Kodansha Children's Literature Newcomer Award
1 appearances
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Edition 7 (1966) honorable mention
ごとう りゅうじ
Goto Ryuji
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Waseda University, Faculty of Letters, First Department | Faculty of Letters, First Department | Literature | — | — | Japan |
| Hokkaido Bibai East High School | — | — | — | — | Japan |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1966 | Kodansha Newcomer Award for Children's Literature | The Earth Is Full of Angels | — | Kodansha | 佳作 |
| 1970 | Noma Children's Literature Recommendation Award | Friends in the Winter of the Earth | — | Noma Children's Literature Committee | 受賞(推奨) |
| 1977 | Japan Children's Literature Association Award | Shiroaka Dasuki Ko〇 no Hakaze | — | Japan Children's Literature Association | 受賞 |
| 1979 | Obunsha Children's Literature Award | Hometown | — | Obunsha | 受賞 |
| 1983 | Japan Children's Literature Association Award | The Boys | — | Japan Children's Literature Association | 受賞 |
| 1993 | Noma Children's Literature Award | Still Ambitious: The Tale of Hidaka-mikuni | — | Noma Children's Literature Award Committee | 受賞 |
| 2007 | Japan Picture Book Award (Grand Prize) | Mother, Are You Well? | — | Japan Picture Book Award Committee | 大賞(日本絵本賞) |
| 2007 | Japan Picture Book Award (Readers' Prize) | Mother, Are You Well? | — | Japan Picture Book Award Committee | 読者賞 |
Debut work. A children's story portraying nature and friendship from the viewpoint of youths.
A novel depicting Hokkaido scenery and bonds among local children. Adapted into a Nikkatsu children's film in 1972.
First in a series about boys. Adapted into a television drama in 1982.
A gentle picture book about the emotional connection between mother and child. Won the Japan Picture Book Award Grand Prize and Readers' Prize in 2007.
Gotō Ryūji published numerous children's literature works from the 1960s through the 2000s, praised for his focus on local settings, nature depiction, and child-centered perspectives. As representative of Kisetsufu he led doujinshi activities and contributed to nurturing younger writers.