Through insect imagery and bodily sensation, this second poetry collection reconsiders what it means not to grow. With 37 poems, its quiet accumulation of language evokes a different sense of time.

A way of seeing not-growing anew.

A poetry collection that quietly captures bodily sensation and inward tremors.

Small shifts linger long within the language.

Hiyori Kojima's first poetry collection, which follows family, memory, and a sense of boundaries from everyday details and bodily feeling. Quietly spoken lines let small unease and loss rise to the surface.

It gathers the feel of boundaries and loss from fragments of everyday life.

Nao Mizusawa's first poetry collection, gathering 13 pieces. It follows the moments when language takes shape through bodily change, fragments of daily life, and shifts in memory.

A first collection that traces bodily details and transformation with a delicate gaze.

A first poetry collection that draws out the gap between sensation and language from everyday details. Classrooms, bodies, and fragments of scenery shift into a supple yet uneasy poetic space.

Ordinary daily life changes shape inside the poems.

A poetry collection that connects folktale-like images such as tanuki and boxes to the free associations of modern poetry. Humor and unease coexist, giving a strong sense of pleasure in reading.

From a folktale-like entrance, a strange and expansive poetic world opens.

A poetry collection in which a speaker living in Tokyo moves through the absence of a hometown or place to return to, measuring the distance between memory and the present. The sensation of wandering the city and the pull toward distant Nagasaki quietly illuminate personal loss.

A voice without a place to return walks the distance from Tokyo to Nagasaki in poetry.

用意された食卓 is an award-winning work by カニエ・ナハ. Based on the award record, it is presented here as a central work that invites readers to consider the intersections of people, period, society, and memory.

用意された食卓, an award-winning work by カニエ・ナハ.

A poetry collection that cuts into urban roughness, bodily sensation, and fragments of memory.

Forgotten voices remain on the city surface.

指差すことができない by 大崎清夏 is recorded as the work attached to this award entry. No reliable standalone book identifier was confirmed for this envelope, so magazine or award-page identifiers have not been reused.

A concise profile of 指差すことができない by 大崎清夏, including award and bibliographic context.

谷間の百合 is a work by 細田傳造. It is recorded as a prize-related title from 2013, and the available bibliographic sources were checked for standalone book identifiers.

谷間の百合 was checked as an award-listed work by 細田傳造.

ウイルスちゃん is recorded as a winning work for nakahara chuya award in 2012-1. The identifier check prioritized Amazon Japan, the National Diet Library, and publisher pages, but no confirmed ASIN or ISBN for the winning work itself was established in this batch. Identifiers for magazines or adjacent media have therefore not been reused.

The work is recorded as ウイルスちゃん; bibliographic identifiers are limited to sources confirmed as the work itself.

Crossing the boundary between poetry and prose, this collection exposes the body, violence, and discomfort with the age. Its forceful language presses an ethical tension on the reader.

生首 is an award-winning work by 辺見庸 that can be confirmed in book form.

Yumi Fuzuki’s first poetry collection. In vivid language, it presents the bodily sensations of adolescence, days moving between school and a private room, and the pain of not fitting neatly into the world. Its voice, at once young and sharp, brought a new urgency to contemporary Japanese poetry.

An adolescent body that cannot fit into the world rises up as language.

先端で、さすわ さされるわ そらええわ is a work by 川上未映子 recorded as a 2009 award-winning title. The title and author were checked against the National Diet Library Search, and print identifiers were used only when a matching standalone book was found.

先端で、さすわ さされるわ そらええわ by 川上未映子 is a work read through the lens of its award history and publication form.

グッドモーニング is a work by 最果タヒ and a winner of nakahara-chuya-award 2008-1. The entry identifies the work by title and author and summarizes the available publication-level information for readers.

グッドモーニング, by 最果タヒ.

みちのく鉄砲店 is a poetry work by 須藤 洋平. It uses rhythm, pause, and white space to condense everyday feeling, memory, and shifting landscapes.

みちのく鉄砲店, by 須藤 洋平, follows the emotions and texture of its time at the heart of the work.

音速平和 sonic peace by 水無田気流 is presented here as a work centered on poetry, contemporary society, speed. It can be introduced to readers as a literary work whose appeal lies in the specific world suggested by its award context and subject.

A work shaped by poetry, contemporary society.

This work is introduced here based on confirmed publication and award information. It can be read as a literary work whose subject, form, and historical context give the prize entry its distinctive character.

A work whose compact premise opens onto a wider emotional and historical field.

This work presents its subject through a clear narrative focus, drawing out the emotions, conflicts, and historical background at the center of the book. It can be read as an accessible introduction to the themes that shaped the award recognition.

The work turns a focused premise into a lingering story about memory, place, and human feeling.

A poetry collection whose title is a forceful address. Through images of fire, it raises the movement of body, memory, and emotion in direct language and places the heat of life within the poems.

An address to fire turns bodily memory and the heat of life into poetic language.

びるま is a work by 日和聡子. It is associated with the 中原中也賞.

びるま by 日和聡子.

釣り上げては is a work by アーサー・ビナード. It was selected for the 中原中也賞 in 2001 and was recognized within the literary culture of its time.

A work by アーサー・ビナード recognized by the 中原中也賞.

2000 is an award-recognized work by the author, centered on the concerns suggested by its title and the texture of its people and time.

2000 is a work remembered through its award recognition.

AFTER is a poetry collection by 和合亮一. The work approaches its subject through the people, places, memories, or social tensions suggested by the title.

AFTER brings together the shape of a poetry collection with 和合亮一's central concerns.

ブルックリン is a work by 宋敏鎬. Recognized by the 中原中也賞, it reflects the author's concerns and the literary context around the work.

A work recognized by the 中原中也賞, showing 宋敏鎬's distinctive voice.

もしくは、リンドバーグの畑 is a work by 長谷部奈美江 that was recognized by the 中原中也賞 in 1997. It is read as a published literary work.

もしくは、リンドバーグの畑, a work recognized by the 中原中也賞.

夜の人工の木 is a work by 豊原清明.

夜の人工の木, a work by 豊原清明.