Yuki Kusakano's second haiku collection after Inori no Ten. It gathers poems from a fruitful period in her thirties, using clear language to catch everyday life and the movement of the seasons.

From behind its translucent poems rises a fragrance like a gull in spring.

Katsuhiro Horikiri's first haiku collection. It keeps the sensibility of a younger haiku poet while lightly drawing in love, the body, the city, travel, and seasonal textures.

Like an inchworm moving by drawing itself together, the language advances carefully but surely.