Art Encouragement Prize for Minister of Education, Culture, Sports, Science and Technology
Edition 18 (1968)
Winners
13 people空気頭 is a work by 藤枝静男 recognized in the context of 芸術選奨. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
空気頭 links 藤枝静男’s mode of expression with the recognition it received at the time.
含紅集 is a 歌集 by 吉野秀雄. It is presented here as a work shaped by 短歌, 自然, 晩年.
含紅集 preserves 吉野秀雄's voice in the form of 歌集.
遥かなノートル・ダム is a 随想 by 森有正. It is presented here as a work shaped by パリ, 信仰, 思索.
遥かなノートル・ダム preserves 森有正's voice in the form of 随想.
ヨーロッパ・静止した時間 is a 写真集 by 奈良原一高. It is presented here as a work shaped by 写真, ヨーロッパ, 静止した時間.
ヨーロッパ・静止した時間 preserves 奈良原一高's voice in the form of 写真集.
鳴神 is a 歌舞伎上演 by 中村芝翫. It is presented here as a work shaped by 歌舞伎, 古典演劇, 上演.
鳴神 preserves 中村芝翫's voice in the form of 歌舞伎上演.
上意討ち 拝領妻始末、グラン・プリ is a 映画出演 by 三船敏郎. It is presented here as a work shaped by 時代劇, 映画, 尊厳.
上意討ち 拝領妻始末、グラン・プリ preserves 三船敏郎's voice in the form of 映画出演.
パルジファル is a オペラ上演 by 大橋国一. It is presented here as a work shaped by オペラ, ワーグナー, 上演.
パルジファル preserves 大橋国一's voice in the form of オペラ上演.
源氏供養 is a 舞踊 by 五条珠実. It is presented here as a work shaped by 舞踊, 源氏物語, 鎮魂.
源氏供養 preserves 五条珠実's voice in the form of 舞踊.
モントリオール万国博覧会・日本館 is a 建築 by 芦原義信. It is presented here as a work shaped by 建築, 万国博覧会, 日本館.
モントリオール万国博覧会・日本館 preserves 芦原義信's voice in the form of 建築.
道成寺 is a 邦楽・舞台 by 山彦川原. It is presented here as a work shaped by 古典芸能, 道成寺, 情念.
道成寺 preserves 山彦川原's voice in the form of 邦楽・舞台.
文五捕物絵図、小さな世界 is a work by 和田勉 recognized in the context of 芸術選奨. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
文五捕物絵図、小さな世界 links 和田勉’s mode of expression with the recognition it received at the time.
江戸の夢 is a work by 三遊亭圓生 recognized in the context of 芸術選奨. It is valued for the way its subject, form, and period atmosphere connect the author’s concerns with the award’s literary record.
江戸の夢 links 三遊亭圓生’s mode of expression with the recognition it received at the time.
ドイツ・ルネッサンスの画家たち is a 美術評論 by 土方定一. It is presented here as a work shaped by ドイツ・ルネサンス, 美術史, 画家論.
ドイツ・ルネッサンスの画家たち preserves 土方定一's voice in the form of 美術評論.