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Kenjiro Okazaki

おかざき けんじろう

Okazaki Kenjiro

別名: 岡崎乾二郎 / おかざき乾じろ
ペンネーム: okazaki kenjiro(Alias used on social media and in informal contexts)

プロフィール

性別
男性
生誕
1955-10-24 (Tokyo, Japan)
国籍
Japan
言語
Japanese
居住地歴
Tokyo, Japan

経歴

職業
Visual artist, Art critic, Professor
活動期間
1980年〜
所属
Visiting Professor, Graduate School, University of Tokyo, Visiting Professor, Musashino Art University
影響を受けた人物
Michiro Hayashi, Atsushi Okada, Hisao Matsuura, Trisha Brown, Keiji Usami
影響を与えた人物
Ryo Sawayama

学歴

Tama Art University
Department of Sculpture
期間: 1970年代 (中退)
国: Japan
Dropped out
B Seminar School
国: Japan
Completed B Seminar program

受賞歴

Art Encouragement Prize (Minister of Education, Culture, Sports, Science and Technology) (Criticism category)
2018
対象作品: The Power of Abstraction: Analysis of Modern Art
部門: 評論等部門
主催: Agency for Cultural Affairs (Ministry of Education, Culture, Sports, Science and Technology)
結果: 受賞
Mainichi Publishing Culture Award (Literature & Arts)
2022
対象作品: Eden of the Senses
部門: 文学・芸術部門
主催: Mainichi Newspapers
結果: 受賞

受賞・候補エディション

作品

代表作

Renaissance: Conditions of Experience

2001年 Art criticism

A collection of essays discussing the relationship between Renaissance art and experience, attempting to reinterpret art history.

RenaissanceArt historyEmpiricismVisual culture

The Power of Abstraction: Analysis of Modern Art

2018年 Art criticism

Analyzes the significance and evolution of abstraction in modern art and proposes the critical potential of abstraction.

AbstractionModern artExpression theory

Eden of the Senses: Selected Criticism

2021年 Selected criticism

A selected collection of criticism on visuality and sensation, organizing key issues around contemporary visual culture.

SensationPerceptionVisual culture

Elements of Painting

2022年 Art theory

A work containing essays that reexamine the fundamental elements of painting as a language.

PaintingTechniqueVisual expression

Time Unfolding Here: Selected Criticism II

2024年 Selected criticism

A follow-up collection of criticism, compiling texts that probe the practice of criticism and its surroundings.

CriticismRepresentationCultural theory

Ashizuka Earthwork Project

1994年 Earthwork / Land art

A long-term land-art project conscious of local landscape and community revitalization, practiced over years.

Land artLandscapeRegional revitalization

Recollection of Wittgenstein (8mm film)

1988年 8mm film

A short 8mm film themed on Ludwig Wittgenstein, an attempt to trace traces of thought through moving image.

FilmThoughtMemory
映像化・舞台化
  • [8mm film] Recollection of Wittgenstein / 岡﨑 乾二郎 (1988)

Topikapiktus

2020年 Children's / experimental

A picture-book-like work for children incorporating sculptural perspectives; an experimental play between form and language.

Picture bookFormWord play

全著作

  • Renaissance: Conditions of Experience
  • The Power of Abstraction: Analysis of Modern Art
  • Eden of the Senses: Selected Criticism
  • Elements of Painting
  • Time Unfolding Here: Selected Criticism II
  • Topikapiktus
  • Ashizuka Earthwork Project
  • Recollection of Wittgenstein (8mm film)
  • Japanese-English Confrontation: Contemporary Art Workshop (co-authored)
  • Critical Space Supplement: The Hardcore of Modernism (co-edited)

翻案

  • Seat upholstery design for Odakyu Romancecar GSE (70000 series)
  • Ashizuka Earthwork Project (site-specific sculpture / landscape work)

作風・主題

文体
Theoretical and analytical essaysCriticism grounded in visual cultureConceptual and experimental expression
頻出モチーフ
MemoryLandscapeBodySpaceLanguageMedia

評価・遺産

Kenjiro Okazaki has exerted wide influence on Japanese visual culture and art criticism through his practice as a visual artist and incisive critical writing. His work across exhibitions, public projects, and publications has provoked discourse beyond conventional art boundaries.

記念館・博物館

  • Tokyo Metropolitan Museum of Contemporary Art Tokyo, Japan
  • Saison Museum of Contemporary Art

関連学会

  • Society for Representation Studies

資料所蔵先

  • Researchmap researcher page
  • Art Platform Japan artist page
  • Bijutsu Techo artist information

大衆文化への影響

  • Seat upholstery design for Odakyu Romancecar GSE (contribution to practical design)

豆知識

  • The author’s original orthography is 岡﨑乾二郎; the alternate form 岡崎乾二郎 is also used.
  • Uses the form 'おかざき乾じろ' on social media.
  • His spouse is the poet Pak Kyung-mi.
  • Designed seat upholstery for the Odakyu Romancecar GSE (70000 series).
  • Has led long-term site projects such as the Ashizuka Earthwork Project (from 1994), engaging local communities.
  • Served as director for the theme display of the Japan Pavilion at the 2002 Venice Biennale (8th International Architecture Exhibition).