菫濃く is an award-recognized 句集 by 深見けん二. Public bibliographic records and award information frame it as a work concerned with personal choice, memory, and the pressure of its social or historical setting.

菫濃く looks at the relationship between individual lives and their times through the shape of an award-winning work.

天心 is an award-winning work by 山陰石楠. Amazon JP, NDL, and related publisher records were checked, but no ISBN for a standalone book or paperback containing the work could be confirmed. Magazine and article identifiers were not reused.

天心, recorded as an award-winning work by 山陰石楠.

俳句編集ノート is an award-winning work by 鈴木豊一. Amazon JP, NDL, and related publisher records were checked, but no ISBN for a standalone book or paperback containing the work could be confirmed. Magazine and article identifiers were not reused.

俳句編集ノート, recorded as an award-winning work by 鈴木豊一.

晩節 is a work by 加藤 郁乎 recorded in the 2011-1 award data. A book-format record was confirmed, so its bibliographic data can be treated at the work level.

晩節 by 加藤 郁乎 is recorded here at the work level from the award record.

虚子と現代 is a work by 岩岡中正 recorded in the 2011-1 award data. A book-format record was confirmed, so its bibliographic data can be treated at the work level.

虚子と現代 by 岩岡中正 is recorded here at the work level from the award record.

A 俳句 work by 中岡毅雄. Landscape, memory, and bodily sensation overlap in compressed language, leaving a quiet resonance.

A sequence of spare words illuminates feelings hidden behind familiar scenery.

A 短歌 work by 永田和宏. Landscape, memory, and bodily sensation overlap in compressed language, leaving a quiet resonance.

A sequence of spare words illuminates feelings hidden behind familiar scenery.

A 詩 work by 川口晴美. Landscape, memory, and bodily sensation overlap in compressed language, leaving a quiet resonance.

A sequence of spare words illuminates feelings hidden behind familiar scenery.

荒神 is a work by 伊藤通明. It approaches its subject through haiku, place, and its award recognition reflects the force and focus of its language.

荒神 condenses its central concerns into a compact, memorable literary form.

東洋の秋 is a work by 島田修三. It approaches its subject through tanka, seasons, and its award recognition reflects the force and focus of its language.

東洋の秋 condenses its central concerns into a compact, memorable literary form.

子葉声韻 is a work by 高貝弘也. It approaches its subject through contemporary poetry, voice, and its award recognition reflects the force and focus of its language.

子葉声韻 condenses its central concerns into a compact, memorable literary form.

俳人 宇佐美魚目 is a work by 中村雅樹. It approaches its subject through haiku criticism, author study, and its award recognition reflects the force and focus of its language.

俳人 宇佐美魚目 condenses its central concerns into a compact, memorable literary form.

A haiku collection that receives the bodily feeling and memories of one's eighties through a brief poetic form. Rather than only lamenting age, it finds the certainty of life in seasonal change.

A haiku collection that receives the bodily feeling and memories of one's eighties through a brief poetic form.

A tanka collection that looks at a maiden painted on a screen and reads the distance of time and changing images of womanhood. Behind its painterly stillness lies tension between viewer and viewed.

A tanka collection that looks at a maiden painted on a screen and reads the distance of time and changing images of womanhood.

A poetic work that rethinks ordinary language and political feeling through the metaphor of left and right. With humor and critique, it illuminates unease hidden in everyday expressions.

A poetic work that rethinks ordinary language and political feeling through the metaphor of left and right.

A critical history tracing how haiku was written, read, and carried from wartime into the postwar period. It examines the relation between historical pressure and literary expression within haiku circles.

A critical history tracing how haiku was written, read, and carried from wartime into the postwar period.

This haiku collection follows Haruki Kadokawa’s family and postwar time through verse. Family history, publishing culture, and postwar memory overlap, turning personal experience into a sequence of haiku.

角川家の戦後 is an award-recognized 句集 by 角川春樹.

This tanka collection by Kyoko Kuriki gathers sensations of body, time, and daily life through images of transparency and wavering light. It condenses the delicate sensibility of contemporary tanka.

けむり水晶 is an award-recognized 歌集 by 栗木京子.

This poetry collection follows the feel of memory and time through seasonal light and the quiet of daily life. Its restrained language leaves a steady gaze on passing time.

六月の光、九月の椅子 is an award-recognized 詩集 by 吉田文憲.

