Mishima Yukio Award みしまゆきおしょう
Edition 18 (2005)
Winners
6 peopleA woman carrying an unhealed wound travels to Nagasaki and meets a young man. As the two wander through a city marked by the memory of the atomic bombing, historical memory and personal memory, the pull toward death and the force that resists it, intersect.
In a place once covered by a six-thousand-degree cloud, a woman searches for a world beyond emptiness.
A man survives a fatal illness, only to be swallowed by hatred of life and malice until he murders his closest friend. Written as the perpetrator's notebook, the novel confronts why people must not kill and whether someone who has committed a crime can be redeemed.
The notebook of a man who killed his friend presses on the boundary between life and evil.
"At the Edge of the Crater" is included in Jungo Aoki's collection Forty Days and Forty Nights of Fairy Tale. Ancient community, geological layers, and future investigation overlap in a strange, archaeological story where attempts to trace origins never reach a final answer.
At the edge of the strata, the past leaves clues but never reveals itself completely.
When Sumika, an aspiring actress, returns to her family home, her sister Kiyomi, her brother's household, and an old incident are exposed again. Self-importance, jealousy, and family hatred collide with black humor, revealing the comic and painful forms taken by people desperate to be loved.
Impossible self-importance sets the broken family machinery turning again.
One day, the narrator is told that a war with the neighboring town has begun. No gunfire or bloodshed is visible, yet the number of war dead rises in the municipal bulletin, and he is ordered by the town office to scout enemy territory. The novel depicts the uncanniness of war entering everyday bureaucracy.
War remains unseen, slipping into daily life as a municipal procedure.
Set along Kyoto's Kamo River, the novel gently interweaves the lives of young part-time workers, residents of an old apartment, a craftsperson, and migrants. Beginning with the sensation of sinking into bathwater, memory and loneliness rise quietly to the surface.
Like being wrapped in warm bathwater, the lives of rootless people slowly come into view.