Hayakawa SF Contest
1 appearances
-
Edition 6 (1980) honorable mention
おおはら まりこ
Ohara Mariko
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| University of the Sacred Heart | Faculty of Letters | Department of Psychology | — | 1977-1981 | Japan |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1991 | Seiun Award (Japanese Long Form) | Hybrid Child | 日本長編部門 | Seiun Award Committee | 受賞 |
| 1994 | Japan SF Grand Prize | The Gods Who Played War | — | Science Fiction and Fantasy Writers of Japan (SFWJ) | 受賞 |
| 1998 | Seiun Award (Japanese Short Form) | Independence Day in Osaka (Even Without Love, Capitalism) | 日本短編部門 | Seiun Award Committee | 受賞 |
A work (collection/novel) exploring learning and growth through girl-like robots and human relationships; addresses boundaries between technology and personhood.
A speculative fiction set in an imagined world dealing with war, power and deified beings; presents social and political themes through SF.
Debut short story that placed in the Hayakawa SF Contest and is considered an origin point of her style.
Since the 1980s she has been a prominent female voice in Japanese SF, regarded as one of the 'third generation' alongside authors such as Chōhei Kanbayashi. Awarded the Seiun Award and Japan SF Grand Prize, she has been recognized for work across both short and long forms and multiple subgenres.
My favorite work is Urusei Yatsura 2: Beautiful Dreamer.