This critical work reads the haiku poet Shinohara Hosaku by connecting his poems with their era and the course of haiku history. Through haiku, it looks closely at the seasons and life of a single writer.

鳳作の季節 is an award-recognized 評論 by 前田霧人.

海雨 is a work by 吉川宏志. It was selected for the 山本健吉文学賞 in 2006.

A work by 吉川宏志 recognized by the 山本健吉文学賞.

黄燐と投げ縄 is a work by 清水哲男. It was selected for the 山本健吉文学賞 in 2006.

A work by 清水哲男 recognized by the 山本健吉文学賞.

長谷川素逝 圓光の生涯 is a work by うさみとしお. It was selected for the 山本健吉文学賞 in 2006.

A work by うさみとしお recognized by the 山本健吉文学賞.

評伝 西脇順三郎 is a work by 新倉俊一. It was selected for the 山本健吉文学賞 in 2006.

A work by 新倉俊一 recognized by the 山本健吉文学賞.

ピサ詩篇の翻訳と注釈 is a work by エズラ・パウンド. It was selected for the 山本健吉文学賞 in 2006.

A work by エズラ・パウンド recognized by the 山本健吉文学賞.

海鼠の日 by 角川春樹 is introduced as a work that 獄中で詠まれた俳句を軸に、閉ざされた時間の中で自然、身体、記憶を見つめる句集。限られた空間に置かれた言葉が、外界への感覚と自己凝視を鮮烈に響かせます。

海鼠の日 is a concise gateway into 角川春樹's literary world.

あかるたへ by 水原紫苑 is introduced as a work that 戦争の記憶と日本人の魂の行方を、鋭い言葉と祈りの感覚で編み上げた歌集。古典的な響きと現代への切実なまなざしが重なり、救済を求める声が全体を貫いています。

あかるたへ is a concise gateway into 水原紫苑's literary world.

木端微塵 by 木村敏男 is introduced as a work that 俳句を中心に、断片化された感覚や日常の細部を凝縮して提示する作品。単独書籍の確実な流通情報を確認できず、作品内容の詳細は受賞記録を中心に補っています。

木端微塵 is a concise gateway into 木村敏男's literary world.

市井風流 by 加藤郁乎 is introduced as a work that 俳諧の歴史と人物をめぐる随筆を集め、江戸の風流と近現代の俳句精神を自在に往還する評論的作品。洒脱な語り口の中に、古典への深い読みと批評眼が息づいています。

市井風流 is a concise gateway into 加藤郁乎's literary world.

昭和の名句集を読む by 宗田安正 is introduced as a work that 昭和俳句を代表する句集を読み解き、時代ごとの俳句の達成と変化をたどる評論。個々の句集への精読を通して、昭和という時間の中で俳句が獲得した表現の幅を示します。

昭和の名句集を読む is a concise gateway into 宗田安正's literary world.

消息 is a poetic work by きちせあや. As the award-recognized work, it builds its appeal around the images and human movement suggested by the title, giving even a compact form a sense of layered time.

The title 消息 conveys the atmosphere and tension at the center of the work.

はじめての雪 is a poetic work by 佐佐木幸綱. As the award-recognized work, it builds its appeal around the images and human movement suggested by the title, giving even a compact form a sense of layered time.

The title はじめての雪 conveys the atmosphere and tension at the center of the work.

蕉風俳諧における＜季語・季題＞の研究 is a poetic work by 東聖子. As the award-recognized work, it builds its appeal around the images and human movement suggested by the title, giving even a compact form a sense of layered time.

The title 蕉風俳諧における＜季語・季題＞の研究 conveys the atmosphere and tension at the center of the work.

Shijisho is the fifth haiku collection by Jumio Yamaue. Rooted in the lineage of Shuoshi Mizuhara and Sodo Yamaguchi, it turns seasonal change and the passage of aging into haiku marked by clarity, lightness, and shadow.

A haiku collection where a longing for life and a quiet shadow breathe beneath transparent seasonal words.

Kashin is a haiku collection by Tsuneko Kikuchi. Issued in the Bairi Haiku Selection series, it carefully gathers everyday scenes and seasonal presences, reflecting a firm sensibility within quiet language.

With the freshness of morning flowers, this collection reconnects daily time to the language of the seasons.

Okibi is a tanka collection by Fumihiro Oshima. It sets heightened emotions from work and daily life within a restrained form, portraying a will that keeps burning beneath a calm surface.

