Japan Art Academy Prize にほん げいじゅついん しょう
Edition 43 (1987)
Winners
12 people桃花瞼薄 is a 書作品 by 今井凌雪. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
桃花瞼薄 condenses the qualities of 今井凌雪's work in the form of a 書作品.
懸空寺 is a 日本画 by 堂本元次. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
懸空寺 condenses the qualities of 堂本元次's work in the form of a 日本画.
静秋 is a 彫刻 by 中村博直. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
静秋 condenses the qualities of 中村博直's work in the form of a 彫刻.
土門拳記念館 is a 建築 by 谷口吉生. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
土門拳記念館 condenses the qualities of 谷口吉生's work in the form of a 建築.
作家としての業績 is a 文学上の業績 by 三浦朱門. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
作家としての業績 condenses the qualities of 三浦朱門's work in the form of a 文学上の業績.
作家としての業績 is a 文学上の業績 by 吉村昭. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
作家としての業績 condenses the qualities of 吉村昭's work in the form of a 文学上の業績.
俳人としての業績 is a 俳句上の業績 by 山口誓子. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
俳人としての業績 condenses the qualities of 山口誓子's work in the form of a 俳句上の業績.
評論、短歌と広汎な分野にわたる文学上の業績 is a 文学上の業績 by 上田三四二. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
評論、短歌と広汎な分野にわたる文学上の業績 condenses the qualities of 上田三四二's work in the form of a 文学上の業績.
箏曲及び地唄の演奏家としての業績 is a 演奏上の業績 by 富山清琴. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
箏曲及び地唄の演奏家としての業績 condenses the qualities of 富山清琴's work in the form of a 演奏上の業績.
能狂言の優れた演奏 is a 演奏上の業績 by 野村万之丞. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
能狂言の優れた演奏 condenses the qualities of 野村万之丞's work in the form of a 演奏上の業績.
歌舞伎の優れた演技 is a 舞台芸術 by 尾上菊五郎. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
歌舞伎の優れた演技 condenses the qualities of 尾上菊五郎's work in the form of a 舞台芸術.
歌舞伎の優れた演技 is a 舞台芸術 by 中村富十郎. It presents its subject through a clear artistic perspective, giving shape to personal experience, historical context, and the texture of expression in a way suitable for readers encountering the work today.
歌舞伎の優れた演技 condenses the qualities of 中村富十郎's work in the form of a 舞台芸術.