Japanese Literary Awards

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Yuko Matsumoto

まつもと ゆうこ

Matsumoto Yuko

Profile

Gender
Female
Born
1967-01-01 (Hirakata, Osaka Prefecture, Japan)
Nationality
Japan
Languages
Japanese

Career

Occupations
Stage director, Theatre director
Active Years
1992-
Affiliations
Bungakuza (theatre company), Japan Directors' Association
Memberships
Member of Bungakuza, Director, Japan Directors' Association

Education

Meiji University
Faculty of Letters / Department of Literature, Theatre Studies
Country: Japan
Bungakuza Theatre Research Institute
Theatre Research Institute
Period: 1992 入所(32期)
Country: Japan
Joined as class 32

Awards

Yuasa Yoshiko Prize
2002
Work: Pentecost
Category: 演劇上演部門
Result: 受賞
Mainichi Art Award
2006
Work: Nukegara / Peter Pan
Category: 千田是也賞(第8回)
Organization: Mainichi Shimbun
Result: 受賞
Kinokuniya Theatre Award
2019
Work: Hitohamina, Hitonamino / Three Winters
Category: 個人賞
Result: 受賞
Yomiuri Theatre Awards
2019
Work: Hitohamina, Hitonamino / Three Winters
Category: 最優秀演出家賞
Organization: Yomiuri Shimbun
Result: 受賞
Hayakawa 'Tragedy/Comedy' Prize
2020
Work: Three Winters
Organization: Hayakawa Foundation for the Promotion of Literature
Result: 受賞
Art Encouragement Prize (Minister of Education, Culture, Sports, Science and Technology Award)
2021
Work: Fifty-Four Eyes
Organization: Agency for Cultural Affairs
Result: 受賞

Awards & Nominations

Works

Major Works

Winter Sunflower

1999 Play/Theatre

Directed the play by Jeong Eui-sin for a Bungakuza Atelier production.

familymemorymigration/border-crossing

Misery

2005 Stage adaptation (translated play)

Stage adaptation of Stephen King's Misery. Premiere in 2005 with a revival in 2007.

madnessdependencyvictim–perpetrator relationship

Someone

2006 Play/Theatre

Directed Frank McGuinness's play for a Horipro production.

othernessmemory

The Woman in White

2007 Musical

Directed the stage musical by Andrew Lloyd Webber for Horipro (2007, 2010).

gothic romanceconspiracywomen's positions

Bird's-eye View

2008 Play/Theatre

Directed Satoshi Hayafune's play at the New National Theatre (2008, 2011), notable for strong visual composition.

shifts of perspectiveurban/social overview

Rhinoceros

2009 Play (Theatre of the Absurd)

Directed Eugène Ionesco's Rhinoceros for a Bungakuza Atelier production.

conformity pressureindividual vs. groupabsurdism

The Trojan Women

2010 Play (Classical)

Directed Euripides' classical tragedy The Trojan Women for a Bungakuza production.

the tragedy of warwomen's perspectiveloss and resistance

Cat on a Hot Tin Roof

2010 Play (translated)

Directed Tennessee Williams' classic at the New National Theatre.

familylies and desireillness and aging

Hitohamina, Hitonamino

2019 Play/Theatre

Directed a new play by Takuya Yokoyama for the Match Point collective.

communityindividual relationships

Three Winters

2019 Play (translated; Japanese premiere)

Directed the Japanese premiere of Tena Štivičić's play at the Bungakuza Atelier.

history and memorywomen's generational narratives

Fifty-Four Eyes

2020 Play/Theatre

Directed Jeong Eui-sin's Fifty-Four Eyes for Bungakuza. This production contributed to her receiving the Art Encouragement Prize.

communityloss and memory

Bibliography

  • Winter Sunflower
  • Misery
  • Someone
  • The Woman in White
  • Bird's-eye View
  • Rhinoceros
  • The Trojan Women
  • Cat on a Hot Tin Roof
  • Hitohamina, Hitonamino
  • Three Winters
  • Fifty-Four Eyes

Style & Themes

Literary Style
actor-centered directionemphasis on visual compositionnoted for staging translated and overseas plays in Japan
Recurring Motifs
memory and losscommunity vs. individualwomen's perspectives

Legacy

Yuko Matsumoto, a director affiliated with Bungakuza, is known for staging a wide range of domestic and international plays. She has received multiple major theatre awards and is regarded as an important contemporary Japanese theatre director.

Academic Societies

  • Japan Directors' Association

Trivia

  • After graduating from Meiji University's Faculty of Letters (major in theatre studies), she joined the Bungakuza Theatre Research Institute in 1992 (class 32).
  • She trained in London for one year as an overseas trainee of the Agency for Cultural Affairs.
  • She has received awards including the Yuasa Yoshiko Prize, Mainichi Art Award, Kinokuniya Theatre Award, Yomiuri Theatre Awards Best Director, and the Art Encouragement Prize (MEXT).