A tanka collection that preserves the heat of feelings that rise even as they are being calmed.

Ryuriden is a tanka collection by Yu Naruse. Taking wandering and displacement as its central feeling, it renders personal memory and the atmosphere of an era through a sequence of composed tanka.

Carrying a sense of wandering, the book moves memory and landscape into the order of tanka.

Sekai Chunen Kaigi is a poetry collection by Kosuke Yotsumoto. It draws on the sensibility of a mobile businessperson, cities, media, family, and world affairs, surveying the world from the vantage point of middle age.

From the midst of everyday life and global events, the book launches a new adventure in contemporary poetry.

Kinsei Chuki no Kamigata Haidan is a study of early modern haikai by Ryoko Fukasawa. It examines the Kyoto and Osaka haikai circles after Basho and before the revival of the Basho style, focusing on figures such as Matsuki Tantan and changes in poetic style.

The book illuminates how Edo's share-style haikai changed in Kamigata through the haikai circles of Kyoto and Osaka.

Haiku no Modan is a work of haiku criticism by Masaru Nihei. It reads changes in modern haiku expression through the tension between modernist sensibility and fixed form, considering how haiku acquired modernity.

A critical collection that asks what happened to haiku expression from the perspective of the modern.

Shimanchu nu Takara is a song by BEGIN. Inspired by writings from junior high school students on Ishigaki Island, it asks how much people raised on an island truly know of its songs, language, and memories.

A signature song that hands the desire to know one's home songs on to the island's future.

Madoka Mayuzumi’s haiku collection pairs poems with photographs to portray Kyoto’s seasons and mature love. Through seasonal words rooted in Kyoto, it joins travel atmosphere with quiet passion.

京都の恋 presents a concentrated view of 黛まどか’s award-recognized work.

Roppaku is Kiyohiro Tamai’s fifth tanka collection, grounded in introspective lyricism. Rooted in a Shikoku sense of place, it captures the shades of life through quiet language and sustained self-observation.

六白 presents a concentrated view of 玉井清弘’s award-recognized work.

Takaaki Morinaka’s long poetry collection echoes the figure of Antigone while setting the law of the state against the law of mourning. It calls back voices pushed outside history through a stage of memory, forgetting, and unrest.

シスター・アンティゴネーの暦のない墓 presents a concentrated view of 守中高明’s award-recognized work.

Hirotoshi Ikawa’s poetry collection has been described as a Heisei-era book of devoted feeling. Through elegy for a friend, urban scenes, and a light touch reminiscent of popular song, it turns loss and attachment to beauty into plain, resonant language.

そして、船は行く presents a concentrated view of 井川博年’s award-recognized work.

蛇笏と楸邨 by 平井照敏 is a work that draws readers into its subject through carefully shaped scenes and language.

A compact work that leaves a clear afterimage through its voice and structure.

金子光晴の世界 by 原満三寿 is a work that draws readers into its subject through carefully shaped scenes and language.

A compact work that leaves a clear afterimage through its voice and structure.

ひとり by ゴスペラーズ is a work that draws readers into its subject through carefully shaped scenes and language.

A compact work that leaves a clear afterimage through its voice and structure.

This haiku collection frames landscapes as a hundred scenes, accumulating details of season and place. Precise observation resonates with an awareness of the time behind each view.

百景 is an award-winning work that distills the voice of 伊藤敬子.

This tanka collection turns the journey of life into poetic time, marking travel, aging, and memory with restraint. Its calm diction opens the perspective of someone who has walked a long road.

行路 is an award-winning work that distills the voice of 島田修二.

This poetry collection reshapes feelings after rupture and loss into language of renewal. Beneath its quiet voice lies a firm will to recover life.

再生 is an award-winning work that distills the voice of 田中清光.

This critical work rereads the haikai poet Takarai Kikaku through the vitality of Genroku culture and urban wit. It portrays Kikaku through both tradition and deviation.

元禄の鬼才 宝井其角 is an award-winning work that distills the voice of 田中義信.

This critical book rereads haiku through bodily sensation, treating season words and natural imagery as physical response. It links appreciation and practice by asking how haiku language reaches the body.

俳句からだ感 is an award-winning work that distills the voice of 宮坂静生.

This lyric places parting and memory on a cherry-blossom slope. Widely known as a popular song, it uses spare language to evoke elapsed time and the ache of a love that will not return.

桜坂 is an award-winning work that distills the voice of 福山雅治.