A poetry collection that quietly looks at life, death, and the flow of time while using everyday language with richness. Each poem carries the weight of a long story and joins the others with that same density.

Everyday words take shape as a long passage of time.

A critical study that rereads Ito Shizuo’s wartime poetry in relation to its historical moment. It traces the tension between lyric poetry and the wartime order while bringing overlooked poems into view.

A fresh reading of lyricism under wartime conditions.

A poetry collection that quietly gathers the voices and losses left in a place while following the traces of memory between Maebashi and Shimane. Its everyday language carries a gentle, warm intensity.

The memory of a place becomes a poem, one by one.

A poetry-critical study that follows language and memory while living on an island, using Sugawara Katsuki's poems and life as its guide. By moving back and forth between everyday life and postwar poetry, it draws readers into quiet reflection.

A reading guide to poetry and memory, walking alongside "the assignment from Sugawara Katsuki."

A poetry collection that moves back and forth across the boundary between everyday life and events, looking again at voices exposed to violence. It does not simplify hope and sorrow, but turns the pain of the time directly into poetic tension.

It reconsiders the everyday world around violence through poetry.

A poetry collection built around an address to 'you,' tracing missing people and vanished traces. Read as a single flowing sequence of 25 poems, it leaves a strong sense of sinking quietly into memory.

It traces the presence of absence through a gentle act of address.

A fourth poetry collection that starts from prayer and pain and turns language toward love and abundance. It captures moments when poetry lifts what exceeds bodily sensation.

Pain changes into prayer and then into love.

A critical study that reads Kinoshita Yuji's poetry and haiku collections chapter by chapter and sketches the full shape of his work. It traces his poetic life through works such as 'Inaka no Shokutaku', 'Banka', and 'Jido Shishu'.

It follows Kinoshita Yuji, who lived without letting go of poetry or haiku.

A poetry collection by Konno Kazuyo. It strings together varied images such as chimera, Salome, and Okuni to give strong voice to urban shadows and loss.

A chain of images lifts up the feelings sunk beneath the city.

A self-published poetry collection that quietly looks at life and death against the backdrop of the Osaka air raid, the loss of sight in one eye, and the death of the poet's wife. Though it draws on severe experiences, the voice stays clear and leaves behind a steady strength in the act of living.

It records the shape of death in a quiet voice.

A major study that rereads Natsume Soseki as a whole, including not only his novels but also his haiku, Chinese poetry, and Literary Theory. Built on years of earlier Soseki scholarship, it was extensively revised into a single culminating work.

A long, sustained rereading of Soseki's whole literary world.

This poetry collection, including the title poem, explores conflicts around living as mother, wife, and woman. From a post-childbirth perspective, body, home, and self-understanding are remade in fresh language.

The poems look at the joy and tremor of becoming a mother.

This critical collection asks what grounds contemporary poetry criticism can stand on. Through poet studies, criticism, and meta-criticism, it probes the beauty of language and the limits of critical practice.

It searches for the line beyond the language that criticizes poetry.

This work is introduced as: 晩年の視線から人生と詩の関係を見つめ直す詩集。妻の墓前で見えてくる残りの時間が、静かな言葉に結晶する。

A work centered on 詩で人生を語るのではなく、詩を書くことで人生を見つける。

This work is introduced as: 高知の民俗的記憶を背景にした詩集。シバテンの伝承や村の気配を通じ、土地に残る声をすくい上げる。

A work centered on 村にいたものの記憶が、詩の言葉として立ち上がる。

賜物 is an award-recognized work by 金田久璋. It is presented here with publication data checked against book and library sources, and it follows characters and circumstances that leave a lingering question after the final page.

賜物 is a work whose shape becomes clearer when its award history is read alongside its publication record.

鮎川信夫、橋上の詩学 is an award-recognized work by Yoshizumi Higuchi. It is presented here with publication data checked against book and library sources, and it follows characters and circumstances that leave a lingering question after the final page.

鮎川信夫、橋上の詩学 is a work whose shape becomes clearer when its award history is read alongside its publication record.

