5メートルほどの果てしなさ by 松木秀 is introduced as a work shaped by 短歌, 日常. It presents its subject through a focused literary voice and is connected with the prize history of the work.

A concise entry point into 5メートルほどの果てしなさ, where the work's central mood and conflict come forward.

ノートル・ダムの椅子 by 日置俊次 is introduced as a work shaped by 短歌, パリ. It presents its subject through a focused literary voice and is connected with the prize history of the work.

A concise entry point into ノートル・ダムの椅子, where the work's central mood and conflict come forward.