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Toyota Tohou

とよた とほう

Toyota Tohou

Profile

Gender
Male
Born
1931-01-13 (Kyoto Prefecture, Japan)
Died
2015-07-25 age 84
Nationality
Japan
Languages
Japanese
Residence History
Kyoto Prefecture, Japan

Career

Occupations
haiku poet, high school teacher
Active Years
1948-2015
Affiliations
Kyokanoko (member, editor-in-chief, later chief), Kansai Modern Haiku Association (chair)
Memberships
Kyokanoko, Kansai Modern Haiku Association
Influenced By
Hasegawa Sosei

Education

Ritsumeikan University
Faculty of Letters
Country: Japan

Awards

Bun no Mori Haiku Grand Prize (1st)
2004
Work: Kumo no Uta (Song of Clouds)
Organization: Bun no Mori
Result: winner
Haiku Shiki Grand Prize (10th)
2010
Work: Tsuchi no Uta (Song of Earth)
Organization: Haiku Shiki
Result: winner
Kyoto City Arts Promotion Award
2013
Organization: City of Kyoto
Result: recipient

Awards & Nominations

Works

Major Works

No no Uta (Song of the Field)

1985 haiku

A collection of haiku that dwell on nature and everyday life.

natureseasonsrural landscape

Kawa no Uta (Song of the River)

1991 haiku

A collection focused on flowing water and riverside scenes.

watertransiencelandscape

Yama no Uta (Song of the Mountain)

2000 haiku

A haiku collection themed on mountains and highland landscapes.

mountainslocalityviews of nature

Ki no Uta (Song of the Tree)

2003 haiku

A collection of haiku exploring trees and forest atmospheres.

treesforestlife

Kumo no Uta (Song of Clouds)

2004 haiku

A haiku collection centered on the sky and clouds; received critical recognition.

skycloudsimpermanence

Tsuchi no Uta (Song of Earth)

2009 haiku

A collection probing the sense of land and earth; an award-winning work.

landearthlocal identity

Bashō: Traveling Kyoto and Ōmi

1973 travel writing / study

A travel-study work on Bashō's connections to Kyoto and Ōmi.

Bashō studiestravelogue

Bibliography

  • No no Uta (1985)
  • Kawa no Uta (1991)
  • Yama no Uta (2000)
  • Ki no Uta (2003)
  • Kumo no Uta (2004)
  • Tsuchi no Uta (2009)
  • Bashō: Traveling Kyoto and Ōmi (1973)

Style & Themes

Literary Style
concise and tranquil haiku styledepictions rooted in Kyoto's local characterfusion of classical references with modern sensibilities
Recurring Motifs
seasonal changenature (mountains, rivers, trees, clouds, earth)locality and sense of place

Legacy

Recognized for poems that explore Kyoto's local character and for bridging regional sensibilities with contemporary haiku; influenced younger poets as editor and chief of haiku circles.

Academic Societies

  • Modern Haiku Association
  • Kansai Modern Haiku Association

Trivia

  • Joined Kyokanoko (led by Suzuka Nofuro) in 1948 and later served as editor-in-chief and chief.
  • Served as chair of the Kansai Modern Haiku Association from 2006.
  • Known as a researcher of Hasegawa Sosei.