九月十九日 is an award-recognized work by Yoichiro Morimizu. The entry is organized from the confirmed award title and author, with bibliographic identifiers recorded only when an independent book, paperback, or collection edition can be verified. Magazine or venue identifiers have not been reused.

九月十九日 is a work whose award record and publication status should be checked separately.

黎明のバケツ is an award-recognized work by 平野晴子. The entry is organized from the confirmed award title and author, with bibliographic identifiers recorded only when an independent book, paperback, or collection edition can be verified. Magazine or venue identifiers have not been reused.

黎明のバケツ is a work whose award record and publication status should be checked separately.

ツィゴイネルワイゼンの水邊 is an award-recognized work by 平林敏彦. Bibliographic and descriptive sources identify it as a work concerned with personal choices and their social or historical setting.

ツィゴイネルワイゼンの水邊, read through its award history and bibliographic record.

地球にカットバン is an award-recognized work by 宮内憲夫. Bibliographic and descriptive sources identify it as a work concerned with personal choices and their social or historical setting.

地球にカットバン, read through its award history and bibliographic record.

農場 is an award-winning work by 杉谷昭人 recognized by the 小野十三郎賞. The bibliographic identifiers were checked at the work level from the title and author information.

農場 by 杉谷昭人 was recognized by the 小野十三郎賞.

ワイド：沖縄 is recorded as a 2013 award-winning work. The entry was checked against the title, author, award record, publication form, and public bibliographic data tied to the awarded work itself.

Bibliographic and work information for ワイド：沖縄 is organized without substituting magazine identifiers.

Magokoro o Sashidasarete Sono Hoso o Hiraiteyuku Tokoro is a poetry collection by Minho Song. At the crossing of spirit and organ, feeling and reason, its language proceeds as if anatomizing the heart.

It leads the reader into a heated yet quiet place where mind and heart are opened.

水源地 is a 詩集 by 谷元益男. The work is recorded as an award-recognized title and presents its subject through the images suggested by the title, the author's concerns, and the movement of memory or feeling.

水源地 presents 谷元益男's work in the form of 詩集.

Seiten no Mukogawa is a poetry collection that begins from the image of flowers beyond a far blue sky and looks at living while carrying what has been lost. Through coexistence with silent beings, femininity and memory gather into a concentrated point.

The hint of flowers beyond the blue sky guides a poetic voice carrying life and loss.

Sanjo no Kumo is a critical set of notes tracing Kobe modernism and the memory of a port city. Through the Kobe poets incident, literary magazines, and time before, during, and after the war, it excavates urban cultural history from private memory and concern over vanishing materials.

The book follows memories of poetry and magazines in Kobe, uncovering the modernism of a port city.

“象牙の塔の人々” is a 2009 award-winning work by 山口春樹. Bibliographic identifiers are limited to editions that can be confirmed as a standalone book, paperback, or collection, and identifiers for magazine issues are not used.

“象牙の塔の人々” is an important work in the record of 山口春樹’s award recognition.

“野川” is a 2009 award-winning work by 岡島弘子. Bibliographic identifiers are limited to editions that can be confirmed as a standalone book, paperback, or collection, and identifiers for magazine issues are not used.

“野川” is an important work in the record of 岡島弘子’s award recognition.

ババ、バサラ、サラバ is an award-winning work by Masayo Koike. Published as a standalone book, it follows its characters' choices and the atmosphere surrounding them through the subject and voice recognized by the prize.

ババ、バサラ、サラバ is a work by Masayo Koike recognized by the 小野十三郎賞.

ナナカマドの歌 is an award-winning work by 田中郁子. Published as a standalone book, it follows its characters' choices and the atmosphere surrounding them through the subject and voice recognized by the prize.

ナナカマドの歌 is a work by 田中郁子 recognized by the 小野十三郎賞.

評伝 パウル・ツェラン is an award-winning work by 関口裕昭. Published as a standalone book, it follows its characters' choices and the atmosphere surrounding them through the subject and voice recognized by the prize.

