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Edition 61 (2011) award
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Edition 61 (2011) award
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Edition 71 (2021) award
Kengo Kuma
くま けんご
Kuma Kengo
Profile
- Gender
- Male
- Born
- 1954-08-08 (Okurayama, Yokohama, Kanagawa, Japan)
- Nationality
- Japan
- Languages
- Japanese, English
- Residence History
- Okurayama, Yokohama, Kanagawa, Japan → Tokyo, Japan → Paris, France
Career
- Occupations
- Architect, Designer, University Professor, Author
- Active Years
- 1979-
- Affiliations
- Kengo Kuma & Associates, The University of Tokyo (Professor / Special Professor), Keio University (past appointment), Waseda University (Specially Appointed Professor), Kochi Prefectural University of Forestry (President)
- Memberships
- Japan Wood Design Association (Chair), Architectural Institute of Japan
- Influenced By
- Yoshinobu Ashihara, Fumihiko Maki, Yoshiyasu Uchida, Hiroshi Hara
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Graduate School of Engineering, The University of Tokyo | Graduate School of Engineering | Department of Architecture | 修士(工学) | 1977-1979 | Japan |
| Keio University | Graduate School | — | 博士(学術) | 2007 | Japan |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1997 | Architectural Institute of Japan Award | Tome Traditional Performing Arts Museum (Mori Stage) | 作品賞 | Architectural Institute of Japan | 受賞 |
| 2001 | Murano Togo Award | Bato Hiroshige Museum (Nakagawa) | — | Murano Togo Award Committee | 受賞 |
| 2008 | LEAF Award | — | — | LEAF (Leading European Architecture Forum) | 受賞 |
| 2010 | Mainichi Art Award | Nezu Museum | — | Mainichi Newspapers | 受賞 |
| 2011 | Art Encouragement Prize (Minister of Education, Culture, Sports, Science and Technology) | Yusuhara Wood Bridge Museum | — | Agency for Cultural Affairs / MEXT | 受賞 |
| 2009 | Ordre des Arts et des Lettres (Officier) | — | — | French Ministry of Culture | 受章 |
| 2019 | Medal with Purple Ribbon | — | — | Government of Japan | 受章 |
| 2023 | Best Dresser Award (Academia & Culture) | — | 学術・文化部門 | Best Dresser Award Committee | 受賞 |
| 2024 | Japan Art Academy Prize and Imperial Prize | — | — | Japan Art Academy | 受賞 |
Awards & Nominations
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Edition 80 (2024) imperial prize
Works
Major Works
New National Stadium (National Stadium, Tokyo)
2019 Sports facility / Public architectureCompleted as the main venue for the 2020 Tokyo Olympics, the stadium uses large amounts of timber sourced from across Japan and emphasizes harmony with the surrounding environment and a timber-forward design philosophy.
Nezu Museum (main building, NEZU CAFE)
2009 Art museumRebuilt museum integrated with its garden surroundings, characterized by delicate woodwork and lattices that link traditional aesthetics with contemporary design.
Kadokawa Musashino Museum (Tokorozawa Sakura Town)
2020 Cultural complex / MuseumA cultural complex for the Kadokawa Group, notable for its stone-centric, layered form and spaces designed for exhibiting cultural material.
Asakusa Culture and Tourist Information Center
2012 Public facility / Tourist informationA public tourist information facility in Asakusa featuring a visually distinctive exterior and layered interiors that make use of timber textures.
Takanawa Gateway Station
2020 Transportation facility / StationNew railway station project that incorporates warm materials such as timber and latticework, balancing public function with human-scale comfort.
Suntory Museum of Art (in Tokyo Midtown)
2007 Art museum (within commercial complex)Museum within Tokyo Midtown; design emphasizes the quality of exhibition spaces and their relationship with the urban context.
Bibliography
- 10 Houses — Ten Types of Houses for the Japanese
- Goodbye Postmodern — Eleven American Architects
- A New Introduction to Architecture — Thought and History
- Losing Architecture
- Beyond the Crisis of Architecture
- Natural Architecture
- Anti-Object — Dissolving and Shattering Architecture
- On Place — How Architecture Connects with Place
Translations of Works
- Kengo Kuma: Works and Projects (English edition)
- Material Immaterial: The New Work of Kengo Kuma (English)
Style & Themes
- Literary Style
- material-focused approach emphasizing natural materialsdesign that connects tradition and contemporary practicerestrained forms exemplified by the concept of 'losing architecture'emphasis on granular texture ('particle' or 'grain' sense)
- Recurring Motifs
- vertical latticesjoinery and traditional wooden assemblylattice facadesuse of natural materials (bamboo, wood, stone, paper)
Legacy
Kengo Kuma is an internationally recognized architect known for his use of timber and natural materials, and for bridging Japanese traditional expression with contemporary architecture. He has produced a wide range of public and cultural projects, and his work and ideas have been showcased in major exhibitions.
Museums
- Tokyo Station Gallery (hosted 'Kuma Monono' exhibition) Tokyo (inside Tokyo Station) Opened in 2018
- Kochi Prefectural Museum of Art (Kuma exhibition tour) Kochi, Japan Opened in 2020
- Nagasaki Prefectural Art Museum (Kuma exhibition tour) Nagasaki, Japan Opened in 2020
Academic Societies
- Architectural Institute of Japan
- Japan Wood Design Association
In Popular Culture
- Featured on NHK's 'Professional: Shigoto no Ryuugi' (2007)
- Selected in Time Magazine's '100 Most Influential People' (2021)
Quotes
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Architecture should harmonize with its surroundings. I aim for 'losing architecture'.
Source: Book: 'Losing Architecture' (2004) -
Wood connects humans and the Earth.
Source: Interview (press)
Trivia
- Selected for Time's '100 Most Influential People' (2021)
- Awarded the Medal with Purple Ribbon (2019)
- Designed the New National Stadium used for the 2020 Tokyo Olympics
- Author of numerous books; his writings and projects have been widely translated and exhibited internationally