Noma Children's Literature Newcomer Award
のまじどうぶんげいしんじんしょう
A newcomer literary award targeting children's literature, operated from 1963 to 1998.
- Established
- 1963
- Organizer
- Noma Cultural Foundation
- Category
- Children's Literature, Fairy Tales, and Picture Books
- Selection Method
- Open call
- Target
- Newcomer
- Frequency
- 1 per year
- Status
- Ended
Description
The Noma Children's Literature Newcomer Award was a literary award operated by the Noma Cultural Foundation, established in accordance with the will of Kiyoji Noma, the first president of Kodansha, from 1963 to 1998. Initially established as the Noma Children's Literature Recommended Works Award, it was renamed the Noma Children's Literature Newcomer Award from the 26th edition. The targeted works are those published or announced by newcomers during the past year from August 1 of the previous year to July 31 of the current year.
Related Awards
- Noma Literary Prize
- Noma Children's Literature Prize
Official Resources
https://web.archive.org/web/20090704222736/http://www.kodansha.co.jp/award/archive/noma-jido-bungei-shinjin.htmlPast Winners
ビート・キッズ-Beat Kids is a work by 風野潮. Recognized by the 野間児童文芸新人賞, it reflects the author's concerns and the literary context around the work.
A work recognized by the 野間児童文芸新人賞, showing 風野潮's distinctive voice.
ドラゴンといっしょ is a work by 花形みつる. Recognized by the 野間児童文芸新人賞, it reflects the author's concerns and the literary context around the work.
A work recognized by the 野間児童文芸新人賞, showing 花形みつる's distinctive voice.
ジグザグ トラック家族 is a work by ひろたみを that was recognized by the 野間児童文芸新人賞 in 1997. It is read as a published literary work.
ジグザグ トラック家族, a work recognized by the 野間児童文芸新人賞.
精霊の守り人 is a work by 上橋菜穂子 associated with the 野間児童文芸新人賞. It can be read as a work that follows its subject through people, time, place, and memory.
Under the title 精霊の守り人, the work foregrounds 上橋菜穂子's engagement with its subject.
うさぎ色の季節 is a work by 緒島英二 recognized by the Noma Children's Literature Newcomer Award. It can be read as a work shaped by the award's literary field, with attention to narrative, character, society, and history.
A work by 緒島英二 recognized through the Noma Children's Literature Newcomer Award.
ゆびぬき小路の秘密 is a work by 小風さち recognized by the Noma Children's Literature Newcomer Award. It can be read as a work shaped by the award's literary field, with attention to narrative, character, society, and history.
A work by 小風さち recognized through the Noma Children's Literature Newcomer Award.
半分のふるさと is an award-winning work by イサンクム, recognized by the 野間児童文芸新人賞. It presents its subject through the form suggested by the title and stands as part of the author's published career.
半分のふるさと is a work by イサンクム honored by the 野間児童文芸新人賞.
Kaoru-ing is a story of an adolescent girl, using scent and wordplay in its light title to suggest her inner world. The search for self and the distance between friends and family are rendered in fresh prose.
It captures adolescent feelings that waver like scent.
A children’s novel about Hikaru, a boy with severe autism, and his sister Miki, who begins to perceive the brightness of his world.
Even a wordless world holds a brightness only Hikaru can see.
A children’s novel set in a large station, where a school-averse child encounters strange doors into memory, farewell, and reunion.
Passing through the station door begins a journey linking past and present.
友だち貸します is a children's literary work by 石原てるこ. It follows a child-centered perspective and presents growth, family, friendship, and changes in everyday life as a story.
友だち貸します is an important work for reading 石原てるこ's expression in the context of 野間児童文芸新人賞.
マキちゃんのえにっき by いせひでこ is a work for young readers that stays close to wonder, growth, and everyday feeling. As an award-winning work, it is framed around the concerns suggested by its title and leaves a quiet afterimage for the reader.
マキちゃんのえにっき layers people, time, and place behind the force of its compact title.
ルドルフともだちひとりだち by 斉藤洋 is a work for young readers that stays close to wonder, growth, and everyday feeling. As an award-winning work, it is framed around the concerns suggested by its title and leaves a quiet afterimage for the reader.
ルドルフともだちひとりだち layers people, time, and place behind the force of its compact title.
ぼくらの夏は山小屋で is a children's book by Miwa Yuko and a winner of 野間児童文芸新人賞.
ぼくらの夏は山小屋で is an essential work in the award history of Miwa Yuko.
A children’s novel about a girl caught between two homes. It follows conflicts over family, belonging, and personal feelings from a child’s point of view.
A children’s novel about a girl caught between two homes.
地図からきえた町 is an award-winning work by 和田英明. It presents its subject through careful attention to setting, character choices, and historical or emotional context.
An award-winning work that invites readers into the world of 地図からきえた町.
白いパン is a 児童文学 by 日比茂樹. It follows the pressures, memories, and relationships suggested by its subject, presenting the work in a compact literary form.
白いパン quietly brings out the texture of memory and its time.
“はるかな鐘の音” is an award-winning work by 堀内純子. Recognized through the prize, it presents the author’s concerns and distinctive mode of storytelling.
An entry point into the author’s literary world through the award-winning work “はるかな鐘の音.”
かれ草色の風をありがとう is a work by 伊沢由美子 recognized in the literary-award context around 1982. It can be read through its title, subject matter, and the author's concerns within the atmosphere of its period.
かれ草色の風をありがとう by 伊沢由美子 remains associated with its award recognition.
ハッピーバースデー is a work by さとうまきこ recognized in the literary-award context around 1982. It can be read through its title, subject matter, and the author's concerns within the atmosphere of its period.
ハッピーバースデー by さとうまきこ remains associated with its award recognition.
