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Masahiro Miwa

みわ まさひろ

Miwa Masahiro

プロフィール

性別
男性
生誕
1958-11-27 (Tokyo, Japan)
国籍
Japan
言語
Japanese
居住地歴
Tokyo, Japan → Ogaki, Gifu Prefecture (Professor at IAMAS)

経歴

職業
Composer, Media artist, Professor
活動期間
1985年〜
所属
Institute of Advanced Media Arts and Sciences (IAMAS) — Professor
影響を受けた人物
Isang Yun, Sei Furukawa
影響を与えた人物
Younger composers and media artists

学歴

Tokyo Metropolitan Kunitachi High School
国: Japan
After graduating from high school he went to Europe to study composition.
Berlin University of the Arts
Composition
国: Germany
Studied under Isang Yun.
Robert Schumann Hochschule Düsseldorf
Composition
国: Germany
Studied in Düsseldorf following studies in Berlin.

受賞歴

Hambach International Composers' Competition
1985
結果: Honorable Mention (佳作)
Irino Prize (10th)
1989
主催: Irino Prize Committee
結果: 第1位 / First Prize
'Today's Music' Composition Award
1991
結果: 第2位 / Second Prize
Luigi Russolo International Electronic Music Competition (14th)
1992
結果: 第1位 / First Prize
Muramatsu Award (Newcomer Prize)
1995
結果: Recipient
Akutagawa Composition Award
2004
結果: Recipient
Prix Ars Electronica (Digital Music category)
2007
対象作品: Reverse-simulation music
部門: Digital Music
主催: Ars Electronica
結果: Golden Nica (Grand Prize)
Prix Ars Electronica (Hybrid Art category)
2008
部門: Hybrid Art
主催: Ars Electronica
結果: Honorary Mention
Prix Ars Electronica (Digital Music category)
2009
部門: Digital Music
主催: Ars Electronica
結果: Honorary Mention
Art Encouragement Prize — Minister of Education, Culture, Sports, Science and Technology
2010
部門: Arts Promotion
主催: Agency for Cultural Affairs
結果: Recipient
Saji Keizo Prize (17th)
2018
結果: Recipient
Saji Keizo Prize (20th)
2021
結果: Recipient
Suntory Music Award (52nd)
2021
主催: Suntory Foundation for the Arts
結果: Recipient

受賞・候補エディション

作品

代表作

Bolero by the Muramatsu Gear Engine

2003年 Orchestral

An orchestral work inspired by the Muramatsu gear engine, combining mechanistic elements with large orchestral textures.

mechanicitycyclical rhythmmix of tradition and modernity

369, Homage to Mr. B

2006年 Chamber / Strings

A string work composed as an homage to a figure referred to as Mr. B.

homagestring texturesmodulation

Air Shining (Airshining)

1985年 Solo piano

An early representative solo piano piece combining technical demands with explorations of timbre.

sonic explorationtraces of improvisationexpansion of solo instrument

Akazukin-chan Accompaniment Device

1988年 Voice + Computer / Player-piano

A piece for mezzo-soprano and computer-produced player-piano exploring the relationship between voice and electronic systems.

automatic instrumentsvoice and machinesnarrative motifs
映像化・舞台化
  • [Recording] Akazukin-chan Accompaniment Device (Fontec) (1995)

A New Age

1999年 Media art / Opera / Installation

A cross-disciplinary work presented as a monologue opera and as large-scale installations (notably a piece using 50 iMacs), bridging performance and media art.

cross-mediacollective vs individualinteractivity

The Shadow of Words, or Alleluia

1998年 Computer music

A computer/tape-based music piece experimenting with the relationship between words and sound.

language and soundelectronic musicgenerative techniques

Rainbow Machine

2008年 Piano and Violin Duo

A duo piece for piano and violin that evokes ideas of time and color.

sonification of colortemporal transformationconcertante textures

High Tide and Three Moons

1986年 Tape / Computer music

An early electronic music piece from the 1980s using tape sounds to evoke images of the sea and time.

nature imagerytape sonicsrepetitive structures

全著作

  • Music Theory in the Computer Age (JustSystems, 1995)
  • Masahiro Miwa Music Art: Complete Thoughts 1998–2010 (Artes Publishing, 2010)
  • Akazukin-chan Accompaniment Device (Fontec, 1995)
  • Songs of the East (Fontec, 1998)

翻案

  • Akazukin-chan Accompaniment Device (Fontec, 1995)
  • Songs of the East (Fontec, 1998)

作風・主題

文体
experimentalfusion of electroacoustic and acousticmedia-art oriented approachuse of feedback and generative techniques
頻出モチーフ
reverse-simulation musicfeedbackdialogue of machine and voicereferences to Eastern melodiesautomatic performance devices

評価・遺産

Masahiro Miwa is an important figure in contemporary Japanese music, electroacoustic music, and media art. He proposed the concept of reverse-simulation music and received international recognition (including Ars Electronica). Through teaching at IAMAS and his published works, he has influenced both domestic and international practitioners; his output ranges from orchestral scores to electronic installations.

資料所蔵先

  • Yamazaki Yojibee Archive: Masahiro Miwa (major works list)
  • IAMAS HP - Faculty profile (affiliation & works)

引用

  • Reverse-simulation music
    出典: IAMAS ARTIST FILE #01 (artist feature)

豆知識

  • Studied under Isang Yun and trained in Berlin and Düsseldorf.
  • Won the Golden Nica (Digital Music) at Prix Ars Electronica in 2007.
  • Many works have been published by contemporary-music specialist publisher Mother Earth.
  • Has served for many years as a professor at IAMAS (Institute of Advanced Media Arts and Sciences).