Hoshino Tatsuko Award - Main Prize
The main Hoshino Tatsuko Award for haiku collections by women haiku poets.
- 創設年
- 2013
- 主催
- Uehiro Foundation on Ethics
- カテゴリー
- 俳句・俳諧
- 選考方式
- Open call
- 受賞対象
- プロ
- 開催頻度
- 年1回
- 締切時期
- 11月頃
- 発表時期
- 3月頃
- 賞のステータス
- 活動中
説明
The main Hoshino Tatsuko Award, run by the Uehiro Foundation on Ethics and Education. It covers published haiku collections by women haiku poets. The newcomer prize is managed separately as the Hoshino Tatsuko Newcomer Award.
賞品
- 主賞品
- Parts of the winning work are published in the magazine 'Haiku'
選考情報
選考プロセス
| 段階 | 審査員 | 通過率 | 発表 |
|---|---|---|---|
| Judging by the selection committee | Minoru Ozawa, Kyoko Kuroda, Hinao Goto, Kazuko Nishimura, Tsubaki Hoshino | — | Announced in the magazine 'Haiku' |
選考基準
- Published haiku collections by female haiku poets are eligible for judging
関連の賞
- Hoshino Tatsuko Newcomer Award
公式情報
https://hoshinotatsuko-prize.jp/過去の受賞者
A haiku collection that links shifting scenery and emotion each time a drop of rain falls, with a clear and steady gaze.
A single drop of rain reflects the outline of the season.
A haiku collection that carefully captures the seasonal rituals of Kyoto and the changing seasons across Japan. As the prize-winning collection, it quietly gathers the details of daily life and season.
A poised sequence of poems tracing Kyoto's seasons and everyday life.
"冬泉" is a 星野立子賞 work from the Hoshino Tatsuko Award - Main Prize 2021-1. It stands out for its distinctive premise and atmosphere.
A 星野立子賞 work from Hoshino Tatsuko Award - Main Prize 2021-1.
Kobayashi Takako's fourth haiku collection. It captures the balance and breadth of haiku with a contemporary sensibility.
A collection that sharpens ordinary scenes through both metaphor and restraint.
Izumi Tainaka's third haiku collection gathers poems from 2012 to 2018. It connects water, dragons, birds, plants, and subtle seasonal presences through quiet observation and lucid lyricism.
Haiku suffused with the presence of water catch the fresh tremors hidden inside everyday life.
The first haiku collection compiled by Setouchi Jakucho at the age of ninety-five. Through selected haiku and essays, it contemplates solitude, aging, death, remembrance, and the flickering wonder of being alive.
From the depth of being alone, the mystery of life flickers.
"Yoru no Mori" is Komagikone Junko's second haiku collection, gathering 478 poems written through 2016. It turns intimate and painful experiences, including her father's death, the Great East Japan Earthquake and the Fukushima nuclear disaster, and caring for her mother, into a source of living energy rather than enclosing them in grief.
A haiku collection that crystallizes post-disaster daily life and familial attentiveness into quiet, resilient poems.
櫻翳 is a 詩歌作品 work by 藺草慶子 associated with the 2016 星野立子賞 record. The entry summarizes the work from award records and bibliographic checks, focusing on its subject, publication status, and reading context.
櫻翳 by 藺草慶子 is a work whose subject and publication status can be traced through award and bibliographic records.
Seirei is Masako Takada's third haiku collection. Centered on precise observation and luminous lyricism, it captures everyday scenes with a clear sensibility and lets seasonal language resonate with contemporary life.
Masako Takada's third haiku collection, marked by clear observation and bright lyricism.
的礫 is an award-winning work by 西嶋あさ子. It brings together the author's concerns and stylistic qualities in a form recognized by the prize jury.
的礫, an award-winning work by 西嶋あさ子.
This haiku collection gathers work from roughly seven years and shows Eriko Tsugawa’s attentive eye for light, seasons, memory, and daily life. Its poems are quiet but vivid, finding movement in small scenes and emotional depth in seasonal detail.
A concise work whose appeal lies in atmosphere, memory, and carefully observed feeling.