評伝 パウル・ツェラン is a work by 関口裕昭 recognized by the 小野十三郎賞.

影たちの墓碑銘 is an award-winning work by 長津功三良. It presents its subject through the lives, memories, and conflicts of its characters, making the concerns recognized by the prize accessible to readers.

影たちの墓碑銘 is an award-winning work in which 長津功三良 depicts human choices and the weight of time.

宙家族 is an award-winning work by 中岡淳一. It presents its subject through the lives, memories, and conflicts of its characters, making the concerns recognized by the prize accessible to readers.

宙家族 is an award-winning work in which 中岡淳一 depicts human choices and the weight of time.

国立療養所栗生楽泉園の詩人たち：その詩と生活 is an award-winning work by 久保田穣. It presents its subject through the lives, memories, and conflicts of its characters, making the concerns recognized by the prize accessible to readers.

国立療養所栗生楽泉園の詩人たち：その詩と生活 is an award-winning work in which 久保田穣 depicts human choices and the weight of time.

A poetry collection that connects linguistic experience after the Great Hanshin-Awaji Earthquake with reflection on school as a social space. Its language faces harsh reality without easy reconciliation with the times.

Through the place called school, post-earthquake memory and present solitude intersect.

A poetry collection that summons the shadows and ghostly traces left at the bottom of the postwar era as a swarm of lost words. It probes historical forgetting and the depths of the present through dense metaphor and a hard-edged voice.

It recalls voiceless presences drifting in the depths of the postwar era through poetry that feels like an apocrypha.

A poetry work whose title names a fish and evokes place, memory, and lived texture. It is confirmed as an award work, but no ISBN-bearing book data could be verified.

朝鮮鮒 follows its characters through choices and change, guided by the central idea suggested by the award title.

Birth is Yoshiaki Namura's second poetry collection. Set against grief and familial loss, it layers poems that look directly at the beginning and ending of life.

A poetry collection that faces the beginning and ending of life through private pain.

Recollections of the Postwar Kansai Poetry Scene is Heiichi Sugiyama's critical memoir of poets and poetry circles in postwar Kansai. Through essays on figures such as Yasushi Inoue, Shizuo Ito, Tatsuji Miyoshi, and Tozaburo Ono, it conveys the atmosphere of that literary milieu.

Through a poet's memory, the book revives the breathing life of the postwar Kansai poetry scene.

陣場金次郎洋品店の夏 is a work by 甲田四郎. It is associated with the 小野十三郎賞.

陣場金次郎洋品店の夏 by 甲田四郎.

マンデリシュターム読本 is a work by 中平耀. It is associated with the 小野十三郎賞.

マンデリシュターム読本 by 中平耀.

夕方村 is a poetry collection by 八重洋一郎. It focuses on 夕暮れの時間と村の気配を重ね、土地に残る記憶や暮らしの感覚を詩の言葉で立ち上げる。

夕方村 uses the world suggested by its title to bring people and their times into quiet focus.

詩論の現在 I～III is a poetics and criticism by 北川 透. It focuses on 現代詩をめぐる批評の到達点を問い、詩と時代の関係を複数巻にわたって検討する。

詩論の現在 I～III uses the world suggested by its title to bring people and their times into quiet focus.

2000 is an award-recognized work by the author, centered on the concerns suggested by its title and the texture of its people and time.

2000 is a work remembered through its award recognition.

墓を数えた日 is a work by 瀧克則. It presents its subject through a focused literary frame, drawing out the emotional and social tensions suggested by the Japanese description.

墓を数えた日 uses 詩 as an entry point into human feeling and the atmosphere of its time.

核 is a work by 獅子郭. It presents its subject through a focused literary frame, drawing out the emotional and social tensions suggested by the Japanese description.

核 uses 詩 as an entry point into human feeling and the atmosphere of its time.

三重詩人 is a work by 三重詩人. It presents its subject through a focused literary frame, drawing out the emotional and social tensions suggested by the Japanese description.

三重詩人 uses 詩 as an entry point into human feeling and the atmosphere of its time.