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Edition 66 (2016) award
Ryusuke Hamaguchi
はまぐち りゅうすけ
Ryusuke Hamaguchi
Profile
- Gender
- Male
- Born
- 1978-12-16 (Kawasaki, Kanagawa, Japan)
- Nationality
- Japan
- Languages
- Japanese, English
- Residence History
- Iran (early childhood, ages 3–5) → Kawasaki, Kanagawa (birthplace) → Tokyo (education / residence) → Boston (Visiting researcher at Harvard University, Reischauer Institute) → Kobe (residency as invited writer / workshop leader)
Career
- Occupations
- film director, screenwriter
- Active Years
- 2001-
- Influenced By
- John Cassavetes, Kiyoshi Kurosawa, Jean Renoir, Éric Rohmer, Robert Bresson, Hou Hsiao-hsien
- Influenced
- Sho Miyake (one of the younger Japanese directors), Kiyohara Yui (younger director from Tokyo Geidai)
- Nominations
- Academy Award — Best Picture, Academy Award — Best Director, Academy Award — Best Adapted Screenplay, Academy Award — Best International Feature Film
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| University of Tokyo | Faculty of Letters | Aesthetics and Art Studies | — | — | Japan |
| Tokyo University of the Arts (Graduate School) | Graduate School of Film, Master's Program | Film | 修士 | — | Japan |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 2022 | Academy Award — Best International Feature Film | Drive My Car | 国際長編映画賞 | Academy Awards (Academy of Motion Picture Arts and Sciences) | winner |
| 2021 | Cannes Film Festival — Screenplay Award | Drive My Car | 脚本賞 | Cannes Film Festival | winner |
| 2021 | Cannes FIPRESCI Prize (International Federation of Film Critics) | Drive My Car | 国際映画批評家連盟賞 | Cannes Film Festival (FIPRESCI) | winner |
| 2021 | Cannes Film Festival — Ecumenical Jury Prize | Drive My Car | エキュメニカル審査員賞 | Cannes Film Festival | winner |
| 2021 | Berlin International Film Festival — Silver Bear (Grand Jury Prize) | Wheel of Fortune and Fantasy | 銀熊賞(審査員グランプリ) | Berlin International Film Festival | winner |
| 2023 | Venice International Film Festival — Silver Lion (Grand Jury Prize) | Evil Does Not Exist | 銀獅子賞(審査員大賞) | Venice International Film Festival | winner |
| 2023 | Venice FIPRESCI Prize | Evil Does Not Exist | 国際映画批評家連盟賞 | Venice Film Festival (FIPRESCI) | winner |
| 2021 | New York Film Critics Circle — Best Film | Drive My Car | 作品賞 | New York Film Critics Circle | winner |
| 2021 | Los Angeles Film Critics Association — Best Screenplay | Drive My Car | 脚本賞 | Los Angeles Film Critics Association | winner |
| 2021 | Critics' Choice Awards — Best Foreign Language Film | Drive My Car | 外国語映画賞 | Critics' Choice Association | winner |
| 2022 | BAFTA — Best Film Not in the English Language | Drive My Car | 非英語作品賞 | British Academy Film Awards (BAFTA) | winner |
| 2022 | Golden Globe — Best Motion Picture (Non-English Language) | Drive My Car | 非英語映画賞 | Hollywood Foreign Press Association (Golden Globes) | winner |
| 2022 | Japan Academy Prize — Best Director / Best Screenplay / Best Picture | Drive My Car | 最優秀監督賞・最優秀脚本賞・最優秀作品賞 | Japan Academy Prize Association | winner |
| 2016 | Arts Encouragement Prize — Minister of Education, Culture, Sports, Science and Technology (Newcomer) | Happy Hour | 新人賞 | Agency for Cultural Affairs (Japan) | winner |
| 2022 | Art Encouragement Prize — Minister of Education, Culture, Sports, Science and Technology | Drive My Car | 大臣賞 | Agency for Cultural Affairs (Japan) | winner |
| 2015 | Locarno Film Festival — Special Prize | Happy Hour | 特別賞 | Locarno Film Festival | winner |
| 2021 | Chicago International Film Festival — Silver Hugo (Jury Award) | Drive My Car | シルバー・ヒューゴ(審査員賞) | Chicago International Film Festival | winner |
| 2023 | Ordre des Arts et des Lettres — Chevalier (France) | — | シュヴァリエ | Ministry of Culture (France) / French government | recipient |
| 2023 | Ghent International Film Festival — Joseph Plateau Honorary Award | — | 栄誉賞 | Ghent International Film Festival | winner |
| 2023 | BFI London Film Festival — Best Film | Evil Does Not Exist | 作品賞 | BFI London Film Festival | winner |
Awards & Nominations
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Edition 72 (2022) award
Works
Major Works
Happy Hour
2015 Drama (ensemble) 317 pagesA lengthy ensemble drama created with participants from a Kobe residency; it probes interpersonal relationships and the subtle shifts of daily life through extended, observational scenes.
