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Edition 4 (1992) award
Soushu Takaya
たかや そうしゅう
Takaya Soushu
Profile
- Gender
- Male
- Born
- 1910-02-14 (Higashi-ku, Nagoya, Japan)
- Died
- 1999-01-01 age 88
- Nationality
- Japan
- Languages
- Japanese
- Residence History
- Nagoya (birth) → Tokyo (grew up / lived) → Kumamoto (moved with family) → Awaji Island → Fushimi, Kyoto → Chiba → Manchuria (residence/work) → Tokyo (after return)
Career
- Occupations
- haiku poet, editor, broadcasting employee
- Active Years
- 1926-1999
- Memberships
- Modern Haiku Association
- Influenced By
- Mizuhara Shuoshi, Kusano Dawo, Udo Mokumoji
- Influenced
- Haiku poets of the Shin-kō (new) haiku movement
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Kyushu Gakuin Junior & Senior High School | — | — | — | 192?-1927 | Japan |
| Hosei University | — | — | — | 1931-? | Japan |
Awards & Nominations
Works
Major Works
White Summer Fields
1936 haiku collectionEarly collection including linked verses; shows departure from traditional shasei (sketch-from-life) approach.
River
1937 haiku collectionA linked-verse collection composed entirely of unseasonal haiku; many pieces deviate from traditional forms.
Gate of Stone
1953 haiku collectionThird collection; published in a form that included about 290 haiku to date.
Land of Light (included)
1976 haiku collectionComplete haiku collection including the fourth collection 'Land of Light'; the complete edition contained 330 haiku.
Dirge of Flowers
1992 haiku collectionFifth collection, containing works from his later years.
Bibliography
- White Summer Fields (1936)
- River (1937)
- Gate of Stone (1953)
- Complete Haiku of Takaya Soushu (1976)
- Dirge of Flowers (1992)
- Collected Haiku of Takaya Soushu (2002, posthumous)
Style & Themes
- Literary Style
- subjective shasei (focus on inner imagery)departure from traditional shasei and experimental linked-verse haikurealistic tendency (Manchuria period)
- Recurring Motifs
- summerriverseawood pigeonflowers
Health
-
tuberculosis1927頃および以後の療養期間Required convalescence in youth which affected his life and poetic output thereafter
Legacy
He significantly influenced the Shin-kō (new) haiku movement of early Shōwa, known for departing from strict shasei and experimenting with linked-verse haiku. Though comparatively sparse in output, his inward imagery and experimental approaches secured him a respected place in 20th-century haiku.
Academic Societies
- Modern Haiku Association
Archives
- National Diet Library of Japan (holds materials)
Quotes
-
In my head it becomes white summer fields
Source: Haiku (representative line) (1936) -
Falling cherry — the sea is blue, and falls into the sea
Source: Haiku (representative line)
Trivia
- Real name was Masakuni.
- Worked in Manchuria; published haiku composed there after returning to Japan.
- Temporarily stopped composing around 1951 and resumed publication in 1970.