かみはいくたいしょう
A haiku award established in 1996 by Nakashinita Town, Kami District, Miyagi Prefecture, and discontinued after the 11th edition (2006).
- Established
- 1996
- Organizer
- Nakashinita Town, Kami District, Miyagi Prefecture (now Kami Town)
- Category
- Haiku and Haikai
- Selection Method
- Open call
- Target
- Professional
- Frequency
- 1 per year
- Status
- Ended
Description
Haiku award established in 1996 by Nakashinita Town, Kami District, Miyagi Prefecture (now Kami Town). Selections were made from haiku collections published within the year, with the wish that "a new spirit leading to the future be born through modern haiku." Following the municipal merger in 2003, the name was changed to Kami Haiku Award, and it was discontinued after the 11th edition (2006).
Selection
Selection Process
| Stage | Judges | Pass Rate | Announcement |
|---|---|---|---|
| Selection committee | Kaneko Tōta, Mihashi Toshio, Satō Onibō, Nakahara Michio, Sō Sakon, Naka Tarō, Takahashi Junko, Miura Masashi | — | — |
Past Winners
Koto Miscellaneous Poems is a haiku collection by Reona Takayama. It crosses echoes of classical Sinitic poetry with the sensibility of modern haiku, freely combining place, season, and intellectual play.
A haiku collection where classical resonance meets modern haiku sensibility.
White Face is a haiku collection by Yoshio Hashimoto. Using the images of whiteness and a face or surface, it gathers haiku that condense seasonal scenery and inner stillness.
A haiku collection reflecting season and inner life through images of white.
A haiku collection gathering ten years of work by Seijin Ishibota. It crosses cosmic imagery with the textures of nearby nature, opening fresh scenes through leaps of language.
A collection where lemons, galaxies, and small shells begin to move within a single field of light.
A haiku collection by Yoshinaga Aihara. It polishes the textures of daily life like raw metal, letting season and bodily sensation resonate through restrained language.
At the depth of quiet language, the core of life and season glints.
Mari Fujimura’s first haiku collection. With brightness and open space in its style, it lightly frames scenes from daily life and seasonal traces.
Fresh language opens everyday scenes with a clear, dry brightness.
A haiku collection titled after white summer waves. It captures seasonal light, the movement of surf, and heat lingering in the body through the concise breath of haiku.
夏白波 is a work in which 伊藤淳子 draws out the time and emotion beneath its subject.
A collection of haiku by Iwai Tsukushi, shaped by modern haiku practice and critical awareness. It captures landscape, history, and bodily perception in precise language.
A collection of haiku by Iwai Tsukushi, shaped by modern haiku practice and critical awareness.
鼬の姉妹 is a poetic work by 鳥居真里子. As the award-recognized work, it builds its appeal around the images and human movement suggested by the title, giving even a compact form a sense of layered time.
The title 鼬の姉妹 conveys the atmosphere and tension at the center of the work.
人魚姫のトウシューズ is a poetic work by 水月りの. As the award-recognized work, it builds its appeal around the images and human movement suggested by the title, giving even a compact form a sense of layered time.
The title 人魚姫のトウシューズ conveys the atmosphere and tension at the center of the work.
むつごろう is an award-recognized work by ドゥーグル・J.リンズィー. It uses the impression carried by its title as an entry point into the movement of people and the atmosphere around them.
むつごろう presents the literary world of ドゥーグル・J.リンズィー as an award-recognized work.
月光の音 is an award-recognized work by 坪内稔典. It uses the impression carried by its title as an entry point into the movement of people and the atmosphere around them.
月光の音 presents the literary world of 坪内稔典 as an award-recognized work.
陸封譚 is a work by 水野眞由美 recognized by the 加美俳句大賞. It is introduced here as the prize-winning work itself, with the available publication data checked against Japanese bibliographic sources.
陸封譚 brought wider attention to 水野眞由美's writing through its prize recognition.
猿楽 is a work by あざ蓉子 recognized by the 加美俳句大賞. It is introduced here as the prize-winning work itself, with the available publication data checked against Japanese bibliographic sources.
猿楽 brought wider attention to あざ蓉子's writing through its prize recognition.
伊月集 is 刊行作品 by 夏井いつき. It is presented here as the award-recognized work.
The work offers a way into 夏井いつき's literary expression.
冬の楽奏 is 刊行作品 by 増田まさみ. It is presented here as the award-recognized work.
The work offers a way into 増田まさみ's literary expression.
十一月 is a haiku collection by 渡辺誠一郎. The work approaches its subject through the people, places, memories, or social tensions suggested by the title.
十一月 brings together the shape of a haiku collection with 渡辺誠一郎's central concerns.
ウルトラ is a haiku collection by 高山れおな. The work approaches its subject through the people, places, memories, or social tensions suggested by the title.
ウルトラ brings together the shape of a haiku collection with 高山れおな's central concerns.
雪安居 is a work by 一堀玉宗 and a title recognized in the context of its literary award. It can be read as a work that develops its themes through the motives suggested by the title, the characters' actions, and the atmosphere around them.
雪安居 leaves readers with the central concerns for which the work was recognized.
余白の轍 is a work by 渡辺誠一郎 and a title recognized in the context of its literary award. It can be read as a work that develops its themes through the motives suggested by the title, the characters' actions, and the atmosphere around them.
余白の轍 leaves readers with the central concerns for which the work was recognized.
貴族 is a work by 櫂 未知子 associated with the 加美俳句大賞. It was recognized in a literary award context and is presented as a work centered on the concerns suggested by its title.
Recognized by the 加美俳句大賞, 貴族 draws readers in through the impression created by its title.
海馬 is a work by 五島 高資 associated with the 加美俳句大賞. It was recognized in a literary award context and is presented as a work centered on the concerns suggested by its title.
Recognized by the 加美俳句大賞, 海馬 draws readers in through the impression created by its title.
こいびとになってくださいますか is a work by 大西泰世.
こいびとになってくださいますか, a work by 大西泰世.