This collection brings together Teiichi Yoshida's poems from the 1970s through 1980. Built around a lyricism that evokes the expanse of the sea and the sound of an oboe, it turns children's perceptions, nearby nature, and sudden questions from everyday life into gentle poetry.
The presence of the sea and the tone of an instrument carry small questions opening in a child's heart.
Ivan Who Came from the Sea is a children's story about Ivan, a dog left behind in an unfamiliar Japanese port town by a Soviet ship, and his relationship with old Isohei from the town. As a story of receiving a being who has crossed the sea, it presents foreignness, loneliness, and the growth of trust in a form accessible to young readers.
From the meeting of a dog left behind in a port town and an old man, trust begins to grow across borders.
星とトランペット is a 児童文学 work by 竹下文子, recorded as an award-winning work around 1979. It follows people and society while conveying the atmosphere and shifting values of its time.
An award-winning work that quietly illuminates its era and its people through 竹下文子's perspective.
A children’s story that links nature and human life through a small figure living close to the grass roots. In a world scented with soil and plants, a vulnerable being discovers its own strength.
From the grass roots, a small courage begins to sprout.
A work of children’s literature that layers childhood sensitivity with memories of a tree under which cicadas call. The presence of nature, friendships, and the ache of growing up are drawn through seasonal sound.
チッチゼミ鳴く木の下で reflects its age and human lives through the perspective of 皿海達哉.
Shonen Dobutsushi is a collection set in Tamba-Sasayama, portraying encounters between a boy and animals, linking close observation of living creatures with the vitality of nature and childhood memory.
The presence of living creatures vividly illuminates a boy’s days.
Yama ga Chikai Hi is Hisako Madokoro’s poetry collection for children. It gently links the presence of mountains, the feel of nature, and children’s inner lives, cultivating sensibility through poetic language within children’s literature.
It depicts the closeness of mountains in poetic language attuned to children’s senses.
Fly, Tommy! is a full-length children’s novel about Tommy, a deserter from the Vietnam War, and a Japanese family. Seen through a child’s perspective, it confronts war, the state, and family conflict with strong social awareness.
A deserter’s sudden arrival unsettles a child’s home and the contradictions of the age.
箱火ばちのおじいさん is a children’s literature by 宮口しづえ. Recognized in 1974, it is valued for its focused voice and for the way it leaves a sense of people, place, and time with the reader.
箱火ばちのおじいさん captures a sense of people and time within a tightly shaped form.
日の御子の国 is a children’s literature by 田中博. Recognized in 1973, it is valued for its focused voice and for the way it leaves a sense of people, place, and time with the reader.
日の御子の国 captures a sense of people and time within a tightly shaped form.
うみのしろうま is a children’s literature by 山下明生. Recognized in 1973, it is valued for its focused voice and for the way it leaves a sense of people, place, and time with the reader.
うみのしろうま captures a sense of people and time within a tightly shaped form.
A collection combining folktale-like narration with the sensibility of modern children's literature. Through grounded voices and small events, children encounter the world's strangeness and pain.
Stories scented with earth open the world through a child's gaze.
天の車 is a 児童文学作品 by 上種ミスズ. It reflects the literary and publishing climate around its award year, with the person, place, or incident suggested by the title forming the center of the work.
天の車 conveys the force of its subject and the author's perspective as an award-winning work.
千本松原 is a work by 岸武雄; a book edition was published by あかね書房 in 1992.
千本松原 stands in 岸武雄's award record.
まほうつかいのくしゃんねこ is a work by 吉行理恵; a book edition was published by 講談社 in 1974.
まほうつかいのくしゃんねこ stands in 吉行理恵's award record.
大地の冬のなかまたち is a work by 後藤竜二 recognized by the noma-children-literature-newcomer-award in 1970. It is presented here as an individual award-winning work, with bibliographic identifiers added where public records confirm a book edition.
大地の冬のなかまたち, a work recognized by the noma-children-literature-newcomer-award.
わたし日記を書いたの by 佐々木たづ was recognized by the 野間児童文芸新人賞. The work draws its force from the relationship between personal experience, social setting, and the author's distinctive perspective.
わたし日記を書いたの places human experience and the atmosphere of its time at the center of the work.
This work is introduced as a literary piece shaped by its period, characters, and central conflict. It can be read for the way private feeling, social pressure, and memory are brought into tension.
A concise entry point into a work where personal feeling and social pressure meet.
This work is introduced as a literary piece shaped by its period, characters, and central conflict. It can be read for the way private feeling, social pressure, and memory are brought into tension.
A concise entry point into a work where personal feeling and social pressure meet.
Kaze wa Omoide o Sasayaita is a linked collection based on Chuko Ono's childhood near Mount Akagi. It gathers the smell of earth and remembered landscapes, quietly layering childhood time with a feeling for home.
A linked collection that depicts childhood near Mount Akagi through earth-scented memories and landscapes.
Yamaneko no Kyodai is Kaoruko Okano's animal story about independence and sibling bonds through wildcats. It is remembered for portraying the pride and failures of wildcats moving swiftly through the forest with sympathetic, clear prose.
Through sibling wildcats in the forest, the work depicts wild pride and growth.
Wakakusairo no Kisen is Mitsuo Ishikawa's children's work about war and the memory of a ship. Centered on a steamer born in Britain and sunk in the Pacific while carrying Japanese soldiers, it conveys the weight of war and the military in language accessible to young readers.
A work that tells children about memories of war through the fate of a single steamer.
Iyaiyaen is a collection of early childhood stories in which preschooler Shigeru's daily life flows into imagination. Through episodes of refusal, a block-ship adventure, and meeting a little bear, it freely portrays children's changing feelings and the imaginative force of play.
An early childhood story in which Shigeru's preschool days open naturally into adventure and imagination.