- Happy Hour
Asako I & II (Netemo Sametemo / Asako)
2018 Drama / Psychological romance 119 pagesAdapted from a novel by Tomoka Shibasaki, this is Hamaguchi's first commercial feature exploring love, identity and the unsettling shifts of attachment.
- [Novel to film adaptation] Asako I & II (based on the novel by Tomoka Shibasaki) / Ryusuke Hamaguchi (2018)
- Asako I & II
Wheel of Fortune and Fantasy
2021 Anthology (short film / drama) 121 pagesA triptych of short stories that examine how chance encounters and imagination shape human relationships, rendered with subtlety and moral curiosity.
- Wheel of Fortune and Fantasy
Drive My Car
2021 Drama (literary adaptation) 179 pagesBased on a short story by Haruki Murakami, the film interweaves theatre, translation and multilingual communication to meditate on grief and recovery. It achieved wide international acclaim and numerous awards.
- [Short story to film] Drive My Car (short story by Haruki Murakami) / Ryusuke Hamaguchi (2021)
- Drive My Car
Evil Does Not Exist
2023 Drama 106 pagesA contemplative drama set in rural Japan that quietly probes environmental issues, ethics and the nature of community.
- Evil Does Not Exist
Bibliography
- Going to See a Movie
- A Casual Face
- PASSION
- THE DEPTHS
- Intimacy
- Happy Hour
- Asako I & II
- Wheel of Fortune and Fantasy
- Drive My Car
- Evil Does Not Exist
- GIFT
Adaptations
- Wife of a Spy (script collaboration; directed by Kiyoshi Kurosawa)
Style & Themes
- Literary Style
- extended long takes and minimal compositionblending documentary material with fictiondirection emphasizing repetitive 'cold reading' rehearsals for actorsslow, attentive depiction of everyday detail
- Recurring Motifs
- limits of understanding through language and translationmoments of failed and successful communicationloss and recoverycontingency and imagination
Legacy
A leading contemporary Japanese filmmaker with international acclaim. With 'Drive My Car' he achieved awards at the Academy Awards and the major world festivals, gaining widespread recognition among critics and festivals worldwide. He is known for his distinctive methods — repetitive rehearsals with actors and integration of documentary practice into fiction.
Archives
- Sendai Mediatheque — involvement in the 3/11 documentary archive
In Popular Culture
- 'Drive My Car' ranked highly on major U.S. critics' lists and achieved an unusually long theatrical run in North America
Quotes
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All films are to some extent fiction and to some extent documentary. From making both, I feel that no pure fiction or pure documentary truly exists.
Source: Interviews (various) — summarized (2021) -
Fundamentally film is constructed, but I want to see the moment when another reality emerges within it.
Source: Interview (on 'Drive My Car') (2021) -
Actors perform in front of the camera; that performance is also a kind of documentary of the acting. Each time it's a singular event.
Source: Interview / lecture excerpt (2021)
Trivia
- Spent ages 3–5 in Iran during early childhood.
- His father is former construction bureaucrat Tatsuo Hamaguchi; his grandfather was the painter Takao Hamaguchi.
- 'Drive My Car' is adapted from a Haruki Murakami short story and achieved broad international acclaim.
- Attended ENBU seminar and later Tokyo University of the Arts graduate school; his graduation film 'PASSION' received festival attention.
- Co-founded the 'Mini-Theatre Aid Fund' crowdfund to support small cinemas during the COVID-19 pandemic.