure, Third Class | — | — | Government of Japan | 受章 |
First collection of tanka featuring Dadaist and surrealist-influenced, innovative poems; regarded as a landmark of modernist tanka.
Second collection; includes poems centered on Yamato (Nara) and shows a turn toward neoclassicism.
Published in 1971; one of his notable late collections combining traditional and avant-garde elements.
Samio Maekawa was a leading figure of modernist tanka in 20th-century Japan, blending poetic experimentation with traditional elements and influencing later tanka poets. Although his wartime poems generated controversy, he was reassessed within postwar avant-garde movements and received official recognition such as membership in the Japan Art Academy.