日本の文学賞

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Yuma Mochizuki

もちづき ゆま

Mochizuki Yuma

プロフィール

性別
男性
生誕
1987-07-14 （Hiroshima City, Hiroshima Prefecture, Japan）
国籍
Japan
言語
Japanese

経歴

職業
poet
活動期間
2006年〜
所属団体
Mensa member
ノミネート
12th Nakahara Chuya Prize nominee (2007), 18th Nakahara Chuya Prize nominee (2013), 4th Ayukawa Nobuo Prize nominee (2013), 21st Nakahara Chuya Prize nominee (2015), 70th H Prize nominee (2019), 73rd H Prize nominee (2023)

受賞歴

Modern Poetry Techo Prize (44th)
2006
対象作品: Umi no Daikōen (The Sea's Grand Park)
主催: Gendai-shi Techo
結果: winner
Rekitei Newcomer Prize (26th)
2015
対象作品: Mizube ni Sukitootteiku (Becoming Transparent by the Waterside)
主催: Rekitei (Fujimura Memorial Rekitei)
結果: winner
Rekitei Prize (62nd, Fujimura Memorial Rekitei Prize)
2024
対象作品: Shiroku Nureta Niwa ni Ateru Tegami (A Letter to the White, Wet Garden)
主催: Fujimura Memorial Rekitei Prize
結果: winner
Nakahara Chuya Prize (12th)
2007
対象作品: Umi no Daikōen (The Sea's Grand Park)
主催: Nakahara Chuya Prize
結果: nominated
Nakahara Chuya Prize (18th)
2013
対象作品: Yakeato (Burnt Ruins)
主催: Nakahara Chuya Prize
結果: nominated
Ayukawa Nobuo Prize (4th)
2013
対象作品: Yakeato (Burnt Ruins)
主催: Ayukawa Nobuo Prize
結果: nominated
H Prize (70th)
2019
対象作品: Mō Ano Mori e wa Ikanai (I Will No Longer Go to That Forest)
主催: H Prize
結果: nominated
H Prize (73rd)
2023
対象作品: Moeru Niwa, Kowabaru Kawa (Burning Garden, Stiffening River)
主催: H Prize
結果: nominated

受賞・候補エディション

作品

代表作

Umi no Daikōen (The Sea's Grand Park)

2006年 poetry collection

Debut collection blending fable-like imagery with urban scenes; notable for vivid colors and youthful sensibility.

fable-like imageryurban lifeyouth culture

Yakeato (Burnt Ruins)

2012年 poetry collection

Second collection containing many prose-poems; marks a shift toward sparser lineation and use of whitespace.

lossmemoryregeneration
映像化・舞台化
  • [musical composition] Kagu no Ongaku (Music of Furniture) — motif used by Yuki Nakahashi / 中橋祐紀

Mizube ni Sukitootteiku (Becoming Transparent by the Waterside)

2015年 poetry collection

Third collection focusing on lineated poems with ample whitespace; rich in delicate visual imagery.

watersidetransparencytranquility

Mō Ano Mori e wa Ikanai (I Will No Longer Go to That Forest)

2019年 poetry collection

Fourth collection exploring contemporary landscapes and memory from a more mature perspective.

memorynaturefarewell

Shiroku Nureta Niwa ni Ateru Tegami (A Letter to the White, Wet Garden)

2024年 poetry collection

Sixth collection and award-winning work; praised for mature craft and fable-like worldbuilding.

gardenletterswhiteness

全著作

  • Umi no Daikōen (poenique, 2006)
  • Shi no Relay (co-authored, Furansudo, 2007)
  • Yakeato (Shichosha, 2012)
  • Shiroku Nureta Niwa ni Ateta Tegami (Kanie Naha Produce, 2014)
  • Mizube ni Sukitootteiku (Shichosha, 2015)
  • Suimon e (archaeopteryx, 2017)
  • Mō Ano Mori e wa Ikanai (Shichosha, 2019)
  • Moeru Niwa, Kowabaru Kawa (Shichosha, 2022)
  • Hikari o Iyo! (Kanie Naha Produce, 2023)
  • Shiroku Nureta Niwa ni Ateru Tegami (Shichigatsudō, 2024)

翻案

  • 'Kagu no Ongaku' from Yakeato used as a motif by composer Yuki Nakahashi
  • 'Chiffon no Uta' from Yakeato read at concert performances

作風・主題

文体
fusion of fable-like worlds and urban scenesshift from prose-poems to lineated poems using whitespacerich sense of color and imagery
頻出モチーフ
fable motifsgardens and waterside landscapesyouth culturewhitespace and line breaks

評価・遺産

Recognized as a prominent contemporary poet of the younger generation; noted for blending fable-like imagery with urban depiction. Multiple awards and nominations have cemented a growing presence in the modern poetry scene.

大衆文化への影響

  • Media presence includes radio appearances and poems serving as motifs for musical compositions.

豆知識

  • Member of MENSA.
  • A poem from his collection was used as a motif by a composer.
  • Has collaborated with painter Yudai Takeuchi.
  • Has contributed to various literary magazines (Gendai-shi Techo, Bungei Shunjū, Bungakukai, etc.).