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Edition 76 (2022) award
Kenjiro Okazaki
おかざき けんじろう
Okazaki Kenjiro
Profile
- Gender
- Male
- Born
- 1955-10-24 (Tokyo, Japan)
- Nationality
- Japan
- Languages
- Japanese
- Residence History
- Tokyo, Japan
Career
- Occupations
- Visual artist, Art critic, Professor
- Active Years
- 1980-
- Affiliations
- Visiting Professor, Graduate School, University of Tokyo, Visiting Professor, Musashino Art University
- Influenced By
- Michiro Hayashi, Atsushi Okada, Hisao Matsuura, Trisha Brown, Keiji Usami
- Influenced
- Ryo Sawayama
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Tama Art University | — | Department of Sculpture | — | 1970年代 (中退) | Japan |
| B Seminar School | — | — | — | — | Japan |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 2018 | Art Encouragement Prize (Minister of Education, Culture, Sports, Science and Technology) (Criticism category) | The Power of Abstraction: Analysis of Modern Art | 評論等部門 | Agency for Cultural Affairs (Ministry of Education, Culture, Sports, Science and Technology) | 受賞 |
| 2022 | Mainichi Publishing Culture Award (Literature & Arts) | Eden of the Senses | 文学・芸術部門 | Mainichi Newspapers | 受賞 |
Awards & Nominations
Works
Major Works
Renaissance: Conditions of Experience
2001 Art criticismA collection of essays discussing the relationship between Renaissance art and experience, attempting to reinterpret art history.
The Power of Abstraction: Analysis of Modern Art
2018 Art criticismAnalyzes the significance and evolution of abstraction in modern art and proposes the critical potential of abstraction.
Eden of the Senses: Selected Criticism
2021 Selected criticismA selected collection of criticism on visuality and sensation, organizing key issues around contemporary visual culture.
Elements of Painting
2022 Art theoryA work containing essays that reexamine the fundamental elements of painting as a language.
Time Unfolding Here: Selected Criticism II
2024 Selected criticismA follow-up collection of criticism, compiling texts that probe the practice of criticism and its surroundings.
Ashizuka Earthwork Project
1994 Earthwork / Land artA long-term land-art project conscious of local landscape and community revitalization, practiced over years.
Recollection of Wittgenstein (8mm film)
1988 8mm filmA short 8mm film themed on Ludwig Wittgenstein, an attempt to trace traces of thought through moving image.
- [8mm film] Recollection of Wittgenstein / 岡﨑 乾二郎 (1988)
Topikapiktus
2020 Children's / experimentalA picture-book-like work for children incorporating sculptural perspectives; an experimental play between form and language.
Bibliography
- Renaissance: Conditions of Experience
- The Power of Abstraction: Analysis of Modern Art
- Eden of the Senses: Selected Criticism
- Elements of Painting
- Time Unfolding Here: Selected Criticism II
- Topikapiktus
- Ashizuka Earthwork Project
- Recollection of Wittgenstein (8mm film)
- Japanese-English Confrontation: Contemporary Art Workshop (co-authored)
- Critical Space Supplement: The Hardcore of Modernism (co-edited)
Adaptations
- Seat upholstery design for Odakyu Romancecar GSE (70000 series)
- Ashizuka Earthwork Project (site-specific sculpture / landscape work)
Style & Themes
- Literary Style
- Theoretical and analytical essaysCriticism grounded in visual cultureConceptual and experimental expression
- Recurring Motifs
- MemoryLandscapeBodySpaceLanguageMedia
Legacy
Kenjiro Okazaki has exerted wide influence on Japanese visual culture and art criticism through his practice as a visual artist and incisive critical writing. His work across exhibitions, public projects, and publications has provoked discourse beyond conventional art boundaries.
Museums
- Tokyo Metropolitan Museum of Contemporary Art Tokyo, Japan
- Saison Museum of Contemporary Art
Academic Societies
- Society for Representation Studies
Archives
- Researchmap researcher page
- Art Platform Japan artist page
- Bijutsu Techo artist information
In Popular Culture
- Seat upholstery design for Odakyu Romancecar GSE (contribution to practical design)
Trivia
- The author’s original orthography is 岡﨑乾二郎; the alternate form 岡崎乾二郎 is also used.
- Uses the form 'おかざき乾じろ' on social media.
- His spouse is the poet Pak Kyung-mi.
- Designed seat upholstery for the Odakyu Romancecar GSE (70000 series).
- Has led long-term site projects such as the Ashizuka Earthwork Project (from 1994), engaging local communities.
- Served as director for the theme display of the Japan Pavilion at the 2002 Venice Biennale (8th International Architecture Exhibition).