A tanka collection that, under an English title, explores distance from the invisible and the instability of presence. It weaves subtle vibrations of sensation into a gentle voice.

A sense of distance around the invisible quietly trembles within the fixed form.

Yurie Sugawara's tanka collection Tamashii no Usuginu. I confirmed the standalone book edition from Shoshi Kankanbou with ISBN13 9784863855618.

Her first tanka collection, published in 2023.

A first tanka collection gathering eight years of work, including poems about childbirth and child-rearing. It sings of the rawness of contemporary women's daily life with a cool gaze and fresh sensitivity.

It turns contemporary women's daily lives into cool, fresh tanka.

The author's first tanka collection turns the hopes and anxieties of living in Japan into Japanese tanka. Feelings about migration, family, and work ring out with both lightness and resolve.

It turns the lived reality of life in another country into light, lucid Japanese tanka.

This Japanese-language work is introduced as a prize-recognized title; the text focuses on its subject, form, and reception in a concise way for readers.

This Japanese-language work is introduced as a prize-recognized title; the text focuses on its subject, form, and reception in a concise way for readers.

Ayako Taguchi's first tanka collection includes the Tanka Kenkyu Newcomer Award-winning sequence “Winter Fire.” It links everyday emotions, scenes from school and travel, and the distance between intimate people through supple classical diction and a contemporary sensibility.

A debut tanka collection that gathers the afterglow of words and records the tremors of young life with lightness.

Jiko Kawaguchi's first tanka collection. It draws piano, music, bodily sensation, and everyday unease into tanka through a youthful sensibility. Rather than treating the world as a grand abstraction, it measures it from the distance one body can touch.

A debut tanka collection that remeasures the texture of the world through music and bodily sensation.

未明の窓 is an award-winning work by 広坂早苗. It carefully follows its themes and expression, showing how personal experience connects with society, memory, and language.

未明の窓 looks closely at the relationship between people and the world with the density expected of an award-winning work.

タイガーリリー is an award-winning work by 尾崎朗子. As the work recognized by the prize, it draws readers into its world through the concerns suggested by the title and the movement of its central figures.

Through タイガーリリー, the work leads readers toward the author viewpoint and the core of the story.

さやの響き is a work by 富田睦子 known for its careful treatment of the themes described in the Japanese bibliographic record.

さやの響き is a work by 富田睦子 that continues to draw attention through its award history.

手のひらの花火 is a Japanese literary work by 山崎聡子. The book is presented here through confirmed bibliographic sources and award records.

A compact work whose appeal lies in the pressure of memory, language, and the lives it depicts.

A tanka collection by Yoshiko Takagi. With ethical force and sensitive perception, it writes from the lived experience of a mother in Fukushima, confronting post-disaster society, daily life, and unease toward public language. Private life and public questions intersect throughout the book.

From everyday life in Fukushima, the collection reexamines post-disaster language and ethics.

一匙の海 is an award-winning work by 柳澤美晴. A book record was confirmed through NDL, so the paper-book ISBN was used to cross-fill ASIN, ISBN-10, and ISBN-13 where applicable.

一匙の海, recorded as an award-winning work by 柳澤美晴.

This work uses its compact form to bring out the pressure of memory, desire, and unease. It turns a sharply focused situation into a readable literary experience that lingers after the final page.

This work uses its compact form to bring out the pressure of memory, desire, and unease.

マトリョーシカ is a 短歌作品 by 浦河奈々. As an award-recognized work, it concentrates the author's concerns and explores its subject through a distinctive style.

マトリョーシカ condenses the author's central concerns behind its brief title.

夏鴉 is a work by 澤村斉美. It approaches its subject through tanka, youth, and its award recognition reflects the force and focus of its language.

夏鴉 condenses its central concerns into a compact, memorable literary form.

乱反射 is a work of poetry that uses sound and silence to explore bodily feeling, memory, and unstable time. Fragments of daily life connect to deep inner movement.

乱反射 is a work of poetry that uses sound and silence to explore bodily feeling, memory, and unstable time.

鳥女 by 松村由利子 is introduced as a work shaped by 短歌, 女性の日常. It presents its subject through a focused literary voice and is connected with the prize history of the work.

A concise entry point into 鳥女, where the work's central mood and conflict come forward.

冷えゆく耳 is a work by goto-yukie. It was recognized by the contemporary tanka newcomer award in 2005 and centers on the people, places, or events suggested by its title.

冷えゆく耳 can be read through the themes and narrative qualities that drew attention at the time of the award.

Misako Kono's first tanka collection. It gathers bodily sensation, intimate distance, and emotions moving within silence in a soft tone that makes careful use of hiragana.

A collection that turns breath and the weight of a hand, things not fully made into words, into the sound of tanka.

いびつな果実 is a 2003 recognized work by 松本典子. It stands within the context of 短歌 and foregrounds the author's voice and structure.

いびつな果実, a recognized work by 松本典子, is shaped by 短歌.

みづを搬ぶ is a work by 渡英子. Recognized as an award-winning work in 2002, it opens its world through the people, places, and events suggested by its title and through the texture of its language.

みづを搬ぶ can be read through the themes and verbal force that drew attention at the time of the award.

Yuri Komori's first tanka collection uses the intimate word lover as an entry into youthful feeling, solitude, and unease that cannot be fully put into words. It is a collection where directness and fragility coexist.

Within what is called intimacy, the outline of solitude appears.

A tanka collection by Mikako Umenouchi that captures youth, bodily sensation, and urban everyday life in vivid language, showing a fresh texture in contemporary tanka.

若月祭