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Hayashiya Shōjaku

はやしや しょうじゃく

Hayashiya Shoujaku

Aliases: 竹の家すゞめ
Pen Names: Takenoya SuzumePen name used for certain theatrical/kyogen-style pieces

Profile

Gender
Male
Born
1951-12-25 (Otsuki, Yamanashi Prefecture, Japan)
Nationality
Japan
Languages
Japanese

Career

Occupations
Rakugo performer
Active Years
1974-
Affiliations
Rakugo Kyokai (Rakugo Association)
Influenced By
Hayashiya Hikoroku, 2nd-generation Tachibanaya Bunzō

Education

Yamanashi Prefectural Tsuru High School
Country: Japan
Nihon University, College of Humanities and Sciences
College of Humanities and Sciences / Department of Japanese Literature
Country: Japan
Member of the university rakugo research club

Awards

8th NHK Newcomer Rakugo Contest — Top Prize
1979
Organization: NHK
Result: 受賞
Agency for Cultural Affairs Arts Festival Award
1987
Organization: Agency for Cultural Affairs
Result: 受賞
Agency for Cultural Affairs Arts Festival Award
1992
Organization: Agency for Cultural Affairs
Result: 受賞
Arts Encouragement Prize (Newcomer) — Popular Performing Arts Division
1996
Category: 大衆芸能部門
Organization: Arts Selection (sponsored by Agency for Cultural Affairs)
Result: 受賞

Awards & Nominations

Works

Major Works

Shōjaku: Stories of the Stage

1993 Essays / Performance Collection

A collection of essays and performance pieces focusing on stories about his master and theatrical rakugo.

theatrical rakugomemories of his mastertechniques of rakugo

Selected Masterworks of Kaidan Tales (Performances)

1995 Ghost stories / Performance collection

A collection centered on performed ghost stories (editor/performer).

ghost storiestraditional performing arts

My Master's Pocket Watch

2000 Essay

An essay collection recounting episodes related to his master, Hikoroku.

memories of masterhistory of rakugo

Expanded: My Master's Pocket Watch

2003 Essay (expanded edition)

An expanded and revised edition of 'My Master's Pocket Watch'.

memorializing his mastertalks about the art

Hikoroku Memoirs — Thirty Years After the Master's Passing in Inaricho

2012 Memoir / Biography

A memoir/biographical account recalling Hayashiya Hikoroku and his milieu.

memoirhistory of rakugothe master's legacy

Bibliography

  • Shōjaku: Stories of the Stage (1993, Rippu Shobo)
  • Selected Masterworks of Kaidan Tales (1995, Rippu Shobo)
  • My Master's Pocket Watch (2000, Unagi Shobo)
  • Expanded: My Master's Pocket Watch (2003, Unagi Shobo)
  • Hikoroku Memoirs — Thirty Years After the Master's Passing (2012, Unagi Shobo)

Style & Themes

Literary Style
Orthodox preservation of classical rakugoPerformance style emphasizing kaidan (ghost) tales and theatrical storiesNarration that interweaves historical facts and anecdotes about his master
Recurring Motifs
ghost storiestheatrical taleshuman-emotion storiesanecdotes about his master

Legacy

As one of Hayashiya Hikoroku's final disciples, he is known for preserving the Hikoroku school's kaidan and theatrical repertoire. Valued for both classical and ghost-story performances, he is popular through local yose performances and media appearances.

In Popular Culture

  • Notable TV appearance on 'Kaiun! Nandemo Kanteidan' (appraised an artwork that was later found to be fake)
  • Active presence on YouTube and X (formerly Twitter) channels

Trivia

  • He inherited the recipe for 'Hayashiya beef rice,' a specialty of the Hikoroku school, and sometimes serves it at his rakugo events.
  • Appeared on the TV show 'Kaiun! Nandemo Kanteidan' where he presented a Benzaiten statue attributed to Munakata Shiko; while he valued it at ¥1,000,000, it was appraised on the show as a fake and valued at ¥1,000.
  • Known as one of Hayashiya Hikoroku's final disciples.