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Edition 20 (1977) award
Azusa Nakajima
なかじま あずさ
Nakajima Azusa
Profile
- Gender
- Female
- Born
- 1953-02-13 (Katsushika, Tokyo, Japan)
- Died
- 2009-05-26 age 56
- Nationality
- Japan
- Languages
- Japanese
- Residence History
- Katsushika, Tokyo (birthplace) → Kagurazaka, Tokyo (base of activities)
Career
- Occupations
- Writer, Critic, Screenwriter, Director (stage/musical), Lyricist, Composer, Pianist/Keyboardist, Editor
- Active Years
- 1976-2009
- Affiliations
- Science Fiction Writers Club of Japan, Mystery Writers of Japan, Japan PEN Club, Japan Literary Writers' Association, Japan–China Cultural Exchange Association
- Memberships
- Science Fiction Writers Club of Japan, Mystery Writers of Japan, Japan PEN Club, Japan Literary Writers' Association
- Influenced By
- Mori Mari, Kobo Abe, Kenzaburo Oe, Jean-Paul Sartre, Yasutaka Tsutsui
- Influenced
- Koo Akizuki, Yuri Enokida, ,
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Waseda University, Faculty of Letters (First Faculty of Letters) | Faculty of Letters | Department of Literary Arts | 学士(文学) | 1971-1975 | Japan |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1977 | Gunzō New Writers' Award (Criticism) | The Contours of Literature | 評論部門 | Gunzō (magazine) | 受賞 |
| 1978 | Edogawa Rampo Prize | Our Era | 小説 | Edogawa Rampo Prize | 受賞 |
| 1981 | Yoshikawa Eiji Literary Newcomer Award | The Sanctuary of Strings | — | Yoshikawa Eiji Literary Newcomer Award | 受賞 |
| 1976 | Genei-jo Newcomer Prize (Honorable Mention, Criticism) | Tsuzuki Michio: Life and Detective Fiction | 評論部門(佳作) | Genei-jo (magazine) | 佳作 |
| 2009 | Sense of Gender Award (Special/Service Award) | — | 特別賞(功労賞) | Sense of Gender Award | 受賞(特別賞) |
| 2009 | Japan SF Grand Prize (Special Award) | Guin Saga | 特別賞 | Japan SF Award | 受賞(特別賞) |
| 2010 | Seiun Award (Japanese Long Work) | Guin Saga | 日本長編部門 | Seiun Award | 受賞 |
Awards & Nominations
Works
Major Works
Guin Saga
1979 Heroic fantasyA vast heroic-fantasy saga centered on Guin, a warrior wearing a leopard-headed mask. The series explores power struggles, fate, friendship and tragedy across an expansive world.
- [Stage (musical)] Guin Saga: Flames of the Multitude (1995)
- Partial English translation (early volumes)
- German translation (early volumes)
- French translation (early volumes)
- Italian translation (early volumes)
- Russian translation (early volumes)
- Korean translation (early volumes)
Makai Suikoden
1981 Occult / speculative SFA long occult-SF narrative combining Cthulhu Mythos elements with traditional Japanese gods, portraying a three-way conflict over the fate of Earth.
The Sanctuary of Strings (Ijuin Daisuke series)
1980 Mystery / DetectiveA work in the detective series featuring the sleuth Ijuin Daisuke. It centers on crimes entwined with music and theater and the human dramas surrounding them.
Our Era
1978 Youth mysteryA youth mystery focusing on young protagonists; the first volume of the series that won the Edogawa Rampo Prize.
Bibliography
- Guin Saga (series)
- Makai Suikoden (series)
- Ijuin Daisuke (series)
- Our Era (series)
- Shosetsu Dojo (essays/guide on novel writing)
- Like an Amazon (illness memoir)
- Peter Rabbit in the Cancer Ward (illness memoir)
- Metastasis (final illness memoir)
Adaptations
- Cabaret (film adaptation)
- Epitaph at the Dead End (film adaptation)
- Guin Saga: Flames of the Multitude (stage/musical)
Translations of Works
- Guin Saga (partial translations into English, German, French, Italian, Russian and Korean)
Style & Themes
- Literary Style
- Narrative-focused prose advocating the revival of storytellingGenre-blending with decorative, aesthetic (decadent) descriptionsBrisk dialogue and authorial afterwords addressing readers
- Recurring Motifs
- beautiful youthsmusic (jazz, saxophone)kimono and Japanese fashionsfate and destinylong-form epic storytellingaesthetic/BL (boys' love) elements
Health
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Breast cancer1990 - 1991Hospitalized and operated on for breast cancer in 1990; subsequently wrote and published an illness memoir 'Like an Amazon'.
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Pancreatic cancer2007 - 2009Underwent surgery in 2007 and battled pancreatic cancer until death in 2009. Left illness memoirs including 'Peter Rabbit in the Cancer Ward' and the posthumous 'Metastasis'.
Legacy
A prolific, genre-spanning author with roughly 400 publications, best known for the Guin Saga. She influenced the development of BL and contemporary genre fiction in Japan. Her tendency not to re-read or heavily revise published works was notable. Posthumous continuations and digital editions of her works have continued.
Museums
- Yayoi Museum (Kurimoto Kaoru / Nakajima Azusa Exhibition) Taito, Tokyo, Japan Opened in 2010
Academic Societies
- Science Fiction Writers Club of Japan
- Mystery Writers of Japan
- Japan PEN Club
- Japan Literary Writers' Association
Archives
- Tenro (Tenrou) Production (estate / archive holder)
- Kagurazaka Club (official website archive)
In Popular Culture
- Kentaro Miura publicly cited Guin Saga as an influence; Guin Saga has been noted as influential on works such as the manga Berserk.
- Contributed to the early formation of aesthetic/BL genres through involvement with JUNE magazine, exerting notable cultural influence.
Quotes
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Kurimoto wrote in one go without revising and hardly proofread.
Source: Kiyoshi Imaoka (recollection), cited in 'Sekai de ichiban fukou de, ichiban koufuku na shoujo' (2019) (2019) -
She advocated for the restoration of narrative in literature.
Source: Azusa Nakajima, 'Shosetsu Dojo' and other writings (1986)
Trivia
- A prolific author who published approximately 400 books during her lifetime.
- Used multiple pen names (Kaoru Kurimoto, Azusa Nakajima, Kyodo Tsukasa, Justine Célier, Haruna Akagi, etc.).
- Wrote on an IBM ThinkPad.
- Appeared as a regular on the quiz TV show 'Zojirushi Quiz Hint de Pinto' under the name Azusa Nakajima.
- Performed musically as a keyboardist in the band 'Pandora' and engaged in composing for musicals.
- Produced more than ten new books per year in some years and was known not to reread her own published works.
- Posthumous organization of manuscripts and digital editions of her works have continued.